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Biography. He was active in Tournai from 1428 to 1440 and was possibly from Valenciennes. [1] He was probably born in the 1410s as he was paid in 1428 for carving a life-size stone Annunciation group after a painting by Robert Campin for what is now the Church of Saint Quentin in Tournai. His Annunciation group is considered the earliest ...
Coordinates: 50°36′24″N 03°23′06″E. Church of Saint Quentin, Tournai. The Church of St. Quentin (French: Église Saint-Quentin) is a Roman Catholic parish church in Tournai, Belgium. The largely Romanesque building is located on the main square of the town, the Grand-Place. Known to have existed since the 10th century, the current ...
Grand-Place. The Grand-Place (French: [ɡʁɑ̃ plas]; "Grand Square" [a]) is the main square and the centre of activity of Tournai, Hainaut, Belgium. The square has a triangular shape, owing it to the convergence of several ancient roads, [2] and it covers 7,500 m 2 (81,000 sq ft). As in many Belgian cities, there are a number of cafés and ...
Tournai, known as Tornacum, was a place of minor importance in Roman times, a stopping place where the Roman road from Cologne on the Rhine to Boulogne on the coast crossed the river Scheldt. It was fortified under Emperor Maximian in the 3rd century AD, [6] when the Roman limes was withdrawn to the string of outposts along the road.
Pasquier Grenier (fl. 1447–1493) was a Flemish tapestry and wine merchant working in Tournai, and the greater region under the control of the Dukes of Burgundy. [1] [2] Once believed to be a master tapestry weaver, archival documents reveal that he was actually one of the most prominent tapestry dealers of the fifteenth-century in Western Europe, working with tapestry workshops in cities ...
Master of the Legend of Saint Lucy (fl. 1480–1510) was an unidentified Early Netherlandish painter from Bruges. His name comes from an altarpiece in the church of Saint James in Bruges, dated 1480, depicting three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand.
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of Early Netherlandish painting, a key development in the early Northern Renaissance.
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