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The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish ...
Pheng Xat Lao. " Pheng Xat Lao " ( Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit. It was adopted as the national anthem of the Kingdom of Laos in 1945.
The Tai Dam ( Tai Dam: ꪼꪕ ꪒꪾ, Lao: ໄຕດຳ, Thai: ไทดำ) are an ethnic minority predominantly from China, northwest Vietnam, Laos, Thailand. They are part of the Tai peoples and ethnically similar to the Thai from Thailand, the Lao from Laos and the Shan from Shan State, Myanmar. Tai Dam means "Black Tai". This name comes ...
Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam . Most notable Lao hip hop artists from the US are Supasang aka Buc Supa, 'gangsta rapper' Gumby AKA Pryce, Lil ...
Khene. In the United States, the top master khaen artist is a blind Laotian-born player, Bounseung Synanonh. Master Synanonh started playing the khaen at age twelve and later lost his eyesight at age 15. Master Synanonh immigrated to the U.S. as a refugee in the early 1980s. [8] In 1987, he performed for President Reagan at the White House.
Mor lam ( Lao: ໝໍລຳ; Isan: หมอลำ [mɔ̌ː lám]; Thai: หมอลำ, RTGS : mo lam, [mɔ̌ː lām]) is a traditional Lao form of song in Laos and Isan. Mor lam means 'expert song', or 'expert singer', referring to the music or artist respectively. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum ...
Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]). In Isan, both terms are interchangeable, but in Laos, morlam only refers to the singer.
Lao pop music started forming itself in the late 1980s, when Laos started benefiting from an economic growth that has lasted till nowadays. Before the reforms implemented by the government, the entertainment industry was completely limited due to the tight censorship and the widespread poverty, which prevented the music scene from flourishing.