The fashion world knows Amanda Brooks and, although you may not know her name, you've likely seen her - on the pages of the J.Crew catalog; appearing in a TOD'S ad campaign, and sporadically being featured in fashion magazines and on society pages. The former creative director of Tuleh, Vogue writer, and consultant to top designers recently published her first book: "I Love Your Style," a conversational style guide that mixes personal history with lessons from style icons. Brooks' writing is down to earth, yet she can't help but come off as the cool, in-the-know sister. She cites examples from styles worn by her famous friends and other fashion icons she admires using photos of herself and others at A-list parties looking great and daring to be different.
She was born into it: Raised in NY and Palm Beach, her mother's bridesmaid dresses were designed by Lilly Pulitzer. After Brooks' book was released Sept. 9 she made appearances at top boutiques across the country. Channel threw her two parties, Tod's threw three and Diane Von Furstenburg, who wrote the forward, hosted the book launch party in New York. We caught up with Brooks, now Fashion Director at talent agency William Morris Endeavor, and asked her to Tell Us Everything. Here's what she said...
tell us everything
The Metropolitan Museum of Art's already-incredible Costume Institute just got 23,500 objects better. The Brooklyn Museum's Costume Collection, the oldest and greatest collection of fashion from the 18th to 20th century was recently transferred to the Met for safe keeping and preservation in the Met's incredible facility, which will be getting a state-of-the-art upgrade in the near future. To celebrate this new partnership between the two museums, they're running concurrent fashion exhibits celebrating American style. Although the exhibits include works by European designers, all the garments were worn by stylish American women such as Millicent Rogers and Austine Hearst, great patrons of the Brooklyn Museum.
My colleague, Bobbie Leigh, recently wrote about The Met's exhibit, "American Woman: Fashioning a National Identity." The Brooklyn Museum exhibit "American High Style" takes visitors through the last century in fashion with focus on the French couture designers who influenced American fashion, early American women designers of the mid-century and certain important designers such as Elsa Schiaparelli, shoe designer Steven Arpad and others.
We sat down with curator Jan Glier Reeder and asked her to Tell Us Everything. Reeder spent the last three years assessing the collection, mounting the exhibit and putting together its weighty book.
Patricia Kluge, 61, is probably best known as the former wife of Metromedia billionaire John Kluge, although their divorce happened nearly 20 years ago. It takes a while for folks to forget about that much money. In the 1990s they were said to be the wealthiest couple in America known for their lavish parties and high-profile friends like Malcolm Forbes, Frank Sinatra and Katherine Graham. But more recently the English-Iranian Kluge has put her fortune to work.
Ten years ago she began planting grapes on her 1,800 acres of rolling Albemarle County, Virginia property - one of the most enviable plots of land in all of Virginia. Her ambition was to become the most prestigious winery on the East Coast and with advice from Robert Mondavi, top wine consultants from France and a state-of-the-art winery, she's getting there. Her wines, which sometimes seem a bit ambitiously priced, have done well in competitions (especially the Blanc de Blancs sparkling Chardonnay and sparkling rosé), are now available in 16 states and China, and she has one of the most lovely tasting rooms in the area.
Most recently in the news for putting her 25,000-square-foot, 45-room estate on the market for $100 million, Kluge and her husband, William Moses, are downsizing, but still keeping 1800 acres and the winery. They had architect David Easton build them a 6,500-square-foot "old Virginia"-style home on another portion of their land which they've designated to be "Vineyard Estates," an über-high-end community of which, they'll be the first residents.
On the 10 anniversary of her Kluge Estates winery, we asked Patricia to tell us everything:
1. What made you want to go into winemaking 10 years ago?
I've always loved wine, particularly the art of pairing wine and food. I'm an avid gardener and consider myself a steward of the land so I was not surprised to learn, when studying my genealogy, that I have farmers in my ancestry. For some time I would look out over the rolling hills and the many acres surrounding my home and felt that creating a vineyard and winemaking operation was a natural choice. I also researched this very thoroughly, studied the soils, consulted with experienced individuals within the industry. Their affirmation of my dream proved that my gut was pointing me in the right direction.
2. For many in Virginia a vineyard is something of a gentleman farmer's pursuit but from the start you have been very serious about making Kluge world-renowned. Did you ever consider just dabbling in it as a hobby?
Although I have hobbies, gardening for instance, I don't do anything halfway. I really throw myself into every endeavor and try to be as educated as possible. So to enter into the wine business with anything less than 100 percent commitment, the utmost passion and excitement never crossed my mind.
3. How close are you to your goal?
The problem with goals is that I keep raising the bar! When we started we had about 30 acres and a handful of varietals. We launched with three wines. Kluge Estate now has over 220 acres under vine, 8 varietals planted and 4 brands. My new goal is to see our wines available in all 50 states.
4. What have you learned in that time about the art/science of winemaking?
In addition to our fabulous vineyard staff and winemakers at Kluge Estate we work with two great consultants from France: Michel Rolland for our red program and Laurent Champs for our sparkling program. Their time in the field and blending in the cellar prove that there is an art and a science to it. There is a saying that anyone can be a cook but a handful of people study and train to become great chefs. There is that difference when working with an experienced winemaking team.
5. What's a common misunderstanding about wine?
I think people can take wine very seriously, to the point where the fun is taken out of it. As a business I do take it seriously but wine is meant to be enjoyed, shared and it can enhance an experience much like music. When I think of a meaningful evening, a great meal or special celebration, there is always wine involved.
Gallery: Kluge Estates Vineyard