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Pee Mak ( Thai: พี่มาก..พระโขนง; RTGS : phi mak phra khanong) is a 2013 Thai supernatural romantic comedy - horror film directed and co-written by Banjong Pisanthanakun. [2] The story is an adaptation of the Mae Nak Phra Khanong legend of Thai folklore. [2] The film stars Mario Maurer as Mak Davika Hoorne as Nak, and ...
Dance in Thailand. Dancers in traditional costumes perform a courtship dance. Dance in Thailand ( Thai: นาฏศิลป์, pronounced [nâat.dtà.sǐn] or Thai: นาฏกรรม, pronounced [nâat.dtà.kam]) is the main dramatic art form in Thailand. Thai dance can be divided into two major categories, high art ( classical dance ...
Cambodia: Between War and Peace. Cha'ung Dai Ovpuk. Chamrieng Et Preang Tuk. Chek Deth. Chheam Entri Khmau. Chhnam Oun 16 (1973 film) Chhnam Oun 16 (1992 film) Chompa Toung. City of Ghosts (2002 film)
Cinema in Cambodia began in the 1950s, and many films were being screened in theaters throughout the country by the 1960s, which are regarded as the "golden age". After a near-disappearance during the Khmer Rouge regime, competition from video and television has meant that the Cambodian film industry is a small one.
The Snake King's Wife (1970) The most popular Cambodian movie of all time directed by Tea Lim Koun and was released in Cambodia for a second term The Snake King's Wife Part 2 in 1972. Kropeu Charavan (1972) Orn Euy Srey Orn (1972) Pko Lon Deum Chnam (1972) Pel Dael Trov Yum (1972) Panjapor Tevi (1973)
The Khmer classical dance was placed in 2003 on the UNESCO World Heritage List. Cambodian culture has influenced Thai and Lao cultures and vice versa. Many Khmer loanwords are found in Thai and Lao, while many Lao and Thai loanwords are found in Khmer. The Thai and Lao alphabets are also derived from the Khmer script. Genetics
Nguu yak! Body (2007 film) Body Jumper. The Bodyguard (2004 film) The Bodyguard 2. Boonchu Phu Narak. Born to Fight (1984 film) Born to Fight (2004 film) Bridget Jones: The Edge of Reason.
Southeast Asia (except East Timor) The Krasue ( Thai: กระสือ, pronounced [krā.sɯ̌ː]) is a nocturnal female spirit of Southeast Asian folklore. It manifests as the floating, disembodied head of a woman, usually young and beautiful, with her internal organs still attached and trailing down from the neck. [1]