national gallery of art

Rothko, Diebenkorn and Degas join Obama in the White House

The world's latest Nobel Peace Prize winner also has excellent taste in art. President Barack Obama has skipped the staid portraits that are usually pulled to adorn White House walls and instead opted for three dozen pieces with a bit more of an edge. Works have been pulled from the National Gallery of Art, the Hirshhorn Museum and Sculpture Garden and the Smithsonian American Art Museum to decorate the building the symbolizes executive authority in the United States.

The Obama family is definitely leaning modern, with Rothko, Degas and Diebenkorn among the artists represented. They've also included a word painting by Ed Ruscha. Not wanting to deprive the public of the opportunity to view works on display, the Obamas limited their choices to artwork in museum storage.

There's now a lot of money hanging from those White House walls. "Red Band" by Rothko, "Berkeley No. 52" by Diebenkorn and "White Line" by Sam Francis together are estimated to be worth between $20 million and $30 million. Throw a piece by Jasper Johns into the mix – specifically "Numerals, 0 through 9" – and you get a sense of the collection the Obamas have assembled.

Even with access to a collection of that caliber, though, I'd still never take Obama's job. And, there aren't enough Rothkos out there to change my mind.

Source

Tags: art, art collecting, art collection, art museum, art museums, ArtCollecting, ArtCollection, artist, artists, ArtMuseum, ArtMuseums, artwork, barack obama, BarackObama, degas, ed ruscha, EdRuscha, hirshhorn-sculpture-garden, jasper johns, JasperJohns, mark rothko, MarkRothko, michelle obama, MichelleObama, museum, museums, national gallery of art, NationalGalleryOfArt, nobel peace prize, NobelPeacePrize, obama, president, president barack obama, president obama, PresidentBarackObama, PresidentObama, rothko, smithsonian, smithsonian american art museum, SmithsonianAmericanArtMuseum, white house, WhiteHouse

Soutine Collectors Beef Over Beef

by Tom Johansmeyer (RSS feed) —

Filed under: Art

When art collectors beef, there are no dis' records. Instead, there's just beef. Canadian art collector Jolles Shefner picked up one of Chaim Soutine's paintings from the Le boeuf (Piece of Beef) series for a mere $68,000 in 1981. She went home and hung it in her living room for the next 23 years. Then, she sold it for $1 million. Half a year after that, Soutine's beef wound up in Washington, D.C.'s National Gallery of Art, which paid $2 million for it. Now, all the people in this chain of transactions have beef. When someone makes a great deal, it's usually at the expense of the person on the other side.

Shefner's heirs sued the middlemen from Jolles' sale and the National Art Gallery – essentially for fraud. Though the truth is still struggling to the surface, Soutine experts Maurice Tuchman and Esti Dunow appear to be involved in both the Shefner sale and the later sale to the National Gallery of Art. Shefner's estate seems to have accused Tuchman and Dunow of market manipulation, using their Soutine savvy to maximize their earnings.

In the lawsuit filings, Shefner's heirs claim that Tuchman and Dunow left "at least half a dozen" comparable Soutine sales from the list they provided to the Jolles to support the 2004 valuation and sale. And, these folks are saying the National Gallery of Art didn't investigate the source of the painting sufficiently. Of course, the family wants the painting back.

Tuchman and Dunow deny any impropriety and have indicated that Jolles' daughter received an independent valuation from an auction house that put the value of the painting at $1 million. But, the dynamic duo of Soutine wanted to restore order to the world. So, they agreed to pay $210,000 to the National Art Gallery in a settlement deal so complicated, you'd think it would be intended to end in the death of James Bond. They will authenticate the painting and maintain a provenance listing. The painting itself will go back to the Shefner family. The National Art Gallery will pick up $1,325,000 in cash from the Shefner heirs and a seven-year promisorry note for $650,000. All three payments come to $2,185,000. The museum walks away with a small profit – and it holds onto the painting until the promissory note is paid.

Source

Tags: art, art market, artist, ArtMarket, artwork, national gallery, national gallery of art, NationalGallery, NationalGalleryOfArt, washington, washington dc, WashingtonDc