aristocrats

The Classicist: Inside the Embassies & Historic Mansions of Paris

Filed under: Decor, Estates, Books, The Classicist, Wealth, Architecture & Design

Very rarely do any of Paris' remaining private palaces come on the market; when they do the properties invariably rank among the world's most expensive, such as the 1912 mansion built for the Duchesse de Montmorency recently listed at $140 million that we told you about back in November. The reason there is so little movement among these magnificent monuments to wealth lining the famed city's storied avenues is that most are occupied as embassies and ambassadorial residences. An equally magnificent new book, Historic Houses of Paris: Residences of the Ambassadors from Flammarion by Alain Stella with photography by Francis Hammond offers a guided tour of 22 of these amazing edifices, some seen for the first time, most originally built for members of the aristocracy and now the setting for lavish diplomatic entertainments and intrigues.

Gilded halls, formal sitting rooms, stately dining rooms, paneled libraries, perfectly landscaped gardens, chambers filled with rare antiques, luxurious wallcoverings and private living quarters are all examined in delectable detail, in mansions ranging from a 17th-century hôtel particulier to a Belle Epoque palace and even a couple more contemporary examples, now occupied by the ambassadors of the United States, the United Kingdom, Russia, Germany, China, India and more. The cover (above) depicts the Sicilian theater of the incredible Italian Ambassador 's residence, aka the Hotel de la Rochefoucauld-Doudeauville, built in 1732. Some, like the Indian Ambassador's residence, aka the Hotel de Marlborough built in 1910 by architect René Sergent, who also designed Claridge's in London and Rome's Grand Hotel, are named for famous former owners; in this case the Duchess of Marlborough, aka Consuelo Vanderbilt, one of the world's richest and most beautiful women at the time.

Gallery: Historic Houses of Paris

Hotel d'Avaray (Kingdom of the Netherlands)

Tags: antiques, architecture, aristocrats, Belle Epoque, books, coffee table books, decor, embassy, estates, France, historic houses, mansion, Paris, politics, real estate, wealth

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The Classicist: Inside a Hundred Legendary Louis Vuitton Trunks

by Jared Paul Stern (RSS feed) —

Filed under: Luxury Travel & Hotels, Books, The Classicist

Since 1854, when Monsieur Louis Vuitton opened his first store in Paris, his name has been synonymous with the ultimate in luxurious luggage. His incredible trunks with their now iconic canvas coverings, introduced that same year, combined pragmatism and elegance and were "perfectly adapted to the current means of transport and changes in the lives of his clients." That's the basis of the best luxury book of the year, Louis Vuitton: 100 Legendary Trunks, just published by Abrams, Illustrated with 600 images taken from the Louis Vuitton archives in France and new, specially-commissioned photographs. From trains and ocean liners to the earliest automobiles and even hot air balloons, on journeys to all corners of the globe, the Vuitton trunk has crossed time and borders and remains an icon of the golden age of travel, epitomizing the glamour and elegant decadence of an era when journeying to a foreign land involved adventure, romance and style.

The trunks featured in the incredible book are "extraordinary in every way, for a hundred reasons," writes Patrick-Louis Vuitton, the fifth-generation descendant of Monsieur Vuitton who is now in charge of bespoke orders for the firm, "as much for what they carried as for the work, the care, the inventiveness and the ingenuity required to make them." The 100 featured trunks are divided into five sections according to the people who owned them: Explorers & Adventurers, Crowned Heads & Aristocrats, Dandies & Fashionable Ladies, Artists & Scholars, and Hedonists & Eccentrics. Many a Maharaja, actors from Douglas Fairbanks to Sharon Stone, couturiers from Jeanne Lanvin to Karl Lagerfeld, as well as the likes of Ernest Hemingway, Leopold Stokowski, and Damien Hirst have all traveled with Louis Vuitton trunks, often customized in various ways.

Gallery: Louis Vuitton: 100 Legendary Trunks

The Complete Wardrobe made for Sacha Guitry, 1913

The volume of a Louis Vuitton trunk can be defined by the nature of its contents, the means of transport, its handling, etc.

The Mail Trunk made for Paul Poiret 1911

Tags: Abrams, Aristocrats, bespoke, books, coffee table books, exotic leather, France, Louis Vuitton, luggage, luxury goods, luxury travel, LVMH, Maharaja, Paris, travel, trunks

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Prince William and Kate Middleton Swear to Live Without Servants

by Jared Paul Stern (RSS feed) —

Filed under: Wealth

Soon-to-be-married couple Prince William and Kate Middleton say they do not plan to employ any servants in their royal household. Although William's father Prince Charles employs an army of 150 retainers, William and his new wife will not have so much as a single Jeeves to fetch their tea, the London Telegraph reports. The future King and Queen of England have been doing their own shopping, cooking and even cleaning at the rented cottage they occupy on weekends, the paper notes, and plan to continue in that vein once vows have been exchanged.

The only staff they can't dispense with are the bodyguards detailed to provide security for the heir to the throne. The couple apparently believe that sharing their home with servants would ruin the intimacy of their relationship. "It's very much their instinct to manage on their own," a senior royal source tells the paper. "They want to do their duty and make sure they are a real asset to the country but they are private individuals who want to get on with their lives." Of course all that will have to change when the couple move in to Buckingham Palace.

Tags: aristocrats, British royalty, Kate Middleton, Prince Charles, Prince William, royal family, royalty, UK, wealth

The Classicist: Paradise Lost - 40 Years of Cafe Society

by Jared Paul Stern (RSS feed) —

Filed under: Art, Books, The Classicist, Wealth

In the 1920s, '30s, '40s and '50s the so-called Café Society in Europe drew together aristocrats, millionaires, artists, authors, couturiers, choreographers and musicians in a "glittering world of fashion and frivolity, opulence and ostentation", notes Thierry Coudert in his ultra-stylish new book, Café Society: Socialites, Patrons and Artists 1920 to 1960 from Flammarion. Those decades were the "apotheosis of an era that was to have a profound influence on the history of taste" Coudert writes, with the likes of the Duke and Duchess of Windsor, Lady Diana Cooper, Diana Vreeland, Cole Porter, Noel Coward and Cecil Beaton setting the tone and deciding which artists, designers, and musicians were in vogue. The cover of the book (above) depicts heiress Barbara Hutton, then the Countess von Reventlow, at a tennis match in 1940, while Yves Saint Laurent, Orson Welles, Salvador Dali, Jean Cocteau and many more make cameos in the impressive volume.

Gallery: Cafe Society

Tags: Aristocrats, art, artists, books, Café Society, Cafe Society, coffee table books, Diana Vreeland, Duke and Duchess of Windsor, Duke of Windsor, Europe, fashion, France, Noel Coward, socialites, society, style, wealth, Yves Saint Laurent

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The Classicist: Sotheby's to Auction Treasures from Chatsworth, England's Most Famous Country Estate

by Jared Paul Stern (RSS feed) —

Filed under: Decor, Auctions, Art, The Classicist, Architecture & Design

On October 5–7 Sotheby's will stage what amounts to the world's most luxurious yard sale at Chatsworth (above), England's most famous and beautiful country estate, owned by the the Duke and Duchess of Devonshire. The treasures on offer include art, architectural elements, furniture, ceramics, glass, silver, and other items – even an antique motorcar – with estimates ranging from £20 to £300,000, or about $30 to $450,000. The sale comprises 20,000 objects in over 1,000 lots which will be on view in a series of marquees on the grounds of the house from October 1st. The several million dollars which the sale is expected to generate will go towards upkeep on the famed estate, which has 126 rooms – including a bathroom with murals painted by Lucian Freud – and sits on over 30,000 acres.

Several of the most magnificent pieces – handsomely carved fireplaces, architraves, doors and shutters - were once part of the fabric of the many great houses that have featured in the Devonshire family's extraordinary history, including Chatsworth itself, Chiswick House, Hardwick Hall, Lismore Castle in Ireland, Compton Place, Bolton Abbey and especially their palatial London residence, Devonshire House – now destroyed but for centuries the centre of the city's social, political and cultural elite. The sale includes works from almost every conceivable area, including books, carriages, glass, collectibles, sculpture, garden statuary, natural history, jewelry, prints, carpets, textiles, tapestries and wine. Some items relate to royalty and others to one of the family's most colorful members, the beautiful and charismatic Georgiana Cavendish, 5th Duchess of Devonshire (1757-1806), one of the most beloved and influential characters in British history. [continued]

Gallery: Treasures from Chatsworth & Devonshire House

George III gilt-bronze mounted library bookcase / doorway, circa 1800

The Devonshire Borghese table, an Italian carved giltwood console table with a serpentine alabaster veneered top, mid-18th centu

An ormolu-mounted Sevres style jardini�re, late 19th century, Est. �2,000-3,000

Tags: antiques, architectural, aristocrats, British style, castle, Chatsworth, Chatsworth Estate, country estate, country house, Duchess of Devonshire, Duke and Duchess of Devonshire, Duke of Devonshire, England, English country house, fireplaces, furniture, Jane Austen, Keira Knightley, King George IV, Lismore Castle, London, mahogany, mansion, marble, Pride and Prejudice, royalty, silver, UK

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The Classicist: The History of America's Upper Class

by Jared Paul Stern (RSS feed) —

Filed under: Books, The Classicist, Wealth

Interestingly enough it took a foreigner - namely super-stylish British historian, author, and journalist Nick Foulkes - to realize that for most people the appeal of society swells is purely decorative. What sets his recently published book - High Society: The History of America's Upper Class - apart from the usual social history is the amazing array of archival photographs. Beginning with the early 17th century, Foulkes focuses on the famous families - the Vanderbilts, Fricks, Morgans, and Astors among them - who came to embody the American aristocracy. He also plots the social trajectory all the way to the present day, and heiresses such as the famed Miller Sisters, aka Pia Getty, Princess Alexandra von Furstenberg and Princess Marie Chantal of Greece, pictured on the book's cover, above.

Of course, you first have to accept Foulkes' premise that America does in fact have a class system, even if the current recession has painfully demonstrated that no one should take their positions for granted while Barack Obama's ascendancy proved that traditional barriers are no longer as formidable. "I am often told that 'American high society' is an oxymoron, either by those who hold the quaint belief that the United States is a classless society in which opportunity is open to all," Foulkes notes, "or by Europeans who believe themselves to be superior and look down pejoratively upon the social aspirations of a country that is younger than many families, social clubs, educational establishments, and even socks in the Old World."

The fact of the matter, however, Foulkes writes, is that "The United States is no longer a young country; it is a middle-aged nation with its own social codes and structures locked into its collective DNA. It has its prominent families, an untitled aristocracy, who exerted such a profound effect on the nation or have just been around for so long that the doings of their descendants are still a source of interest." The second pillar of American society is the plutocracy, "Men who made so much money that they simply floated to the pinnacle of the social structure on a tide of cash, building huge mansions and amassing art collections that remain among the most impressive the world has ever seen."

Gallery: High Society

National Horse Show at Madison Square Garden, 1960s.

Heiress, socialite and model Lydia Hearst.

Tags: aristocrats, Assouline, Astor, Barack Obama, BarackObama, Nick Foulkes, NickFoulkes, socialite, society, Vanderbilt

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New Dress Code, Same Classic Style at Royal Ascot Races

by Jared Paul Stern (RSS feed) —

Filed under: Apparel, Events, Sports, Men's Style

Since it was founded by Queen Anne in 1711, the annual Royal Ascot races have become the highlight of the English social season. Ostensibly a five-day sporting event, it's also evolved into something of an immense fashion show, marked by the arrival of the Royal Family in ceremonial horse-drawn carriages every day. It has become the style for ladies to sport increasingly outrageous hats, and lately the traditional rules about "formal day dress" in the coveted Royal Enclosure have been rather loosely interpreted, much to the Queen's dismay.

This year officials have cracked down, declaring that "Off the shoulder, halter neck, spaghetti straps and dresses with a strap of less than one inch and/or miniskirts are considered unsuitable," while "Midriffs must be covered and trouser suits must be full length and of matching material and color." Those not in compliance will be asked to leave the Royal Enclosure. Gentlemen have always been required to wear full morning dress with top hats. Lest all the pageantry detract from the business at hand, it's worth noting that prize money at this year's event, which runs through Saturday, has reached an unprecedented $7.8 million.

Gallery: Royal Ascot Races