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G. L'Hôpital, Analyse des Infiniment Petits pour l'Intelligence des Lignes Courbes, Paris, 1696; G. L'Hôpital, Analyse des infinement petits, Paris 1715; William Fox, Guillaume-François-Antoine de L'Hôpital, Catholic Encyclopedia, vol 7, New York, Robert Appleton Company, 1910; C. Truesdell The New Bernoulli Edition Isis, Vol. 49, No. 1 ...
In the 2020–21 season, Espérance Sportive de Tunis competed in the Ligue 1 for the 66th season, as well as the Tunisian Cup. It was their 66th consecutive season in the top flight of Tunisian football .
Banque de Tunisie et des Emirats was founded in 1982 as a result of an agreement between Tunisia and the United Arab Emirates. [1] [2] It is headquartered in Tunis, Tunisia. [1] It is partly owned by the Abu Dhabi Investment Authority. [5]
Le Temps des fleurs" (French pronunciation: [lə tɑ̃ de flœʁ]; "The time of flowers") is a song by French singer Dalida for her twenty-first studio album of the same name. While the French lyrics were written by Eddy Marnay , the melody was taken from Russian romance song " Dorogoi dlinnoyu " (" Дорогой длинною "), composed by ...
La Sanie des siècles – Panégyrique de la dégénérescence (which roughly translates as "The Sanies of the Centuries – Ode to Degeneration", "sanies" being "a thin greenish foul-smelling discharge from a wound, ulcer, etc., containing pus and blood" according to the Collins English Dictionary [1]) is the debut album by French black metal band Peste Noire.
Le Silence de la mer (lit. 'The silence of the sea') is a 2004 French-Belgian TV drama film directed by Pierre Boutron , based on the 1942 book of the same name by Jean Bruller (published clandestinely under the pen name "Vercors"), and starring Thomas Jouannet , Julie Delarme and Michel Galabru .
The Hôpital d'instruction des armées Percy or HIA Percy (meaning "Percy Training Hospital of the Armies") is a military hospital in Clamart, near Paris, France. It is managed by the Service de santé des armées ( French Defence Health service ) and provides health services to both military and civilian patients.
Along with Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. [1] The monumental canvas was first exhibited at the Salon des Indépendants of 1906, where its cadmium colors and spatial distortions caused a public expression of protest and outrage.