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Dynamic range compression. This article is about a process that intentionally reduces the dynamic range of audio signals. For similar reductions caused by circuit imperfections, see Gain compression. For processes that reduce the size of digital audio files, see Audio compression (data). A rack of audio compressors in a recording studio.
Standard audio file container format used mainly in Windows PCs. Commonly used for storing uncompressed , CD-quality sound files, which means that they can be large in size—around 10 MB per minute. Wave files can also contain data encoded with a variety of (lossy) codecs to reduce the file size (for example the GSM or MP3 formats).
For the term in computer programming, see Source code. In information theory, data compression, source coding, [ 1 ] or bit-rate reduction is the process of encoding information using fewer bits than the original representation. [ 2 ] Any particular compression is either lossy or lossless. Lossless compression reduces bits by identifying and ...
Audio bit depth. An analog signal (in red) encoded to 4-bit PCM digital samples (in blue); the bit depth is four, so each sample's amplitude is one of 16 possible values. In digital audio using pulse-code modulation (PCM), bit depth is the number of bits of information in each sample, and it directly corresponds to the resolution of each sample.
Expired patents [10] MP3 (formally MPEG-1 Audio Layer III or MPEG-2 Audio Layer III) [4] is a coding format for digital audio developed largely by the Fraunhofer Society in Germany under the lead of Karlheinz Brandenburg, [11][12] with support from other digital scientists in other countries.
Loss of edge clarity and tone "fuzziness" in heavy JPEG compression. A compression artifact (or artefact) is a noticeable distortion of media (including images, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within ...
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).
Open the window you want to resize or move. Click and drag the outside border of the window to modify its size. Click and drag the top bar of the window to reposition it on your screen. To save or reset your adjustments, click Window | Save Window Size and Position or Reset all Window Sizes and Positions. Learn how to resize and position ...