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Lao music today comes in a wide variety of styles and from different national origins. Outside of Laos, Lao music is mainly created in the United States, France and Canada. An increasing amount of transnational Lao (alternative) rock, pop and hip hop created a new 'oeuvre' next to the traditional Lao music like morlam.
Khene. In the United States, the top master khaen artist is a blind Laotian-born player, Bounseung Synanonh. Master Synanonh started playing the khaen at age twelve and later lost his eyesight at age 15. Master Synanonh immigrated to the U.S. as a refugee in the early 1980s. [8] In 1987, he performed for President Reagan at the White House.
The music of Laos includes the music of the Lao people, a Tai ethnic group, and other ethnic groups living in Laos. The traditional music of Laos has similarities with the traditional music of Thailand and Cambodia, including the names of the instruments and influences and developments. To categorize Lao music, it seems helpful to distinguish ...
Pheng Xat Lao. " Pheng Xat Lao " ( Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit. It was adopted as the national anthem of the Kingdom of Laos in 1945.
On September 2, 2015, Lao National Television signed a cooperation agreement with Vietnam Television, and Lao National Television started producing and broadcasting Vietnamese-language news programs. In September 2019, with the aid of the People's Republic of China, LNTV Channel 3 was upgraded from standard definition to high definition.
In Southeast Asia, traditional Lao culture is considered one of the Indic cultures (along with Burma, Thailand and Cambodia ). Laos is geographically isolated and mountainous, bounded by the Annamite Range in the east, forming a traditional political and cultural boundary with Vietnam (a more Chinese influenced Sinitic culture ).
Lao pop music started forming itself in the late 1980s, when Laos started benefiting from an economic growth that has lasted till nowadays. Before the reforms implemented by the government, the entertainment industry was completely limited due to the tight censorship and the widespread poverty, which prevented the music scene from flourishing.
Xinh Mul (population of 3,164 in Laos, including Phong-Kniang and Puoc, also known as the Sing Mun) Tibeto-Burman. Lolo ethnicity. Kaw (population of approximately 58,000 in Laos) Hani (population of 1,122 in Phongsaly Province) Kaduo (population of 5,000 on Laos-China border) Lahu (population of 8,702 in Laos, also referred to as Museu)