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The Family Circus (originally The Family Circle, also Family-Go-Round) is a syndicated comic strip created by cartoonist Bil Keane and, since Keane's death in 2011, written, inked and rendered (colored) by his son Jeff Keane.
Zit was an adult British comic that was published by Humour Publications UK, beginning with a free sample issue in January 1991, and with issue 1 in February 1991, The final Issue, Issue 143 was published in May 2002 It was one of many such comics similar to Viz, and was also of lower
Mother Goose and Grimm (a.k.a. Mother Goose & Grimm) is an internationally syndicated comic strip by cartoonist Mike Peters of the Dayton Daily News.It was first syndicated starting October 1, 1984, and is distributed by King Features Syndicate to 500 newspapers. [2]
The Norm is an American comic strip by Michael Jantze. It ran in newspapers, syndicated by King Features Syndicate, from August 1996 until September 12, 2004, [2] when Jantze removed the strip from syndication to develop it as an online comic strip and television series. "The Norm 4.0" rebooted in January 2015 and appears every Monday at GoComics.
The Phantom is a 1996 superhero film directed by Simon Wincer.Based on Lee Falk's comic strip The Phantom by King Features, the film stars Billy Zane as a seemingly immortal crimefighter and his battle against all forms of evil.
Tumbleweeds is an American comic strip that offered a skewed perspective on life on the American frontier.Writer-artist Tom K. Ryan (June 6, 1926 – March 12, 2019 [1]) (who signed the strip "T.K. Ryan") was very familiar with conventions of the Western genre he satirized.
The first Disney comics appeared in daily newspapers, syndicated by King Features with production done in-house by a Disney comic strip department at the studio. Initially Floyd Gottfredson along with his responsibilities for the Mickey Mouse comic strip oversaw the Disney comic strip department from 1930 to 1945, then Frank Reilly was brought in to administer the burgeoning department from ...
The strip featured an all Black cast in their 20s, but Billingsley didn't have much creative freedom with the strip and left after two years. [2] By 1988, he was freelancing in advertising and public relations; doing television commercials, posters and animation; and working for magazines such as Ebony .