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The original "Shook Ones" was released as a promotional single in 1994 as the debut single on Mobb Deep's new label, Loud Records.Producer Havoc stated, . What made us do a remix or a part two to the first “Shook Ones” was just our nervousness about failing because we had came off of the Juvenile Hell album, which wasn’t too successful.
The Instrumental Works is a 1988 compilation album by The Alan Parsons Project, featuring many of the band's instrumental tracks. [2] [3] Tracks.
Come and join the Nazi Party," [2] taken from the song "Springtime for Hitler". In the accompanying music video, Brooks is dressed like Adolf Hitler and raps about the key events in Hitler's life in Nazi Germany. The ending makes reference to Hitler's alleged escape to Argentina near the end of World War II. [2]
The studio album Snakes & Arrows is the only one to feature multiple instrumental tracks: "The Main Monkey Business", "Hope", and "Malignant Narcissism". "The Main Monkey Business" clocks in at 6 minutes and 1 second, making it Rush's second longest instrumental, the longest being "La Villa Strangiato".
Cloudy with a Chance of Meatballs 2: United States End Credits (also with stop-motion) and digital shorts 95 Columbia Pictures / Sony Pictures Animation 2013 El Secreto del Medallón de Jade: Mexico Young Grandpa Yolotl’s sequences 79 Kaxan Animation 2013 Free Birds: United States "Telenovela" sequence 91 Relativity Media / Reel FX Creative ...
This is a list of music video games, sorted alphabetically. The table can be sorted by a different column via clicking on the small box next to column heading. The table can be sorted by a different column via clicking on the small box next to column heading.
It features three individual levels. The first is set on the jungle world of Arboria in which Flash Gordon has to traverse through the jungle like maze to escape. The second level is a beat'em up style game in which Flash fights Prince Barin. The final level is a 3D style shooter which has Flash flying a rocket cycle in pursuit of Ming the ...
Doggett recorded it as a two-part single in 1956. [2] It became Doggett's signature piece and a standard recorded by many other performers. [3] The instrumental peaked at number two for three weeks on the Billboard Hot 100, [4] and was the biggest R&B hit of the year, spending thirteen non-consecutive weeks at the top of the charts. [5]