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New Exhibit In Philadelphia Explores Chagall's Artistic Legacy

Filed under: Art


A new exhibit at the Philadelphia Museum of Art in Philadelphia explores the legacy of Marc Chagall and his artist compatriots. "Paris Through the Window: Marc Chagall and His Circle" runs from March 1 to July 10 and focuses on the work of Chagall and others in Paris in the early 1900s.

Chagall arrived in Paris in 1911 and was immersed in the artistic styles flowering in Paris at this time. He worked at La Ruche, a beehive-like building that was home to a variety of artists' studios. French sculptor Alfred Boucher opened the building in 1902 offering inexpensive space and free models for talented artists. It blossomed into a vibrant community for artists to exhibit work and share ideas. When Chagall joined La Ruche it already had many Eastern European artists who had also moved to Paris to discover firsthand the most recent trends in modern art. Other artists there in the 1910s included Archipenko, Kisling, Lipchitz, Soutine, and Zadkine, who were represented in the exhibition by two sculptures in cedar wood that have not been displayed at the Museum since 1963. Shown above is Chagall's "Paris Through The Window" which was painted in 1913. The exhibit seeks to capture the atmosphere of artistic excitement in Paris at this time and also explores a bit of history, looking back to at Chagall's return to Russia during World War I and the rise of the Russian Revolution and his second stay in Paris in the 1920s.

The museum website has a series of podcasts devoted to the exhibit which offer a comprehensive roadmap to all that is going on in a Chagall painting. For example, in the painting shown above, the artist's double-faced self-portrait in the lower right hand corner is a representation of the two sides of his spirit, looking back toward his homeland but also forward toward Paris, Cubism and a world of changing ideas and ideals.

Chagall Windows Go Back On Display In Chicago

Filed under: Art

November 1 marks the return of Marc Chagall's America Windows to the Art Institute of Chicago. The popular exhibit underwent conservation and research treatment the past five years. The stained- glass windows commemorate the American Bicentennial and first debuted at the Art Institute in 1977. They also appeared in the movie "Ferris Bueller's Day Off.: The windows are now the centerpiece for a presentation of public art in the Rubloff Auditorium.

The Art Institute website tells the story of the windows. It began in the early 1970s, when Chagall came to the city as part of his work on the mosaic installed outside Chase Tower, The Four Seasons. He offered to create a set of stained-glass windows for the museum and worked on the six-panel work which celebrates the America as a place of cultural and religious freedom. He dedicated the work to Mayor Richard J. Daley. Admission to the institute is $18

[via Chicago Tribune]

ArtHamptons Staying Upbeat, Emerging Artists Moving

Filed under: Art

The mood in the Hamptons has been affected by real estate prices, plunging bonuses and – of course – the ongoing art market slump. But, the collectors gathering at ArtHamptons are trying to keep stiff upper lips. Rick Friedman, its founder and executive director, is saying that now is the best time to enter the art market, with low prices building in an inherently greater upside. And, there's no doubt. If you have the cash to put into the art market – and the inclination to invest in this asset class – now is the time to do it.

The major constraint on the art market isn't the notion that it's a bad time to invest. Any fairly serious art collector can see that this is the time to make a move. Like any other "discount," you can't take advantage of it if you don't have the price of admission. You might be able to pick up the Old Masters for a relative song right now, but if your bonus got slashed this year, the opportunity may not be possible.

So, what's moving at ArtHamptons this year?

Jane Wilson, who one a Lifetime Achievement Award this year, has seen some success, along with Elliott Erwitt, Lillion Bassman and other artists who lean toward decorative pieces. For some, the year's even been positive, with gallery director Joseph Newman calling the first quarter of this year the best he's had. Trompe l'oeil is working well, too. Interested in buying a Madoff joke for $13,500? You can do it with Eric Forstmann's Made Off with the Bail Out Package.

Meanwhile, soft porn is moving ... so, at least someone is making money on the skin business (the hardcore guys sure aren't). Suggestive images have always packed a bit of a thrill, and pieces that ply the flesh are doing well out in the Hamptons this year. Boyarde Messenger's Frilly in Yellow ($3,350) and Changing Rooms III moved for almost three times that amount.

The feel is somewhat upbeat at ArtHamptons this year, but the action is definitely taking place in the emerging artist space. Nonetheless, there are some big ticket items up for sale. At Vered Gallery's booth, you'll find a Picasso, Chagall, de Kooning and Rauschenberg – not to mention a 1984 portrait of Michael Jackson by Andy Warhol. If you're liquid, now's the time to enter the market!

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