Twenty rural retreats spanning the breadth of North America and over a century of architectural and social history are featured in author and photographer Bret Morgan's stylish new book Rustic. Examples include the Ames Gate Lodge, H. H. Richardson's "sublime pile of boulders" in Massachusetts; Camp Topridge, Marjorie Merriweather Post's rustic luxe compund in the Adirondacks; the Arts and Crafts masterpiece Charles Millard Pratt House in southern California; Fortune Rock, George Howe's striking modernist home on the coast of Maine; Robert A. M. Stern's nostalgic Spruce Lodge, hidden high in the Colorado Rockies; and Ledge House, Peter Bohlin's vision of rustic modernism in the Catoctin Mountains of Maryland. All exemplify an "artfully informal aesthetic that celebrates the beauty of the natural world."

Pierre Borhan, former director of photography for the French Ministry of Culture, presents a compelling anthology of maritime photography since 1843 in his beautiful new book, The Sea. The slipcased volume features 300 color and black and white images ranging from historical photos, documentary photos, and art photos to archival works and pictures taken in the present day. Images include striking seascapes and perspectives, including lonely lighthouses, bustling port towns, early explorations of Antarctica and the Arctic Circle, and abstract compositions of waves,
water, and light by some of the world's best-known photographers. It makes a perfect gift for lovers of all things related to water and the ocean.

Gail Buckland's new book Who Shot Rock & Roll is the first to truly explore the extraordinary work of the photographers who captured the "energy, intoxication, rebellion, and magic" of rock, with images of icons ranging from Elton John to Led Zeppelin, Bjork to Janis Joplin, and James Brown to John Lennon, that have become icons unto themselves. Featuring more than 250 photos, including many rare and never-before-seen images, Who Shot Rock & Roll is an unparalleled compendium of portraits, live concert shots, behind-the-scenes snaps, and studio work selected for their aesthetic quality and power. The extended captions tell stories from the photographers, including everyone from Bib Gruen to Richard Avedon and David LaChappelle, that reveal their role as both "creative collaborators and tireless journalists."

Covering 1955 to the present, "Who Shot Rock & Roll is a silent window into a world of sound," Buckland says. "There are photographs of crowds and fans reminiscent of the great historical paintings of battle scenes where bodies blend and bend and faces radiate with what can only be described as transcendence. Snapshots reveal the passion, ambition, and insecurity of aspiring young musicians. There are portraits of godheads, objects of mass adoration; the best could hang next to paintings of Renaissance princes, so similar are these royals with their finery, wealth, and power." An accompanying exhibit just opened at the Brooklyn Museum and will run through the end of January and before traveling across the country through 2011.

The English aristocrat the 12th Earl of Drogheda, better known as Derry Moore to his friends, is an arbiter of taste and style but also an accomplished photographer for Architectural Digest and other magazines, as well as the the author of several books. His latest, In House, just published by Rizzoli, is a selection of interiors from what he considers to be some of the world's most remarkable residences photographed over the last 35 years. The 28 houses pictured within are richly diverse in style and period with a common thread of originality, eccentricity and aesthetic appeal. They range from an airy and colorful palace in Morocco to an "austere but whimsical" Scottish castle; an Art Deco masterpiece in Jodhpur to a cluttered apartment in Prague; and from the museum-like home of one of London's most macabre collectors to the "extravagant remnants of Madrid's aristocratic heritage." Each of the houses is accompanied by commentary from noted architecture and design writer Mitchell Owens, and is laid out with an eye to its unique character by award-winning graphic designer Jonathan Barnbrook.

British photographer Norman Parkinson's name may not be terribly well known today, but his influence on a subsequent generation of fashion photographers is obvious from a new survey of his work just published by Rizzoli. Norman Parkinson: A Very British Glamour is a lavish portrait of Parkinson's long career from the 1930s through the 1980s, produced in a unique collaboration with the Norman Parkinson Archive in London. Parkinson got his start at Vogue in London, was a protégé of the great Alexander Lieberman at American Vogue when he came to New York, and did some of his most innovative work in the Diana Vreeland years there. In a career that spanned more than four decades, Parkinson worked with the greatest models, from Carmen Dell'Orefice, often called the first supermodel, who was Parkinson's early muse, to the young Jerry Hall, whom Parkinson shot for her first Vogue cover as well as in an historic 1975 shoot staged in the USSR. His iconic photographs for the likes of Vogue, Queen, and Harper's Bazaar are reproduced in the volume alongside a trove of previously unpublished fashion work.

On October 9th in New York, Sotheby's will stage a stunning sale of photographs including several nude portraits of supermodels, with work from the likes of Chuck Close, Peter Beard, Robert Mapplethorpe, Helmut Newton and more. One of the top lots is a series of six full frontal nudes of Kate Moss by Chuck Close taken in 2003, estimated at $100,000 - $150,000. Another high-priced draw is a portfolio of 12 semi-nude images of Marilyn Monroe taken in 1962 by Lawrence Schiller, estimated at $50,000 - $70,000. Two Peter Lindbergh portraits of Mick Jagger taken in 1995 are estimated at $30,000 - $50,000. And a nude of Stephanie Seymour by Richard Avedon taken in 1992 is estimated at $20,000 - $30,000, while this relatively tame image of Nadja Auermann by Irving Penn from 1994 is also a relative bargain at $6,000 - $9,000.

Contrary to popular belief in certain quarters, polo is not just a rich people's pastime confined to the Hamptons and Palm Beach; nor is it merely an extremely lucrative clothing empire founded by Ralph Lauren. In fact, it's an ancient and noble game, as well as the world's oldest team sport, that has evolved into an entire way of life. In her upcoming book Polo: The Nomadic Tribe (available for pre-order on Amazon), photographer Aline Coquelle chronicles all aspects of the ultimate equestrian pursuit, tracing polo from its nomadic origins to the incomparably chic lifestyle it encompasses today. Coquelle, who studied art and anthropology, traveled around the world for five years photographing and writing about each significant place along the route of polo's evolution, capturing all its courage, strength, speed, style, beauty, elegance and allure.

Polo was first played in Persia well before the 1st century AD. Warlike tribesmen played it with as many as 100 to a side in what was essentially a miniature battle. Later on it was passed from Persia to other parts of Asia including the Indian subcontinent and China, where it was very popular during the Tang Dynasty. The name polo is said to have been derived from the Tibetan word "pulu", meaning ball. The first polo club was established in the town of Silchar in Assam, India, in 1834. The British, who are seen as the main proponents of the sport today, picked it up in India and the classic style of the colonial era with its overtones of aristocrats and army officers gives polo much of its current cachet, cleverly marketed by the aforementioned Mr. Lauren and others.

Divided into geographic sections, Coquelle's book presents the sport on a global scale. At locations around the world, "the vibrant green carpeted fields, the carefully ornamented players, the brilliant sheen of their horses, and the deep brown leather of their saddles" provides an aesthetic link between polo's devotees - the "nomadic tribe" of the title. She reveals the essence of what has historically been called the "Sport of Kings" and the passion of its players from across the globe. Designed to be "the ultimate book on the sport of polo," Coquelle offers "an homage to beauty in pursuit of a modern perspective" while maintaining the spirit and sophistication of this centuries-old game. See the gallery for a preview of some stunning images from this incredible book.

We've known that watches are pretty, but sometimes watch photography can be too focused on the watch itself versus the watch in the world. A great timepiece looks good because it enhances your appearance and reminds you of something else, even if that reminder is subconscious. A recent photo essay that was republished on the French Intersection magazine blog. Photographed by Charles Helleu, the images take popular mainstream luxury watch models and places them in an industrial theme that the photographer felt best represented the character of the watch. For example you have the shown Rolex Milgauss watch among some sort of gearing. Follow the link below and you'll find masterful images such as a Brietling Chrono-matic 49 among fuses, a Chanel J12 Superloggera among screws, a Panerai Ferrari against a performance racing disc brake, and more. Many styles of watch photography can be found. Most do a good job of showing the appearance of a watch, but only the rogjt accompaniments really illustrate the character of a watch well.

Via Intersection blog (in French).

Ariel Adams publishes the luxury watch review site aBlogtoRead.com.

Scott Schuman, who worked in the fashion industry for 15 years before starting his now famous blog, The Sartorialist, and landing a column in GQ, has come out with a book of his stunning street portraits that's a must for any student of modern style.

The Sartorialist the book is a 500-page collection of Schuman's favorite photographs from around the world - "from the quiet dignity of a man with silk handkerchief carefully popping out of his jacket pocket, to the pride of a young woman who fashioned her father's shirt into a skirt, from the lightness of a diaphanous dress to the unexpected flash of neon under muted tones."

The Sartorialist captures the "inspirational aspect of people styling themselves in ingenious, playful, creative, unpredictable and distinctive ways," be they models, regular joes, fashion editors, or in a couple instances, children. Schuman sees inspiration in everything, be it gorgeous, garish, or just plain weird, as long as it's done with flair.

There are two versions of the book being published later this month: a $25 paperback (above) and a $175 "bespoke" limited edition hardcover. The Sartorialist was picked by Time magazine as one of the Top 100 design influencers, and has been lauded by the New York Times as "the bellwether American site that turned photoblogging into an art form."

The renovations have taken years, resulting in legal action from the Greenwich Village Society for Historic Preservation and a $15 million lawsuit against Leibovitz by her next-door neighbor. The suit was settled in 2003, when the photographer bought the litigant's building for $1.87 million. So, she wound up paying for three properties (12,000 sq. ft. in all), which contributed to a tenuous financial situation and the loan from Art Capital Group, according to Bloomberg News.

These transactions were only part of a mountain of debt amassed by the photographer. From 1999 to 2008, Leibovitz borrowed extensively to purchase property and refinance the debt she was carrying. In total, her activity stretched to more than a dozen loans, Bloomberg News reports, all on the back of her real estate holdings. Two 2006 loans – for $4.7 million in November and $2.5 million in December – were extended by Rhinebeck Properties LLC, which happens to have the same address as Conde Nast Publications Inc.

When some people tell war stories, it's worth listening. Baron Wolman, Rolling Stone's first photographer, will mark the 40th anniversary of Woodstock by signing posters and sharing rock n roll stories at the Tory Burch store in the recently opened Malibu Lumber Yard shopping center on Aug. 13 from 6 p.m. to 8 p.m. At 8 p.m., he will do a multimedia presentation that includes his Woodstock photos, the 1969 Summer of Love in San Francisco, and the
early days at Rolling Stone magazine.

Prints of his photos of Mick Jagger, Jimi Hendrix, Johnny Cash, and others will be available for purchase with a percentage of sales donated to the Malibu Legacy Park.

Baron lived in Haight Ashbury during the 1960s with neighbors who included The Grateful Dead and Janis Joplin.

Welcome to the first in a new series of exclusive photo features showcasing seasonal style essentials inspired by classic icons of elegance, sport and design, photographed with the most beautiful and coveted cars on the road. The emphasis is on luxury of course, but of the timeless variety as opposed to mere extravagance.

In our recent Classicist column on the 2010 Jaguar XK convertible coming out this August, we remarked on the sleek new cat's stylistic heritage dating back to 1948's XK120, as driven by the likes of Gary Cooper, Humphrey Bogart and Clark Gable, as well as later models like the D-Type (or XK-SS) made famous by the great Steve McQueen. The first in our new series of exclusive shoots is inspired by them and stars the XK in homage to these stylish icons, both man and automotive (read all about the new XK here).

In particular, the influence of Gable (with his XK120 in 1954, top right) and McQueen (with his XK-SS, center right) can be seen in the summery style essentials we've assembled for this shoot. For the pastoral setting we drew on another classic Jaguar reference, an image of writer Truman Capote in a Jaguar XK-E, the model most closely aligned with the new XK, in the Hamptons in 1965 (bottom right).

In the spirit of summer we've chosen a classic combination of navy and white, popular as fashionable resort wear for a nearly a century and still going strong in the right circles. While navy blazers of the type shown here originated as part of English cricket club scenery and other elegant sporting occasions such as the Henley Royal Regatta, without gold buttons it needn't be unnecessarily nautical or costume-y.

The jacket shown here, in tropical weight wool with soft shoulders by the dashing Italian house of Etro, references its sporting antecedents with grosgrain tipping on the lapels, pockets and cuffs; however, since it is finished in the same color as the jacket the effect is a subtle one, while the slim cut updates the look with Italian flair. A cream linen camp shirt by Paul Stuart and white linen pants by Polo Ralph Lauren round out the rest of the ensemble.

As an alternative on cooler days or evenings - which we've certainly had plenty of this summer - we've also included a variation of the navy blazer by Brooks Brothers made of butter-soft goat suede with spiffy sporting details including a throat latch, stand-up collar, action back and pure Irish linen lining, which calls to mind the jacket worn by Gable above.

While a polka dot foulard silk scarf by the venerable British clothier Turnbull & Asser (shirtmaker to the Prince of Wales) provides not only another classic touch and added dose of sprezzatura, it also protects against the elements while piloting the XK with the top down at serious speeds. A hefty dose of McQueen meanwhile can be seen in the rakish cap, sunglasses and watch. For the feet and the road, a pair of pebble-sold leather driving moccasins by Tod's keep the haute Italian vibe going.

The checked linen driving cap - this model is made by Brooks Brothers - of the type favored by McQueen has no brim to collide with a car's headrest, and is infinitely more elegant than a baseball cap. Also on view: iconic Italian Persol sunglasses, in particular the model made famous by McQueen in The Thomas Crown Affair. Starring in this feature are a foldable version of McQueen's faves, as well as a couple of other killer Persol models; all are available at Ilori. Also included is a pair of shades by Paul Smith. The watch is a classic and vintage stainless steel Rolex GMT-Master II, available at Tourneau, of a similar design to the Rolex Submariner model favored by McQueen (and which recently fetched a record price at auction). Read on for details of the rest of the accessories after the jump.

For the past 40 years, Italian tire company Pirelli has issued a limited-edition calendar to a select list of VIPs - the kind who have fleets of Pirelli-shod Ferraris - featuring scores of nude supermodels. As we reported back in December, the 2009 Pirelli Calendar features an African theme and was shot in Botswana by famed photographer Peter Beard with models including the stunning Isabeli Fontana, Malgosia Bela, Daria Werbowy and Raquel Zimmermann (along with a fleet of agreeable elephants and not a lot of clothes).

The 2010 calendar was just shot by fashionably perverted lensman Terry Richardson in Brazil with a whole new crop of beauties, including stunning upper class British model Rosie Huntington-Whiteley (above), who's said to be related to the Queen of England. Huntington-Whitely has sizzled before in campaigns for the likes of Agent Provocateur and Burberry. You can check out some video footage after the jump, but be forewarned - it's possibly NSFW and the running commentary is in Italian.

On July 1 Christie's in London will auction off a stunning full frontal nude of Kate Moss by Chuck Close in its Photographs sale. Taken in 2003, the artwork is estimated at about $11,500 - $16,000 but could easily go much higher.

If that's out of your range or you don't want to risk being outbid, there's another option for getting Kate naked at your place. Via PhotographersLimitedEditions.com you can now purchase signed limited edition works from some of the world's best known photographers.

The investment-quality pieces come in limited editions of 11-25. One of our favorites is this nude of Moss by British photographer Rankin, taken in 2000. Produced in a limited edition of 25, the photo is priced at about $4,500.

The site also offers several of Rankin's other works including some celebrity portraits, as well as photos by the likes of Antoine Verglas, Arthur Elgort and Marc Baptiste, featuring many other gorgeous nudes.

I've been dying to write about the sexy, gorgeous Polaroid photography by artist Matt Schwartz of She Hit Pause Studios for ages, and now, thanks to Henri Bendel, I have the perfect excuse to do so.

Monday night marked the launch of a permanent She Hit Pause exhibition at Alison Nelson's Chocolate Bar at Henri Bendel. The party featured free chocolates, free drinks, and several raffles including surfing and photography lessons.

Why surfing? Because surfing is one of Schwartz's favorite photographic subjects (click here for examples). Really, you have to see these photos -- they invoke memories and inspire fantasies with a haunting and gritty glamour.

Schwartz was there at the party, smiling as he looked around. "This party is like my dream," he said. "All these people looking at my work." His humility speaks well of him -- but it won't be long before he's no longer surprised by all the appreciation. This kid is really, really good.

Check out the gallery for photos of the fete which showcased some brand new, not-available-yet photos from a recent trip to Ecuador. And if you're interested? She Hit Pause prints are available on the website for highly affordable prices -- don't be shocked if that price goes up soon -- or you can visit the luscious photography and grab something sweet at the Chocolate Bar at Henri Bendel.