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Henryk Górecki: String Quartet No. 3 ('...songs are sung') is a studio album by the Kronos Quartet, containing the last string quartet by Polish composer Henryk Górecki. The Kronos Quartet had recorded Górecki's other string quartets on Henryk Mikolaj Górecki: Already It Is Dusk/"Lerchenmusik" (1991) and on Henryk Górecki: String Quartets ...
"My Ship Is Comin' In" is a song written by Joseph Brooks (credited as "Joey Brooks"), which was first a song for the American soul singer Jimmy Radcliffe in 1965 and was later recorded and released by the American pop group The Walker Brothers as their fourth single that same year. Outside the US and Canada, the song's title was "My Ship Is ...
Rob Theakston, writing for allmusic, said the interplay between Kronos and Ostertag is full of tension of potent magnitude, and called it "an eloquent tone poem that fans of both artists will enjoy." Personnel Musicians. David Harrington – violin; John Sherba – violin; Hank Dutt – viola; Joan Jeanrenaud – cello; Eric Gupton – reading
In the words of Joan Jeanrenaud (Kronos cellist until 1998), "Terry shaped how Kronos shaped the music we played"; the Kronos Quartet, in turn, helped Riley "to move beyond the minimalism of his early period," an observation made also by K. Robert Schwarz in a long piece in The New York Times on the occasion of an overview of the composer's ...
Kronos Quartet is a studio album by the Kronos Quartet, the first of their albums on Nonesuch Records. It contains compositions by Australian composer Peter Sculthorpe, Finnish composer Aulis Sallinen, American composer Philip Glass, and American/Mexican composer Conlon Nancarrow. The last track is Jimi Hendrix's "Purple Haze."
Music of Bill Evans is a studio album by the Kronos Quartet, containing compositions written by or associated with Bill Evans and arranged by Tom Darter. Several tracks feature important jazz players who had recorded with Evans: Jim Hall on guitar and Eddie Gómez on bass.
The album was listed at #11 in the Los Angeles Times Classical Top 25 of 1989. [2] Brian Olewnick, in the All Music Guide to Jazz, calls it a "fairly typical early mélange type recording by Kronos, mixing in au courant contemporary fare with a downtown edge and 20th century classics."