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Italian Painter Turns a Private Jet Into a Work of Art

Filed under: Wings, Art

Painted Jet

Renowned Italian sculptor and painter Mimmo Paladino has become the first person to turn a private jet into a work of art with the installation of a customized Piaggio P.180 Avanti II aircraft at the Galleria Vittorio Emanuele II in Milan.

Dubbed the "Cacciatore di Stelle" (Star Hunter), Paladino's plane (above) will be on display in the famed luxury shopping mecca through April 28. Paladino decorated the turboprop with ancestral symbols, constellations and geometrical designs in homage to the skies in which it travels.

The plane is part of an exhibition of Paladino's work hosted by Milan's historic Palazzo Reale, including more than 50 of his artworks from the '70s to the present day. The P.180 Avanti was chosen for the project as an expression of "Italian genius in design and engineering."

Ahron Weiner on the Verge: Bringing "The Flood" to Brooklyn

Filed under: Art

Ahron Weiner Brooklyn Verge
There were breaks in the rain, but the day ended with small rivers flowing through the gutters in Brooklyn's DUMBO neighborhood. It was the last day of Armory week in New York City, an event consisting of art fairs all over the city, ranging from colossal reputations and incredible valuations to emerging artists eager for their first tastes of success and notoriety. I was on my way to the Verge show, itself spread out over several locations.

If you want to find something unique or unusual, Verge is the place to go. You'll have to sift through a lot of good efforts (as opposed to successful results), but the one piece that blows your mind is worth it. I found it at 20 Jay Street: "The Flood," by Ahron Weiner.

There is nothing conventional about Weiner's photography, except, perhaps, for the fact that he uses a camera. After that, he's truly exploring new territory. "The Flood" is part of a larger effort that tells the stories of the Old Testament through rehabilitated advertising images.
Okay, that's a lot to digest. So, let's step through the concept.

If you ever see a tall (by my standards, at least) man with long blond hair chipping through the advertising posters on Manhattan scaffolds, there's a good chance it's Weiner. These posters are slapped up all over the city, with the new simply covering up the old ... and so on. It's endless. Weiner goes in the opposite direction. He peels away at the layers, looking for a story to emerge. Starting with what strikes him as an interesting advertisement, he pulls to see what lies beneath.




ArtWeLove: A Great First Step for Aspiring Art Collectors

Filed under: Art

When I first started writing about the art market, in the white-hot auction climate of the summer of 2007, I had the chance to interview Prof. Michael Moses of NYU. Co-founder of the Mei-Moses Index used to gauge the direction of art prices, he's pretty much the de facto source for issues at the intersection of art and investing. I'll never forget the advice he offered to my readers: start with prints of your favorite pieces, and as you can afford to, replace them with the real thing.

This is the exact concept I saw in action when I stopped by the ArtWeLove booth at the Affordable Art Fair to visit company founder Laurence Lafforgue.

Art We Love focuses on making works by high-caliber artists available to entry-level collectors. The archival pigment prints offered by the company are limited-edition reproductions of museum-caliber pieces from well-known artists who have agreed to work with Lafforgue to make the art luxury attainable to a broader constituency.

"Earth Leak": Art Brings Disaster to Manhattan

Filed under: Art

As I walked the aisles of New York's Affordable Art Fair this past weekend, hoping to meet artists who'll someday become the mainstays of the auction scene, a powerful installation stopped me dead in my tracks. Black paint dripped from a white orb, which was suspended above a pile of once-white everyday household items. A milk carton and shoe, among other things, slowly turned black, as did the map of the world upon which they rested. An entanglement of pipes spread out from the dirtying action, and a quiet man sat on the floor beneath one of them, looking content and relaxed.

So, I had to interrupt his piece.

This is how I met Kamol Akhunov, the artist responsible for "Earth Leak". Inspired by the recent oil spill in the Gulf of Mexico, Akhunov's installation drives home the message that a disaster thousands of miles away can affect our daily lives, as suggested by the black paint falling upon the pile of household goods, as well as the map beneath them.


New Lichtenstein Monograph Marks Milan Exhibit

Filed under: Art, Books


An impressive new monograph on the late pop art star Roy Lichtenstein has just been published by Skira on the occasion of a major new exhibition of his work at the Milan Triennial, the most important show ever devoted to the artist in Italy. Roy Lichtenstein: Meditations on Art covers his entire artistic development through more than 250 paintings and sculptural works, a rich photographic section including unpublished material, and critical text. In keeping with the theme of the exhibition, the book examines the relationship between Lichtenstein, art history and its protagonists. There's also a refreshing emphasis on some of his lesser-known work. The reproductions in this deluxe edition, priced at $100, are large-format and in full color. Thirteen years after the legendary artist's death, his works and lexicon of symbols, subjects and themes continue to intrigue the art world while his work fetches millions of dollars at auction.

Five Ways to Protect Your Purchases at New York's Affordable Art Fair

Filed under: Art

The Affordable Art Fair starts on September 30, 2010, and it comes with plenty of opportunities to pick up pieces by emerging artists. Featuring works priced from $100 to $10,000, the right choices can turn into astounding art investments down the road. While collectors are drawn to the pieces themselves first, it's hard to overlook the financial appreciation that can occur, especially as the art market claws its way back from financial crisis lows.

What happens if your artwork is damaged? Collectors don't always spend enough time thinking about the financial side of their holdings, and art insurance can be an afterthought. So, it might not be a bad idea to invest a little in protecting your work.

"After taking the time to evaluate a work of art, but before making a purchase, it is important that collectors consider how they are going to protect their investment," said Andrew Gristina, Fine Art Specialist, Travelers Inland Marine. "Most people buy art because of the aesthetic beauty, however, it's also a financial investment, which is why insurance coverage and proper handling should be a consideration with each purchase."

Here are three five steps you can take to protect what you pick up at the Affordable Art Fair (or anywhere else):

Tough Year for Takashi Murakami as Auction Revenue Plunges

Filed under: Art

Contemporary art values got spanked following the financial crisis, and even though there were signs of hope in October and November 2009, it's been a long road to recovery. Some artists, in particular, were beaten particularly severely by the collapse of the contemporary art market.

Takashi Murakami, a fervent self-marketer as well as artist, sustained a decline in total auction revenue from $8 million for the July 2008 – June 2009 period to $3.4 million for the 12 months running from July 2009 – June 2010. ArtPrice reports that only 223 of his pieces were brought to auction during the year ending in June 2010, and only nine brought in more than €100,000. None hit the seven-figure mark.

Though the cash isn't rolling in, ArtPrice notes that Murakami "is back in the limelight thanks to his theatrical exhibition in the Château de Versailles which runs until 12 December 2010."

[photo by achimh via Flickr]

Cycles of Violence: Standout at DUMBO Arts Festival

Filed under: Art

I trekked across the river this past weekend to check out the DUMBO Arts Festival in Brooklyn. A neighborhood known for its arts scene could not have been saddled with greater expectations. Let's face it: Manhattan has become consumed by the art market , and DUMBO is perceived as the home of raw art talent. Well, the festival itself wasn't mind-blowing, but the first display I saw caught my attention and made the walk across the Brooklyn Bridge worth it. In fact, I would have walked all the way from the Upper West Side for the first piece I saw.

As I approached the DUMBO Arts Festival, the first thing I saw was on Adams Street. In fairness, I knew about this piece in advance, but I didn't realize it would be my entry into the festival – and become the benchmark by which I would judge all that followed.

"Cycles of Violence," by Ahron Weiner, could be missed easily if you weren't looking for it. New Yorkers familiar with posters on scaffolding all over the city could tune it out all too easily. In this case, that would mean missing an impressive exhibition – of the sort that can shape your perspective on public art.

Aston Martin DBS Carbon Black by Jeff Koons

Filed under: Luxury Cars & Autos, Art


Earlier this summer my colleague Noah Joseph reported on the BMW M3 GT2 painted by famed artist Jeff Koons as part of BMW's renowned Art Car program. Now it seems Koons has adapted the design to the new limited edition Aston Martin Carbon Black DBS. Based on the top-of-the-line GT that serves as James Bond's ride of choice, the Carbon Black edition features a unique black paint process designed to deflect the light at different angles, plus lightweight carbon-Kevlar seats upholstered in black leather with silver stitching, piano black trim, special wheels and more. We're not sure why Koons' design would be applied over the special black finish, but there you have it. Koons' colorful pattern is meant to evoke "power, motion and bursting energy." The Aston was spotted in the Netherlands and is slated to participate in The Challenge 2010 race at the end of this month.

[via LuxuryLaunches]

Saudi Art Set to Surge

Filed under: Art

king abdullahThe timing couldn't be better for Saudi artists. Just as the art market is recovering in the wake of a severe slump – the worst in almost 20 years – the world is starting to take notice of work that has long been limited only to a local market. Following an exhibition by a group of artists in London in October 2008 and another at last year's Venice Biennale, momentum is building. Shows are planned for Istanbul and Berlin. Auction prices are shooting higher. Excitement is abundant.

And the government is behind it.

King Abdullah's strategy for rebranding Saudi Arabia includes promoting the country's artists, even though there aren't many art galleries inside its borders. The combination of hype and low prices could translate to an amazing opportunity for art collectors. Get in now while the buzz is beginning, and you might be able to ride a sharp increase.

May Art Sales to Bring Records and Liquidity

Filed under: Auctions, Art

The Impressionist and Modern Art sales on May 4 and 5, 2010 are likely to confirm a continued climb in art auction pricing. We're now six months or so into the badly needed upswing, and there's plenty of room for optimism. Not only are the presale estimates and sales on the way up, but the number of pieces being resold quickly is on the rise, as well. This means that there's a high degree of liquidity in the art market: collectors can sell easily and without worry (as long as the inventory doesn't suck, in which case there's no hope, of course).

The increase in art market liquidity is due in part to the return of guaranteed minimum pricing, in which the auction houses assume some sales risk for attractive or desirable pieces that they feel can beat the numbers and attract buyers and sellers of other strong works. According to ArtPrice, there are "tens of millions of dollars for major works" committed via guaranteed minimum pricing, indicating that confidence is up.

It's the price guarantees that have led to the arrival of some strong pieces at the early may auctions this year, including pieces from the collections of Mrs Sidney Francis Brody, Raymond and Miriam Klein, Bernard Goldberg and Michael Crichton. Brody's works alone could fetch up to $150 million. The high estimate for Christie's is $300 million, a target that doesn't include the top lot, "Nude, Green Leaves" by Pablo Picasso, which as Jared Paul Stern revealed in a recent column is expected to bring in as much as $90 million. Other artists with eight-figure estimates include Henri Matisse, and Alberto Giacometti.

Don't just look for good news – also a expect a few records to b set. Sotheby's has high hopes for pieces by Salvador Dali and Auguste Rodin.

Artist Michael Varley at 25CPW

Filed under: Art

I snuck a peak into 25CPW over the weekend while taking my son for walk down Central Park West. Having been jammed for the past few weeks, I'd lost track of what's been passing through the unique gallery space on the Upper West Side. So, it was nice to have a chance to catch even a glimpse of the latest collection.

The action inside the art gallery caught my eye. New pieces were hanging, and gallery executive director Bess Greenberg was moving through the pace with a purpose, and a man I hadn't seen before wielded a paint roller at the end of a long handle. Not wanting to give up the perfect day, I pushed the stroller forward and back toward Central Park, but the curiosity stayed with me.

It turns out the new show contains selected works by Michael Varley and is on display until May 5, 2010. It can be viewed only by appointment, and the work is certainly interesting. Don't worry, there are more events coming.


May Art Auctions Likely to Bring Back Excitement

Filed under: Auctions, Art


The May art sales are coming, and I, for one, can't wait to see what happens. The art market took an exciting turn at the end of 2009. Prices appeared to be on the mend, though nobody was willing to believe it fully – not after the tumult experienced for the year and a half before it. Tentative steps gave way to optimism at the beginning of this year, leading many to accept that the art market is coming back. Collectors opened their wallets. Auction houses put better works on the block. Everything looked good.

Unfortunately, there hasn't been much action in the major categories since February. This is strictly a function of the auction seasons. Sure, we've had the Armory Show in New York and Phillips de Pury's anemic sex-themed auction, but this doesn't scratch the big-money art market itch. At the beginning of March, Sotheby's moved Andy Warhol's "Self Defense" for $420,000, well ahead of the presale estimate of $250,000 to $300,000. Christie's pushed "Two Jackies" for $446,500, more than 10 times more than the low-end presale estimate of $40,000. Yet, without piercing the million dollar mark, it's hard to capture anyone's imagination.

So, we've had to wait – and will have to continue to do so until May. In the meantime, anticipation has been mounting. What's coming up next?

Afghan Refugees to Benefit from 25CPW Art Auction

Filed under: Auctions, Art, Charity, Video



The action at 25CPW has been nonstop. Following its successful show last week, featuring the artwork of guards from the Metropolitan Museum of Art, the temporary art gallery on Manhattan's Upper West Side hosted a silent auction featuring the original creations of Afghan women and children. Several thousand dollars were raised at the event, which was organized by 25CPW guru Bess Greenberg and Brianne Leary, the driving force behind Saving Afghanistan and journalist who covered the Soviet/Afghan conflict through the 1980s. The financial result, says Leary, addresses an immediate need for specific refugees in transition.

The prices at the one-night auction were purposefully kept accessible, given the prevailing economic climate, says Leary, and the event was well-attended. Get the full story directly from Leary in the video below.



Four Reasons Optimism Was Seen at New York's Armory Week Art Fair

Filed under: Art

The Armory Show
For the past week, the art community has focused on New York City's annual Armory event, in which artists put their best pieces forward, dealers and galleries are on the prowl and collectors look for new finds that will someday redefine their portfolios. Momentum from the contemporary art auctions at Christie's and Sotheby's was certainly present, as all in attendance seemed focused on opportunity rather than window-shopping. The efforts at the Armory were consistent with a marketplace that's active, not the crushing fear that characterized the art market through the second half of 2008 and most of 2009.

1. Koons went bare
What was expected to be the most controversial event of Armory Week turned out to be subdued, though well attended. Jeff Koons offered a tribute to open sexuality with an exhibition that opened last Tuesday. Protesters weren't in sight, but musicians Cyndi Lauper and The Edge (guitarist for U2) checked out the show.

2. Solo booths were back in style
According to ArtInfo, "Solo artist booths were everywhere you looked." Individuals were ready to put themselves out into the market. Collectors had the opportunity to focus on specific artists as a result, rather than see disparate artwork crammed together by galleries and dealers managing inventory as if they were grocers. The good news, however, is that this shift isn't indicative of an art market slump. Rather, it's a sign of optimism. There's a belief out there that art collectors are ready to buy, especially given what we've seen at auction so far this year.

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