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The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish ...
Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam . In the United States, rock bands Sarky Mekmorakoth, SDN, Chitpanya and Black Flame found a growing fan base for ...
Mor lam means 'expert song', or 'expert singer', referring to the music or artist respectively. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum, and molum. In Laos, the music is known simply as lam (ລຳ); mor lam (ໝໍລຳ) refers to the singer. The characteristic feature of lam singing is the use of a ...
Pheng Xat Lao. " Pheng Xat Lao " ( Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit. It was adopted as the national anthem of the Kingdom of Laos in 1945.
The Lao Song are also known as the Tai Song (ไทโซ่ง), Lao Song Dam (ลาวทรงดำ), or simply as the Song or Song Dam. History [ edit ] The Lao Song are descendants of Lao peoples from the areas of Tonkin and areas east of Luang Prabang when they were forcibly removed to central Thailand as slaves and corvée labourers ...
Khene. In the United States, the top master khaen artist is a blind Laotian-born player, Bounseung Synanonh. Master Synanonh started playing the khaen at age twelve and later lost his eyesight at age 15. Master Synanonh immigrated to the U.S. as a refugee in the early 1980s. [7] In 1987, he performed for President Reagan at the White House.
Lam Lao (ລຳລາວ) or morlam (ໝໍລຳ [mɔ̌ː lám]) is the general descriptor for Lao folk music, which at its most basic level consists of the singer/story-teller and the khene (ແຄນ [kʰɛ́ːn]). In Isan, both terms are interchangeable, but in Laos, morlam only refers to the singer.
The national music of Laos is the lam, where a singer (songs by expert singers are mor lam) uses improvised poetry set to quick tempo music around themes of love, difficulty, and poverty using turns of phrases and subtle humor. Lam is highly regional, and many listeners can determine the setting and themes in the first few lines.
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