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In 1944, while giving a show at a military hospital in Hot Springs, Arkansas, Jolson met a young X-ray technologist, Erle Galbraith. He became fascinated with her and more than a year later he was able to track her down and hired her as an actress while he served as a producer at Columbia Pictures.
The Court of Last Resort is an American television dramatized court show which aired October 4, 1957 – April 11, 1958, on NBC. It was co-produced by Erle Stanley Gardner 's Paisano Productions, which also brought forth the long-running hit CBS-TV law series, Perry Mason .
Ruby Keeler. Ethel Ruby Keeler[1] (August 25, 1909 [1] – February 28, 1993) was a Canadian-born American actress, dancer, and singer who was paired on-screen with Dick Powell in a string of successful early musicals at Warner Bros., particularly 42nd Street (1933). From 1928 to 1940, she was married to actor and singer Al Jolson.
Paul Drake is a fictional private detective in the Perry Mason series of murder mystery novels by Erle Stanley Gardner. Drake is described as tall and slouching, nondescript (as suits his profession), and frequently wearing an expression of droll humor. He often smoked cigarettes especially when he had a subject of interest under surveillance.
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Cool and Lam is a fictional American private detective firm that is the center of a series of thirty detective novels written by Erle Stanley Gardner (creator of "Perry Mason") using the pen name of A. A. Fair.
Lunch atop a Skyscraper is a black-and-white photograph taken on September 20, 1932, of eleven ironworkers sitting on a steel beam of the RCA Building, 850 feet (260 meters) above the ground during the construction of Rockefeller Center in Manhattan, New York City. It was a staged photograph arranged as a publicity stunt, part of a campaign promoting the skyscraper.
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton, rather than Kane. [2] However, after being given the commission, it seems the latter was responsible for choosing the ...