Today's estate is one of the prettiest I've seen in a while. Astor Courts in Rhinebeck, New York was designed by architect Stanford White for John Jacob Astor IV. The beautiful Beaux-Arts style mansion was completed in 1904 and is on 50 acres. The expansive main living area has five bedrooms and spans over 15,000 square feet. The truly stunning details include the indoor clay tennis court topped with a glass ceiling and framed by Gothic arches and a white marble pool surrounded by arches and graced with a pale sky blue ceiling.

In 1964 Brooke Astor gave the home to the Catholic Church. The Wall Street Journal's Private Properties reports that the current owners, real-estate developer Arthur Seelbinder and his wife, Kathleen Hammer, a former producer for Oxygen Media, ought the home in 2005 for $3.2 million and spent a fortune restoring it. Stanford White's great-grandson, Sam White led the restoration. Clearly he did a fine job, it's a stunner (even if some of the decor seems a little too Crate and Barrel prefab for a home of this pedigree). The home is listed at $12 million.

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As if a lawsuit in state court weren't enough, Leibovitz may find herself in front of a federal judge, soon. Italian photographer Paolo Pizzetti filed the complaint, alleging that Leibovitz had hired him to take site-scouting photos and then used his product – without permission – in a LavAzza calendar, passing the photos off as her own. Specific sites shot include the Trevi Fountain in Rome and Plaza San Marco in Venice. The calendar was released last October. Pizzetti is looking for $150,000 per infringement and other unspecified damages. The Leibovitz camp has no comment yet, as it hasn't reviewed Pizzetti's filings.

Last summer when we wrote about Land Rover's 60th anniversary we visited the incredible Astor Courts in Rhinebeck, N.Y, designed by Stanford White as part of a country retreat for John Jacob Astor IV in 1902. The Astor Courts features prominently in a beautiful new book from Rizzoli, Stanford White, Architect. White, the visionary head of famed firm McKim, Mead & White, was arguably the most celebrated American architect of his day and a "defining figure of the so-called Gilded Age." In addition to the Astor Courts (originally the Ferncliff Casino), the book features many of White's buildings, including Beacon Rock in Newport, Rhode Island (above).

The book, by White's great-grandson Samuel G. White and Elizabeth White with photography by Jonathan Wallen, comprehensively explores White's "sumptuously rich oeuvre," from his own residences on Long Island and in Gramercy Park, to the "extraordinary and opulent" houses such as the incredible Rosecliff in Newport (see the gallery) and Villard Houses and Payne Whitney mansion in New York City. It also includes the lavish private clubs he designed such as the Century Association, the old Madison Sqaure Garden and Tiffany & Co., churches, monuments and more.



Rosecliff, commissioned by Nevada silver heiress Theresa Fair Oelrichs in 1899, is without a doubt the most extravagant house in the book. Designed to evoke Louis XIV's Grand Trianon at Versailles, it cost $2.5 million by the time it was completed in 1902 - about $60 million in today's dollars. The mansion, which is now a museum, was used to film scenes from 1974's The Great Gastby starring Robert Redford. Oelrichs hosted many fabulous parties at Rosecliff, including a fairy tale dinner and party featuring famed magician Harry Houdini as the evening's entertainment. In 1904 she staged the famous "Bal Blanc" to celebrate the Astor Cup Races, in which everything in the house was white and silver.

The classical Astor Courts is pictured on the book's cover. A less opulent but equally beautiful echo of the Grand Trianon, the five-bedroom structure features an indoor tennis court and swimming pool, and cost $1 million to build, or about $22 million in today's dollars. The building was a complete wreck in 2002 when a former TV producer purchased it for $3.2 million and set about an intense restoration. Five years and more than a million dollars later, it has been restored to White's original grandeur.

2008 is the 60th anniversary of storied British SUV manufacturer Land Rover, and to mark the occasion the company has embarked on a "Choice of Experts" tour showcasing its capabilities. The other day we caught up with them at the historic Astor Courts in Rhinebeck, N.Y, designed by Stanford White as a country retreat for John Jacob Astor IV in 1902. It was the perfect setting for a brand that has come to signify rugged elegance and luxurious rusticity, and while there we got the opportunity to drive a new Range Rover Sport on a hazardous off-road course that showed style and comfort needn't sacrifice anything in the way of practical ability.

We've owned both Land Rovers and Range Rovers over the years, and though these days we don't particularly miss pulling up to the gas pump we certainly pine for them whenever the weather turns particularly nasty or we're called upon to do even the slightest bit of off-roading, so it was something of a treat. Land Rover and especially the Range Rover is the automotive embodiment of a distinctly English aesthetic - regular readers of The Classicist will recognize this as a recurring motif - as portrayed in books like Bernhard Roetzel's British Tradition. The luxe Range Rover was first introduced in 1970, expanding upon the utilitarian Land Rover first designed by the Wilks Brothers in 1948.

The Queen of England drives a Range Rover in the country, and Prince Charles is a longtime enthusiast. His 1978 Range Rover was auctioned off on eBay in 2005. While out for sport in inclement weather he is said to have simply opened a special "huntsman" sunroof, stood on the back seat and poked his Asprey shotgun out to shoot from the comfort of the cabin. We can't say we've ever tried that maneuver and we daresay it isn't the sort of thing encouraged by the company these days. In any case there was unfortunately no shooting to be had at Astor Courts, only demonstrations about cooking and decorating and so forth, but such are the depredations of the modern era.