At the recent Moth Ball this week the fabulous men-about-town Jonathan Adler and Simon Doonan were on hand to present the annual $5000 MothShop scholarship. The recipient, New York City high school student Terrence Buckner, told a wise beyond his years story on his struggles with coming out in his rough Brooklyn neighborhood. Doonan shared his own story of pretending to be straight in front of an immigration officer in the 70s, for the purposes of obtaining a work visa.

The master designer and Barneys Creative Director have been longtime supporters of the Moth, a nonprofit dedicated to the art of storytelling. We caught up with the couple at the event to find out why they love the organization so much. Read on in our exclusive interview to find out their advice for having an unforgettable holiday, just how recession-proof is Barneys, and just what they'll never be caught dead leaving home without.

Ariston Anderson: Why are you such big supporters of the Moth?

Jonathan Adler: I love, love the organization. It is so creative and fun and interesting. I go to fancy-schmancy events and sort of like they all are just boring. And the Moth is quite the opposite. It's fascinating and fun. I love them. It's the only thing on my calendar that I'm not dreading. It's the one sort of shining star on my Blackberry.

Simon Doonan: I love the Moth because I guess I'm just a Chatty Cathy and I love the idea of telling stories. It's just so well organized. It's always entertaining. Like when you go out in New York to a lot of events there's no content. But when you come to a Moth event you actually come away with a lot of thought provoking ideas and stories. And of course a lot of humor as well as serious stuff. So yeah, it puts some content into the New York scene, so I love that.

AA: How important is storytelling in design work?

JA: That's actually a great question. I am really focused on narrative in my work. Definitely in decorating I always try to start a creative narrative. The narrative usually involves trying to make my clients seem a little more eccentric, and a little more glamorous than they might actually be.

AA: Simon, have you had to alter any of window displays at Barneys because of the recession?

SD: At Barneys, I always made stuff out of found objects and I always recycle things. The windows at Barneys are always very crafty, and they were always about paper-mâché and finding things in the street. At Barneys, paradoxically, we have a very recession-proof point-of-view because it was never about sort of opulence or bling. It was always kind of subtle and sort of crafty.

AA: Last year, you were advocating the cape here. Are capes still in?

SD: Capes? Everything is in. That's the thing, nothing ever goes out of style anymore. All trends concurrently exist. In this room somebody is probably rocking every trend known to mankind.

AA: What tips do you have for having a fabulous holiday party this season?

SD: For an amazing holiday party, I think there's no such thing as being overdressed. You know, if you feel like wearing a full-length ballgown, just wear it. People worry too much about being event-appropriate. It's much better to be overdressed. As Andy Warhol said, it's much better to be the right thing in the wrong place. You always have fun if you do the right thing in the wrong place.

JA: I think that everyone should have Lee Press On Nails for every guest. It could turn a business meeting into a party.

AA: Have you ever worn them yourself?

JA: I have. (Laughs) But only in the context of a party. It's not an everyday thing.

SD: I think if you want to have a fabulous holiday this season, buy a feather boa. Nothing makes you feel bubbly and vivacious like a feather boa. It's very glam rock.

AA: What are some luxuries you can't live without?

SD: Well Johnny and I have a condo, down in Palm Beach. So we love to go down there and run on the beach and frolic during cold winter weekends. So that's a real self-indulgent luxury. Other than that, no drugs. You know, I'm on a natural high. I don't have an expensive drug habit. And I'm so small I would love to buy clothes all the time, but I can't find things that fit me because I'm a midget.

JA: You know what I can't live without is my pill keychain. My enamel pill keychain. It's in the shape of a pill, and it also functions as a little pillbox. So it holds three pills, just an emergency supply, so that's my most essential item.

AA: What's in your pillbox?

JA: Xanax, xanax, and xanax.

The titans of luxury in New York, Paris, London, Tokyo, and Dubai have spoken, and their mood is, generally, upbeat. The Reuters Global Luxury Summit, which started yesterday and ends tomorrow, is a three-day blitz of interviews with chief executives and chairmen of Hermes, Burberry, Tiffany and Co., Rolls-Royce, Montblanc, Chopard, Estee Lauder, and Saks, to name a few.

Here are some highlights:

• Designer Jonathan Adler, says his mandate for the Christmas season is "irresistable giftables. "I hope that when you walk into my store you will feel like you're in a crack-den of adorableness." As for how his business is faring in the recession: "I think that my design aesthetic is probably the right design aesthetic for right now," he told Reuters. "I've always called my design philosophy happy chic, and it is about creating design that is chic, luxurious, and I hope beautiful, but adding an element of levity and irreverence that I think makes people feel good. And probably in these grim economic times, the element of happiness is resonating with consumers."
• The new Rolls-Royce Ghost model, to be available in September, may help double the carmaker's annual sales. The projection is based on the 1,500 deposits already received for the Ghost.
• Hermes is breeding crocodiles on its own farms, mainly in Australia, to keep up with demand for its exotic-skin $50,000 handbags, because, as Hermes chief executive, Patrick Thomas, put it, "The world is not full of crocodiles, except the stock exchange!" [Meanwhile, Louisiana alligator farms are struggling.]
• Classical styles for handbags are winning out over "it" bags, according to Burberry chief executive Angela Ahrendts. "They (shoppers) want them to last. They want to be able to psychologically know they can carry them for the next couple of years and no one will know how old it is."
• Montblanc is planning to open four boutiques in Saudi Arabia this year. Pens account for about half of total sales since the company has diversified into watches and fine jewelry.
• Chopard has seen sales drop 15-20 percent this year, but is hoping a recovery will level off the sales drop to just 10 percent. "We already feel a little bit of a comeback," Chopard's chairman, Karl Scheufele, said.
• Juicy Couture is increasing the number of products sold for $200 and less to adjust to the recession, Juicy Couture's president, Edgar Huber said.
• Sales of traditional Japanese doll sets, costing from $2,000 to $50,000, have held in the recession.
  

Source

Popular designer and potter has always had a risque side. Two years ago, we covered his condom caddy decorated with squiggly spermatozoa. Now check out his Hashish candle. The candle is scented with black currant, green apple, wormwood, patchouli and moss. It combines in a porcelain container emblazoned with marijuana leaves. The listing at Unicahome promises that "when the candle burns out the porcelain vessel makes the perfect stash box." Perfect, maybe. Discreet? Not so much. It sells for $68.

Jonathan Adler has apparently got quite a thing for the sculptures of C. Jeré, and so he's collaborated with the C. Jeré studio to reissue some of the most popular designs of old. Previously I posted on the Raindrops sculpture, and now one of my other favorites: Sunburst. Like the Raindrop, this sculpture is also made of antiqued brass. It's a bright addition to any space and captures the essence of the sun in a unique and very vibrant way. This sculpture needs a large space, though, or I'm sure it will easily overpower the room. $1,100

At first glance, if I didn't know the name of this sculpture, I don't think "raindrops" would come to mind. But knowing that was the inspiration suddenly I totally see it, and it seems very alive with depth and color. Plus it almost appears to be in motion. The result of a partnership between Jonathan Adler and C. Jeré studio, this newly reissued Raindrops Sculpture is made of antiqued brass, is signed and dated (of course), and measures about 66"x34"x10". $1500

What better for a summer table than a pair of chubby little birds that won't make a mess? Although they are cute and a little chubby, these bird salt and pepper shakers from Jonathan Adler are also modern and classy. Simplified down to their purest form and then accented with bold geometrical patterns, they have a surprising air of life and I almost expect them to bob their little heads in agreement. Created of high fired stoneware and available in either chartreuse or white, the taller one stands 3" high. $48.

Depending on the particular piece, I usually find myself drawn to a strange mix of both surprisingly simple designs and completely over-the-top and unique ones. This Giant Belly Vase, by Jonathan Adler, would of course be the former. I just love how they describe it on the site: as a "ceramic skin stretched over an invisible armature like a Japanese paper lantern," and I think it's simple, classic, and beautiful. Made of high-fired stoneware it's available in either a matte white glaze or "ultra chic" platinum, and it stands 21" high. $425.

In celebration of the Chinese New Year, why not give a gift that commemorates the year of the pig and helps a friend achieve a goal? I think there is nothing more appropriate to give this year than a old fashioned piggy bank. Mind you, it's not just any piggy bank. No, it's a porcelain pig coated in fabulous gold from design guru Jonathan Adler. It's the perfect piece of bling that can help you save money for fantastic vacations or a new pair of shoes.

Product Dose featured this naughty little bedroom accent yesterday. Adler, who is famous for his unique pottery, offers this  little caddy in brown and white stoneware with platinum accents or plain white. Note the ever-so-subtle sword motif around the sides of the container and the little details in the shield on the top. At $55 it would make a great gift for today's modern Casanova.