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Woranuch Bhirombhakdi ( Thai: วรนุช ภิรมย์ภักดี; RTGS : Woranut Phiromphakdi ), née Wongsawan ( Thai: วรนุช วงษ์สวรรค์ ), or usually known by her nickname Nune ( Thai: นุ่น; RTGS : Nun) is a Thai actress in Thai soap operas (lakorn) and films. Her first lakorn role was Pob ...
Thai television soap operas have contributed to popularize the spirits and legends of the folklore of Thailand. Some soap operas, such as "Raeng Ngao", include the popular ghosts in Thai culture interacting with the living, while others are based on traditional Thai legends and folk tales such as "Nang Sib Song", "Kaki" and "Thep Sarm Rudoo".
Poot Mae Nam Khong. Poot Mae Nam Khong ( Thai: ภูตแม่น้ำโขง, RTGS : Phut Mae Nam Khong, literally The Spirit of Mekong River ) is a Thai Horror Superstition Lakorn, remade from 1990 lakorn of the same name. The lakorn starring by Weir Sukollawat and Jui Warattaya as the Main roles and Morakot Aimee Kittisara as the ghost.
Khu Kam (1990) - Bird McIntyre and Komolchanok Komolthiti. Wanida (1991) - Sarunyoo Wongkrachang and Lalita Panyopas. Nai Fun (1992) - Chatchai Plengpanich, Warut, Sinjai, and Lalita Panyopas. Pai Lod Gor (1992) - Ann Thongprasom and Bpop Ponrath. One Nee Tee Raw Koy (1993) - Bird Thongchai McIntyre and Siriam Pakdeedumrongrit.
eat boiled rice from the middle (of the bowl) to do something in a hurry and without deliberation, resulting in harm [1] กินตามน้ำ. kin tam nam. eat by the water flow. to receive gifts or bribes without actively asking [1] กินที่ลับไขที่แจ้ง. kin thi lap khai thi chaeng. eat in secret, tell ...
Brave Man Standing ( Thai: คมแฝก; RTGS : Khom Faek ), is a Thai action drama lakorn, loosely based on an older Thai film of the same name. The lakorn became the highest rated lakorn in Thai history. [dubious – discuss] It starred Woranut Wongsawan and Nattawut Sakidjai as the leading couple, and also included Cee Siwat and Cheer ...
Khon ( Thai: โขน, pronounced [kʰǒːn]) is a dance drama genre from Thailand. Khon has been performed since the Ayutthaya Kingdom. [1] It is traditionally performed solely in the royal court by men in masks accompanied by narrators and a traditional piphat ensemble.
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