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In Buddhism, a sotāpanna or srotāpanna (Chinese: 入流; pinyin: rùliú, Chinese: 须陀洹; pinyin: xū tuó huán; Burmese: သောတာပန်; Tibetan: རྒྱུན་ཞུགས་; Wylie: rgyun zhugs [1])—translated variously as "stream-enterer", "stream-entrant" [2] or "stream-winner" [3] —is a person who has grasped the dharma and thereby dropped the first three fetters ...
Personal free writing is the practice of writing what one is thinking without considering organization or grammatical errors. In a study done by Fred McKinney, free writing was defined as letting one’s thoughts and words flow onto paper without hesitation. [21] This can be done in the format of letters or even a personal notebook.
True is of the opinion that in practice, attempts to mainstream gender within international institutions have led to the marginalization and increasing invisibility ...
The practice of performing seppuku at the death of one's master, known as oibara (追腹 or 追い腹, the kun'yomi or Japanese reading) or tsuifuku (追腹, the on'yomi or Chinese reading), follows a similar ritual. The word jigai (自害) means "suicide" in Japanese.
The word Orthodox was borrowed from the general German Enlightenment discourse, and used to denote those Jews who opposed Enlightenment. During the early and mid-19th century, with the advent of the progressive movements among German Jews, and especially early Reform Judaism , the title Orthodox became the epithet of traditionalists who ...
Patrul Rinpoche was born in Dzachukha, [2] a nomadic area of Golok Dzachukha, Eastern Tibet in 1808, and was recognized as the reincarnation of Palgé Samten Phuntsok and was given the name Orgyen Jikmé Chökyi Wangpo. [2]
For most spoken languages, the boundaries between lexical units are difficult to identify; phonotactics are one answer to this issue. One might expect that the inter-word spaces used by many written languages like English or Spanish would correspond to pauses in their spoken version, but that is true only in very slow speech, when the speaker deliberately inserts those pauses.
Down by the old mill stream Where I first met you, With your eyes of blue, Dressed in gingham too, It was there I knew that you loved me true, You were sixteen, my village queen, By the old mill stream. (Verse 2) The old mill wheel is silent and has fallen down, The old oak tree has withered and lies there on the ground;