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Enharmonic equivalence. In music, two written notes have enharmonic equivalence if they produce the same pitch but are notated differently. Similarly, written intervals, chords, or key signatures are considered enharmonic if they represent identical pitches that are notated differently. The term derives from Latin enharmonicus, in turn from ...
Bourrée in E minor. J.S. Bach 'Bourree in E minor' (BWV 996) Bourrée in E minor is a popular lute piece, the fifth movement from Suite in E minor BWV 996 (BC L166) written by Johann Sebastian Bach between 1708 and 1717. The piece is arguably one of the most famous among guitarists.
The Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach.
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing three staff positions (see: interval number ). The minor third is one of two commonly occurring thirds. It is called minor because it is the smaller of the two: the major third spans an ...
See media help. Fugue in G minor, BWV 578, (popularly known as the Little Fugue ), is a piece of organ music written by Johann Sebastian Bach during his years at Arnstadt (1703–1707). It is one of Bach's best known fugues and has been arranged for other voices, including an orchestral version by Leopold Stokowski. [1]
In music, relative keys are the major and minor scales that have the same key signatures ( enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship.
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