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The first dedicated loop device was the Paradis LOOP Delay. The Paradis and other models had volatile memories, forcing composers to develop fresh loops live in front of their audiences — and thus, live looping came into existence. Roland and DigiTech loop pedals entered the market in 2001, around the same time DJ mixing gained popularity ...
Acid Pro (often stylized ACID) is a professional digital audio workstation (DAW) software program currently developed by Magix Software.It was originally called Acid pH1 and published by Sonic Foundry, later by Sony Creative Software as Acid Pro, and since spring 2018 by Magix as both Acid Pro and a simplified version, Acid Music Studio.
VirtualDJ is the successor to AtomixMP3, the first version of which dates from September 2000. The development of AtomixMP3 stopped in December 2003 as soon as its successor VirtualDJ was marketed. VirtualDJ existed in three different versions until 2009: Home Edition (sold in stores), PRO (only available online), and Limited Version (free with ...
Website. image-line .com. FL Studio (known as FruityLoops before 2003) [5] is a digital audio workstation (DAW) developed by the Belgian company Image-Line. It features a graphical user interface with a pattern-based [6] music sequencer. It is available in four different editions for Microsoft Windows and macOS.
Tape loop. A looped tape, capstans, and multiple magnetic heads for multiple echos on a Roland RE-101 Space Echo unit. In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were ...
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music ...
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