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A pedestal, on the other hand, is defined as a shaft-like form that raises the sculpture and separates it from the base. [1] An elevated pedestal or plinth that bears a statue, and which is raised from the substructure supporting it (typically roofs or corniches), is sometimes called an acropodium. The term is from Greek ἄκρος ákros ...
Acroterion. An acroterion, acroterium, (pl. akroteria) [1] is an architectural ornament placed on a flat pedestal called the acroter or plinth, and mounted at the apex or corner of the pediment of a building in the classical style. [2] An acroterion placed at the outer angles of the pediment is an acroterion angularium (angulārium means ‘at ...
Dado meaning the middle section or main body of a pedestal. The name was first used in English as an architectural term for the part of a pedestal between the base and the cornice. As with many other architectural terms, the word is Italian in origin. The dado in a pedestal is roughly cubical in shape, and the word in Italian means "dice" or ...
Socle (architecture) Bust on a round socle. Statue with inscription on what is called the socle in French; more likely the plinth in English. In architecture, a socle is a short plinth used to support a pedestal, sculpture, or column. In English, the term tends to be most used for the bases for rather small sculptures, with plinth or pedestal ...
Plinth The base or platform upon which a column, pedestal, statue, monument or structure rests. A plinth is a lower terminus of the face trim on a door that is thicker and often wider than the trim which it augments. Poppyheads Finials or other ornaments which terminate the tops of bench ends, either to pews or stalls.
In architecture, a pilaster is both a load-bearing section of thickened wall or column integrated into a wall, and a purely decorative element in classical architecture which gives the appearance of a supporting column and articulates an extent of wall. As an ornament it consists of a flat surface raised from the main wall surface, usually ...
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