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Poetics. (Aristotle) Aristotle 's Poetics ( Greek: Περὶ ποιητικῆς Peri poietikês; Latin: De Poetica; [1] c. 335 BCE [2]) is the earliest surviving work of Greek dramatic theory and the first extant philosophical treatise to focus on literary theory.
Aristotle [A] ( Greek: Ἀριστοτέλης Aristotélēs, pronounced [aristotélɛːs]; 384–322 BC) was an Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of ...
The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle 's works that have survived from antiquity. According to a distinction that originates with Aristotle himself, [citation needed] his writings are divisible into two groups: the "exoteric" and the "esoteric ...
8. “He who cannot be a good follower cannot be a good leader .”. 9. “The roots of education are bitter, but the fruit is sweet.”. 10. “He who is to be a good ruler must have first been ...
Theophrastus ( / ˌθiː.əˈfræstəs /; Ancient Greek: Θεόφραστος, romanized : Theóphrastos, lit. 'godly phrased'; c. 371 – c. 287 BC) [3] was a Greek philosopher and the successor to Aristotle in the Peripatetic school. He was a native of Eresos in Lesbos. [4] His given name was Τύρταμος ( Túrtamos ); his nickname ...
Unmoved mover. The unmoved mover ( Ancient Greek: ὃ οὐ κινούμενον κινεῖ, romanized : ho ou kinoúmenon kineî, lit. 'that which moves without being moved') [1] or prime mover ( Latin: primum movens) is a concept advanced by Aristotle as a primary cause (or first uncaused cause) [2] or "mover" of all the motion in the ...
Tragic hero. A tragic hero (or tragic heroine if they are female) is the protagonist of a tragedy. In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. Aristotle based his observations on previous dramas. [1]
Mythos [from Ancient Greek μῦθος mûthos] is the term used by Aristotle in his Poetics (c. 335 BCE) to mean an Athenian tragedy's plot as a "representation of an action" [1] or "the arrangement of the incidents" [2] that "represents the action". [3] Aristotle distinguishes plot from praxis – which are the actions the plots represent. [4]