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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (known simply and more commonly as Dr. Strangelove) is a 1964 political satire black comedy film co-written, produced, and directed by Stanley Kubrick and starring Peter Sellers in three roles, including the title character. The film, financed and released by Columbia Pictures ...
In Peter George's novel, Red Alert (1958), which was the basis for the film, the device is called the CRM 114. [3] George was well-informed; under the U.S. military Joint Electronics Type Designation System (The "AN" System), CRM is the designator for an air-transportable cargo (C) radio (R) maintenance or test assembly (M) and 114 is a feasible series number.
Distributor and color conversion company Above and Beyond: 1952: 1992: Turner Entertainment [1] [2] The Absent-Minded Professor: 1961: 1986: The Walt Disney Company [3] (Color Systems Technology) [4] [a] An Ache in Every Stake: 1941: 2004: Columbia Pictures (West Wing Studios) [7] Across the Pacific: 1942: 1987: Turner Entertainment [8] Action ...
Eyes Wide Shut is a 1999 erotic mystery psychological drama film directed, produced, and co-written by Stanley Kubrick. It is based on the 1926 novella Dream Story (German: Traumnovelle) by Arthur Schnitzler, transferring the story's setting from early twentieth-century Vienna to 1990s New York City. The plot centers on a doctor (Tom Cruise ...
Red Alert. (novel) Red Alert is a 1958 novel by Peter George about nuclear war. The book provided the underlying narrative structure for Stanley Kubrick 's 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. [1] Kubrick's film differs significantly from the novel in that the film is a black comedy.
Lolita (1962 film) Lolita is a 1962 black comedy - psychological drama film [ 9 ] directed by Stanley Kubrick, based on the 1955 novel of the same name by Vladimir Nabokov. The black-and-white film follows a middle-aged literature lecturer who writes as "Humbert Humbert" and has hebephilia. He is sexually infatuated with young, adolescent ...
The transition to color started in earnest when NBC announced in May 1963 that a large majority of its 1964–65 TV season would be in color. [2] By late September 1964, the move to potential all-color programming was being seen as successful [3] and, on March 8, 1965, NBC confirmed that its 1965–66 season will be almost entirely in color. [4]
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