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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
René Descartes ( / deɪˈkɑːrt / day-KART or UK: / ˈdeɪkɑːrt / DAY-kart; French: [ʁəne dekaʁt] ⓘ; [note 3] [11] 31 March 1596 – 11 February 1650) [12] [13] [14] : 58 was a French philosopher, scientist, and mathematician, widely considered a seminal figure in the emergence of modern philosophy and science. Mathematics was ...
In music, the schisma (also spelled skhisma) is the interval between the syntonic comma (81:80) and the Pythagorean comma ( 531 441 : 524 288 ), which is slightly larger. It equals 5 × 3 8 2 15 or 32 805 : 32 768 ≈ 1.00113, [1] [2] which corresponds to 1.9537 cents ( Play ⓘ ). It may also be defined as: the ratio of the syntonic comma and ...
comping (jazz) 1. to comp; action of accompanying. con. With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit.'with calm' ); (see also col and colla) con dolcezza. See dolce. con sordina or con sordine (plural) With a mute, or with mutes.
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
In the first part of his work, Descartes ponders the relationship between the thinking substance and the body. For Descartes, the only link between these two substances is the pineal gland (art. 31), the place where the soul is attached to the body. The passions that Descartes studies are in reality the actions of the body on the soul (art. 25).
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when ...
Musical development uses a distinct musical figure that is subsequently altered, repeated, or sequenced throughout a piece or section of a piece of music, guaranteeing its unity. Examples [ edit ] A phrase originally presented as a motif may become a figure which accompanies another melody , as in the second movement of Claude Debussy 's String ...