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The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3] : 204 and the " ice cream changes " [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is: I–vi–IV–V. For example, in C major: C–Am ...
Neapolitan chord. In Classical music theory, a Neapolitan chord (or simply a " Neapolitan ") is a major chord built on the lowered ( flatted) second ( supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, [1] since in minor scales the chord is built on the notes of the corresponding Phrygian mode .
Gsus4: D-G-D-G-C-D (first five strings equivalent to Sawmill tuning for the banjo) Gsus4/4 / Orkney Tuning: C-G-D-G-C-D; Alternative Gsus4: G-C-D-G-C-D (used by Swervedriver throughout their career, starting with the album Mezcal Head) Extended chord. In extended chord tunings, the open strings form a seventh, ninth, or eleventh chord.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. Rotations ...
D/F ♯ (alternately notated D major/F ♯ bass) notated in regular notation (on top) and tabulature (below) for a six-string guitar. Play ⓘ.. In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter.
The Petrushka chord is defined as two simultaneous major triads separated by a tritone. In Petrushka, Stravinsky used C major on top of F ♯ major (the latter presented here in first inversion ): The device uses tones that, together, make up a synthetic hexatonic scale (0 1 4 6 7 t). When enharmonically spelled C–D ♭ –E–G ♭ –G ...
Drop C tuning. Drop C tuning is an alternative guitar tuning where at least one string has been lowered to a C, but most commonly refers to CGCFAD, which can be described as D tuning with a 6th string dropped to C, or drop D tuning transposed down a whole step. Because of its heavier tone, it is most commonly used in rock and heavy metal music.
Final chord of Arnold Schoenberg's Sechs kleine Klavierstücke, 2nd movement, in thirds: C–E–G–B–D ♯ –F ♯ –A ♯ –C. Play ⓘ Building on each of the major scale degrees the thirteenth chord chord quality that is harmonic to such scale (i.e. with all its notes belonging to such scale), results in the following table.