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A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like 2 4, 3 4, and 4 4), or compound (grouped in threes, like 6 8, 9 8, and 12 8). Less common signatures indicate complex, mixed, additive, and irrational meters.
4 is pronounced as "three-four" or "three-quarter time". Compound time signatures In a compound meter, there is an additional rhythmic grouping within each measure. This example shows 6 8 time, indicating 6 beats per measure, with an eighth note representing one beat. The rhythm within each measure is divided into two groups of three eighth ...
Marches can be written in any time signature, but the most common time signatures are 4 4, 2 2 (alla breve, although this may refer to 2 time of Johannes Brahms, or cut time), or 6 8. However, some modern marches are being written in 1 2 or 2 4 time. The modern march tempo is typically around 120 beats per minute.
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples ( simple) or 6 and multiples ( compound) in the upper figure of the time signature, with 2. 2 ( cut time ), 2. 4, and 6. 8 (at a fast tempo) being the most common examples.
Compound metres are written with a time signature that shows the number of divisions of beats in each bar as opposed to the number of beats. For example, compound duple (two beats, each divided into three) is written as a time signature with a numerator of six, for example, 6 8. Contrast this with the time signature 3
Simple quintuple meter can be written in 5. 4 or 5. 8 time, but may also be notated by using regularly alternating bars of triple and duple meters, for example 2. 4 + 3. 4. Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of 15. 8, by writing triplets on each beat of ...
It incorporates multiple time signatures. It starts with a churning, bass-heavy riff in 6 8 time, which is a musical palindrome. After one full sequence, it merges into a new, slightly funky section in 4 4 that lasts for a minute and a half. It afterwards breaks back into three full cycles of the main riff. Squire wrote this main riff.
The composition features a number of time signature changes. The intro and outro are performed in 6 8 time, led by Shaw's acoustic guitar tracks and Dennis DeYoung's synthesizer melodies. The vocal sections of the song are in 4 4. The instrumental features a synthesizer solo in 7 4 time, before returning to 4 4 for the final chorus.