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Aristotle [A] ( Greek: Ἀριστοτέλης Aristotélēs, pronounced [aristotélɛːs]; 384–322 BC) was an Ancient Greek philosopher and polymath. His writings cover a broad range of subjects spanning the natural sciences, philosophy, linguistics, economics, politics, psychology, and the arts. As the founder of the Peripatetic school of ...
Meteorology ( Greek: Μετεωρολογικά; Latin: Meteorologica or Meteora) is a treatise by Aristotle. The text discusses what Aristotle believed to have been all the affections common to air and water, and the kinds and parts of the Earth and the affections of its parts. It includes early accounts of water evaporation, earthquakes, and ...
Works of Aristotle. The end of Sophistical Refutations and beginning of Physics on page 184 of Bekker 's 1831 edition. The works of Aristotle, sometimes referred to by modern scholars with the Latin phrase Corpus Aristotelicum, is the collection of Aristotle 's works that have survived from antiquity. According to a distinction that originates ...
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Aristotelian physics. Aristotelian physics is the form of natural philosophy described in the works of the Greek philosopher Aristotle (384–322 BC). In his work Physics, Aristotle intended to establish general principles of change that govern all natural bodies, both living and inanimate, celestial and terrestrial – including all motion ...
Rhetoric. The modes of persuasion, modes of appeal or rhetorical appeals (Greek: pisteis) are strategies of rhetoric that classify a speaker's or writer's appeal to their audience. These include ethos, pathos, and logos, all three of which appear in Aristotle's Rhetoric. [1]
Metaphysics. (Aristotle) Metaphysics ( Greek: τὰ μετὰ τὰ φυσικά, "those after the physics"; Latin: Metaphysica [1]) is one of the principal works of Aristotle, in which he develops the doctrine that he calls First Philosophy. [a] The work is a compilation of various texts treating abstract subjects, notably substance theory ...
Aristotle distinguishes between the genres of "poetry" in three ways: Matter; language, rhythm, and melody, for Aristotle, make up the matter of poetic creation. Where the epic poem makes use of language alone, the playing of the lyre involves rhythm and melody. Some poetic forms include a blending of all materials; for example, Greek tragic ...