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Angel Gabriel installed in the Church of Saint Quentin in Tournai. Jean Delemer (1410 – 1440), was a Flemish sculptor.. Biography. He was active in Tournai from 1428 to 1440 and was possibly from Valenciennes.
Coordinates: 50°36′24″N 03°23′06″E. Church of Saint Quentin, Tournai. The Church of St. Quentin (French: Église Saint-Quentin) is a Roman Catholic parish church in Tournai, Belgium. The largely Romanesque building is located on the main square of the town, the Grand-Place. Known to have existed since the 10th century, the current ...
The Grand-Place (French: [ɡʁɑ̃ plas]; "Grand Square" [a]) is the main square and the centre of activity of Tournai, Hainaut, Belgium. The square has a triangular shape, owing it to the convergence of several ancient roads, [2] and it covers 7,500 m 2 (81,000 sq ft). As in many Belgian cities, there are a number of cafés and pubs on the ...
Tournai or Tournay (/ t ʊər ˈ n eɪ / toor- ... It contains important sculptures by the 15th-century sculptor Jean Delemer. ... Philippe de la Motte, 1556–1617 ...
The final mention of Rogier de la Pasture in the financial records of Tournai, on 21 October 1435, lists him as demeurrant à Brouxielles ("living in Brussels"). At the same time, the first mention of Rogier de Weyden places him as the official painter of Brussels. It is this fact that puts de la Pasture and van der Weyden as one and the same ...
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page.
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), [1] was a master painter who, along with Jan van Eyck, initiated the development of Early Netherlandish painting, a key development in the early Northern Renaissance.
The Master of the Legend of St. Ursula (1436–1505) was a Flemish painter active in the fifteenth century. His name is derived from a polyptych depicting scenes from the life of Saint Ursula painted for the convent of the Black Sisters of Bruges. The city appears in the background of a number of the paintings, in which the belfry and tower of ...
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