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The song is known for its distinct time signatures and corresponding lyrical patterns. The time signatures of the chorus of the song change from 9/8 to 8/8 to 7/8; as drummer Danny Carey says, "It was originally titled 9-8-7.
Undertow is the debut studio album by the American rock band Tool, released on April 6, 1993, by Zoo Entertainment.Produced by the band and Sylvia Massy, it was recorded from October to December 1992 at Sound City Studios in Van Nuys and Grandmaster Recorders in Hollywood.
Along with Undertow, many Tool fans consider Opiate to be the band's heaviest album. [12] The connection fans have to the EP was addressed on the song "Hooker with a Penis" from their third release and second LP Ænima. The EP features straightforward song structures in place of the progressive traits the band became known for later in their ...
Fear Inoculum is the fifth studio album by the American rock band Tool.It was released on August 30, 2019, through Tool Dissectional, Volcano Entertainment, and RCA Records.
During this time, Tool's stage show began to grow and better reflect the band. During a show in London at Shepards Bush, the band had a man dressed as Jesus join them on stage. At the same show, future Tool member (then member of opening band Peach) Justin Chancellor joined the band for the song "Sober".
Lateralus (/ ˌ l æ t ə ˈ r æ l ə s /) [2] is the third studio album by the American rock band Tool.It was released on May 15, 2001, through Volcano Entertainment.The album was recorded at Cello Studios in Hollywood and The Hook, Big Empty Space, and The Lodge, in North Hollywood, between October 2000 and January 2001.
Maynard James Keenan (born James Herbert Keenan; April 17, 1964) is an American singer, songwriter, philanthropist, record producer, and winemaker.He is best known as the singer and primary lyricist of the rock bands Tool, A Perfect Circle, and Puscifer.
The song was released as the second single from their debut studio album Undertow. The song uses a modified drop-B tuning . The track features an "anti-climax" coda, [ 2 ] in which memorable verses and choruses dissolve into an unrelated, quiet final section.
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