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Kittinger Company furniture was used extensively in the redesign since this company was the sole licensee of furniture for the Colonial Williamsburg Foundation's famous program to produce exact reproductions of 18th century antiques. [6] Included in the redesign was a new conference table and chairs for the cabinet room.
Four of these Queen Anne chairs are originals and attributed to Savery; four are modern reproductions. William Savery (1721 or 1722 – 1787 in Philadelphia, Pennsylvania) was an 18th-century American cabinetmaker noted for his furniture in the Queen Anne and Philadelphia Chippendale styles.
William and Mary style. What later came to be known as the William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, Kingdom of England, Kingdom of Scotland and Kingdom of Ireland, and later in England's American colonies. It was a transitional style between Mannerist furniture and Queen Anne furniture.
Duncan Phyfe (1768 – 16 August 1854) [1] was one of nineteenth-century America's leading cabinetmakers.. Rather than create a new furniture style, he interpreted fashionable European trends in a manner so distinguished and particular that he became a major spokesman for Neoclassicism in the United States, influencing a generation of American cabinetmakers.
Queen Anne furniture is "somewhat smaller, lighter, and more comfortable than its predecessors," and examples in common use include "curving shapes, the cabriole leg, cushioned seats, wing-back chairs, and practical secretary desk - bookcase pieces." [2] Other elements characterizing the style include pad feet and "an emphasis on line and form ...
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
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