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Theatre in the Victorian era. Theatre in the Victorian era is regarded as history of theatre in the United Kingdom during the reign of Queen Victoria from 1837 to 1901. It was a time during which literature and theatre flourished. During this era, many new theatres and theatre schools were built, and political reforms came into practice which ...
Nineteenth-century theatre describes a wide range of movements in the theatrical culture of Europe and the United States in the 19th century. In the West, they include Romanticism, melodrama, the well-made plays of Scribe and Sardou, the farces of Feydeau, the problem plays of Naturalism and Realism, Wagner's operatic Gesamtkunstwerk, Gilbert ...
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are ...
The Old Vic is a 1,000-seat, not-for-profit producing theatre in Waterloo, London, England. It was established in 1818 as the Royal Coburg Theatre, and renamed in 1833 the Royal Victoria Theatre. In 1871 it was rebuilt and reopened as the Royal Victoria Palace. It was taken over by Emma Cons in 1880 and formally named the Royal Victoria Hall ...
Musicals set in the 19th century (10 C, 33 P) 0–9. Plays set in the 1800s (1 C, 6 P) ... The Wedding (1901 play) Y. Young Marx (play) Yugpurush (play) Z.
Theatre in the nineteenth century was noted for its changing philosophy from the Romanticism and Neoclassicism that dominated Europe since the late 18th century to Realism and Naturalism in the latter half of the 19th century before it eventually gave way to the rise of Modernism in the 20th century. Scenery in theater at the time closely ...
The Naturalist theatre movement was a reaction to Melodrama, the Victorian theatre tradition of the time. Shaw wrote two endings for this play; the first ending, with divorce as its main theme, was discarded on the advice of a friend, the second ending resulting in a more conventional marriage.
T. W. Robertson. Thomas William Robertson (9 January 1829 – 3 February 1871) was an English dramatist and stage director known for his development of naturalism in British theatre. Born to a theatrical family, Robertson began as an actor, but he was not a success and gave up acting in his late 20s. After earning a modest living writing ...