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Portrait of Manuel Godoy is a large 1801 oil-on-canvas painting by the Spanish artist Francisco de Goya, now in the Real Academia de Bellas Artes de San Fernando.It was commissioned by the Spanish Prime Minister Manuel Godoy to commemorate his victory in the brief War of the Oranges against Portugal.
Self-Portrait with Dr Arrieta is the English title given to a painting by Spanish artist Francisco Goya. The work is an oil on canvas, painted in 1820, and is currently held in the Minneapolis Institute of Art, Minnesota. Many scholars have seen religious themes in the work.
The Family of the Infante Don Luis is a 1783-1784 painting by Francisco Goya, now in the Fondazione Magnani-Rocca in Parma. [1] Goya was invited to the Arenas de San Pedro estate near Ávila in mid August 1783 by Charles III's brother Luis of Spain, the portrait's subject along with his wife María Teresa de Vallebriga and their children.
Atropos, or The Fates (Spanish: Átropos or Las Parcas) is one of the 14 Black Paintings painted by Francisco de Goya between 1819–1823. Goya, then 75 and in mental and physical despair, created the series directly onto the interior walls of the house known as the Quinta del Sordo ("House of the Deaf Man"), purchased in 1819.
Goya had painted Charles III in 1780, when the artist himself was a young man. [2] Although few of his thoughts survive for art historians, it is generally believed that the sentiment of later works such as Charles IV of Spain and His Family lend credence to the theory that he held his weakling King in little regard.
Goya was influenced by Neoclassicism, which was gaining favor over the Rococo style at the time. This particular painting is considered classicism for its relation to everyday life. Around this same time, Goya began painting portraits for many of the Spanish Monarchs. This was his first popular success that ultimately changed his career.
This is a complete list of Francisco Goya's 63 large cartoons for tapestries (Spanish: cartones para tapices) painted on commission for Charles III of Spain and later Charles IV of Spain between 1775 and 1791 to hang in the San Lorenzo de El Escorial and El Pardo palaces.
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