Twenty rural retreats spanning the breadth of North America and over a century of architectural and social history are featured in author and photographer Bret Morgan's stylish new book Rustic. Examples include the Ames Gate Lodge, H. H. Richardson's "sublime pile of boulders" in Massachusetts; Camp Topridge, Marjorie Merriweather Post's rustic luxe compund in the Adirondacks; the Arts and Crafts masterpiece Charles Millard Pratt House in southern California; Fortune Rock, George Howe's striking modernist home on the coast of Maine; Robert A. M. Stern's nostalgic Spruce Lodge, hidden high in the Colorado Rockies; and Ledge House, Peter Bohlin's vision of rustic modernism in the Catoctin Mountains of Maryland. All exemplify an "artfully informal aesthetic that celebrates the beauty of the natural world."

Architect Zaha Hadid, the first woman to receive the coveted Pritzker Prize (in 2004), is celebrated in a new book from Rizzoli titled Zaha Hadid: Complete Works. Hadid's designs are a "fusion of a Western modernist education and Middle Eastern art", as described in the introduction by Aaron Betsky, Director of the Cincinnati Art Museum: "...the intricate patterns that defeated comprehension and embodied the collaborative efforts of hands transforming reality into a sensuous surface, simple spaces into lush ones." The book encompasses Hadid's architectural designs as well as furniture, interiors, sculptures and objects such as bowls and jewelry. Included are her most recent commissions, such as the Guggenheim-Hermitage Museum in Lithuania and the Aquatics Centre for the 2012 London Olympics, as well as her most renowned works, including as the Vitra Fire Station in Germany and the Lois and Richard Lowenthal Contemporary Arts Center in Cincinnati.

Last week my colleague Deirdre Woollard reported on the Empire State Building's swanky new lobby, part of a $550 million building-wide renovation project. Now comes word that the New York architectural icon is also getting a great new cocktail lounge from nightlife entrepreneur Mark Grossich, known for elegant boîtes like the Campbell Apartment in Grand Central Station. He's turning a 3,500-sq.-ft. former post office on the skyscraper's ground floor into the Art Deco-style Empire Room, slated to open at the end of November. Design firm Goodman Charlton has cooked up an elegant scheme employing plush mohair, intricate cut velvets, macassar ebony, silver leaf, embossed leather, marble and polished stainless steel in tones of rich brandy, deep cognac, icy silver, and golden cream for the interior (rendering above), meant to evoke a more glamorous era of supper clubs and gentlemanly drinking establishments.

[via Duncan Quinn]

A lavish new coffee table book from Rizzoli titled Louis Vuitton: Art, Fashion and Architecture is a seductive anthology of the famed French fashion house's collaborations with an international group of elite artists, architects, designers, and photographers, including Frank Gehry, Zaha Hadid, David LaChapelle, Annie Leibovitz, Takashi Murakami (whose updated LV monogram is featured on the cover) Richard Prince and Stephen Sprouse. Beautiful images are interspersed with critical essays that examine and position Louis Vuitton's patronage, under the guidance of Artistic Director Marc Jacobs, during "one of the most fertile periods of contemporary art and design." The book is divided alphabetically so as to serve as a sort of encyclopedia of the many collaborations, commissions and sponsorships Vuitton, a cornerstone of the LVMH luxury goods empire, has engaged in over the years.

West Indian decorative arts scholar Michael Connors presents a lavishly illustrated and comprehensive history of architecturally significant dwellings and estates in the West Indies in his beautiful new book Caribbean Houses from Rizzoli. The book is divided into five chapters, one for each European heritage that brought their own influences and designs to the region: the Spanish, Dutch, English, French, and Danish. In addition to the gorgeous photographs done exclusively for the book, Connors discourses on the area's rich architecture and interior design history, and gives the reader a "unique view of houses that combine the tradition of European styles with the vernacular island forms and decorative motifs." The featured islands include: The Spanish Antilles – Cuba, Haiti and the Dominican Republic; The Dutch Leewards – Aruba, Bonaire, and Curaçao; The English Islands – Barbados, Turks & Caicos, Jamaica, St. Lucia, and St. Kitts; The French Lesser Antilles – Martinique; and The U.S. Virgin Islands (formerly Danish) – St. Thomas and St. Croix.

Not every celebrity needs a mega-mansion to salve their ego. Several of the hipper set have recently purchased traditional, stylish, low-key cottages in bucolic Sullivan County, New York, from designer and builder Charles Petersheim's Catskill Farms. Buyers like Albert Hammond Jr., guitarist of The Strokes, actor and comedian David Cross, Vice magazine founder Gavin McInnes, fashion designers and other artistic types get the best of both worlds - early American architectural features including wide plank floors, fireplaces, painted salvaged wood ceilings and wrap-around porches, along with whole-house audio, security systems, and modern kitchens.

While capturing the charm, beauty and character of the early 1900s in a private setting, Catskill Farms aims to eliminate all of the hassle and maintenance issues related to old houses, which is especially important for those with busy schedules who need to relax when they're finally able to get away from it all. Over the past few years, Catskill Farms has designed, built and sold over 40 new / old homes in Sullivan County, becoming the leading designer and builder of Upstate New York getaways. Another of their goals is affordability, hence their brand new mini-cottages series. Priced from $225,000 to $400,000, the picturesque dwellings (above) feature open floor plans and spacious interiors.

For your reading and viewing pleasure we present the second in a series looking back at highlights from the first year of The Classicist, the weekly column devoted to timeless style, enduring elegance, and true, built-to-last luxury as opposed to mere extravagance. For our second installment we sum up the best in luxe books, featuring our favorite subjects ranging from high equestrian style to classic architecture, historic estates, high society, jetsetters, megayachts and more. No truly luxurious library is complete without these volumes.


1. Equestrian Style: Home Design, Couture, and Collections from the Eclectic to the Elegant by Vicky Moon (Clarkson Potter)

Moon divides her volume into different facts of the equestrian experience: In the Field, On the Farm, At the Track, In the Ring, On the Move, and Down the Road, focusing on all facets of horsiness and everything that goes along with it. The emphasis is on authenticity, not affectation; she notes all that's really required is a "basic love of horses" but opines that actually riding them gives one a much stronger connection. True equestrian style, she writes, is "more than a feisty, wet Jack Russell terrier, a pair of Wellington boots and a tweed jacket. It goes beyond hanging a hunting print in the dining room wall to actually leaping over a stone wall on your favorite hunter. An unspoken equestrian philosophy surpasses wearing an Hermes scarf; it celebrates riding over jumps in an Hermes saddle."


2. The Legendary Estates of Beverly Hills by Jeffrey Hyland (Rizzoli)

A meticulously researched and lavishly illustrated history of 50 magnificent estates in three world-famous enclaves of the ultra-wealthy - Beverly Hills, Bel-Air, and Holmby Hills - this is a definitive history of the area's most famous estates, "the architecturally spectacular homes and lavish grounds that have been home to countless celebrities and the world's richest families for almost a century." Aside from the purely visual pleasure of the photographs both old and new, Hyland explains the history and architectural importance of each estate, and tells the fascinating stories of the many famed owners, from their "passionate involvement in the design of these costly properties, to their intrigues, triumphs, calamities, and romances."


3. Great Estates: The Lifestyles & Homes of American Magnates by William G. Scheller (Universe)

This oversized, lavishly illustrated volume celebrates the history of 40 of America's true barons of business, from the 1700s through this year's Forbes list, and opens the door into their private palaces along the way. Great Estates follows the "restless careers of our most brilliant and driven merchants, industrialists, and financiers as they mastered a new economic world of textiles, railroads, oil, and steel." Men of great fortune erected massive monuments to their success, inclduing Henry Clay Frick's Manhattan mansion, now a magnificent museum; William Randolph Hearst's San Simeon in California, aka Hearst Castle; and one of our personal favorites, railroad magnate Jay Gould's gothic castle on the Hudson River, Lyndhurst and more.


4. Luxury Toys: Mega Yachts from teNeues

In the rarefied world of mega yachts, the ultimate achievement is to have one designed by a certain Norwegian genius named Espen Oeino. The world's top star in naval architecture, Oeino's megabucks creations "combine the precision of fine machinery with indulgent finishes and the high-end amenities of a palace." When German luxury publisher teNeues opted to focus a volume in its amazing Luxury Toys series to the world's greatest yachts, it was quickly decided to dedicated the entire book to Oeino. The book showcases 20 of his stellar creations, including Microsoft co-founder Paul Allen's 413-ft. Octopus, the 8th largest yacht in the world and the second largest superyacht that is not owned by a head of state.


Continued after the jump.

S.T. Dupont, makers of the world's most expensive lighter we wrote about last month, have come out with an equally exquisite instrument for lighting one's cigarette designed as an homage to one of Paris' most famous architectural landmarks.

The Place Vendôme limited edition Ligne 2 Prestige rose gold lighter embellished with 192 diamonds (right), which sells for $47,000 and is limited to 35 pieces, is modeled on the architecture of the majestic Parisian square of that name commissioned by King Louis XIV in the 17th century.

In 1810 following his victory at Austerlitz, Napoleon enriched the square by erecting the Vendôme Column. A pen matching the lighter modeled on the column is also available. Napoleon's famous quotation is engraved on the lighter's roller and on the body of the pen: "Impossible n'est pas français" - Nothing is impossible for the French.

The other day my colleague Alison Wellner reported on Newport, Rhode Island's Cliff Walk controversy over the much disputed public right-of-way. Not everything going on in the famed seaside town is controversial, however; on a brighter note, The George Washington Institute for Religious Freedom just celebrated the opening of the new Ambassador John L. Loeb Jr. Visitors Center (above), which has won praise for great design complementing its historical context. The Loeb Center is located at Touro Synagogue, the oldest functioning synagogue building in the nation. First dedicated in 1763, it was designed by America's first architect, Peter Harrison.

The Institute's mission is to promote awareness of the historic roots of religious liberty in America. In addition to the Loeb Visitors Center, the George Washington Institute for Religious Freedom supports educational and scholarship programs for individuals seeking to learn about and discuss the origins and development of American religious liberties. John L. Loeb Jr. is the Chairman of the George Washington Institute for Religious Freedom and is the former U.S. Ambassador to Denmark. Through the Institute, he donated both the land and the new Visitors Center building. The Loeb Center further interprets and celebrates the history and architecture of Touro Synagogue, renowned for its beauty.

The Loeb Visitors Center features interactive, multimedia exhibits exploring the meaning and importance of George Washington's 1790 Letter to the Hebrew Congregation of Newport, the first and clearest presidential expression of support for American's constitutional right to the free exercise of religious belief and the separation of church and state. Writing about the Loeb Center in the Providence Journal, architecture critic David Brussat noted, "It is obviously a classical building, yet it is unlike any other. No work of classicism could possibly depart from canon with greater dignity, hence no building could possibly fit onto a historic street with greater distinction."

One of the world's most innovative architects, Will Alsop, is leaving his namesake practice in order to spend more time painting and teaching. Alsop, who is 61 has been running his own practice for around 30 years tells Building Design that he plans to hand over day-to-day management of Alsop Architects to others but will act as a consultant to the firm which is part of Archial, a listed firm which retains full ownership of the Alsop division.

Alsop teaches at Ryerson University in Toronto and the Technical University in Vienna and says he wants to spend two or more days a week working on painting. In the Building Design article he says he will be making a " serious inquiry into painting" not because he thinks it will make him any money but because it will make him happier. The article contains a bit of wisdom from the colorful architect who says: "Whatever age you are, you shouldn't be afraid to make changes to your life."

Rotterdam is a great city for architectural enthusiasts -- and actually, for enthusiasts of construction, since the city is really proud of its ongoing modern building efforts, which includes a complete redesign of the city's train station. (The city feels like a modern palate-cleanser if you visit after an immersion in Amsterdam's historic canal-lined streets, although some will look at you funny there if you say you're going to Rotterdam. Don't step into the middle of this one, Rotterdam thinks it's way cooler and more creative than Amsterdam.)

One of the most iconic structures in town are the Cube Houses, designed by architect Piet Blom in the late 1970's, built in the mid 1980s, and they definitely capture the feel of that era. The city apparently was considering using the cubes as ex-convict housing, but now, Stayokay is using it as a just-opened youth hostel. So if you want to really go retro, and return to your younger days, you can stay in a cube in a shared room for under 20 euro a night. Personally, I'd visit #70, which is open as a museum, and stay at The Westin.

A Hamptons beach house designed by Philip Johnson three years before the architect built his famous Glass House in New Canann, Conn. has come on the market for $35 million. Built in 1946 and based on plans drawn up by Mies van der Rohe, the modernist Farney House (above) is nestled in the dunes of Sagaponack supported on raised log piers. The house, which was expanded and updated by local architect Mark Matthews in 1989 - perhaps spoiling the purity of Johnson's work in the eyes of some - features a stunning glass-enclosed living room with spectacular ocean views. The 5,000-sq-.ft., 8-bed, 7-bath wooden residence sits on 3.6 oceanfront acres with 363 ft. of pristine Hamptons shoreline, and is accessed by a private road situated a substantial distance from any public beach access. The property includes a free-form swimming pool, tennis court, play area, putting green and basketball court incorporated into a beautiful landscape design, as well as a long boardwalk running from the house to the beach.

[via JustLuxe]

Luxury Living: New York, the latest volume in teNeues' luxury series, affords a rare inside peek at a truly privileged world. The book features some of the Big Apple and environs' finest architecture interior design, from a glinting modern masterpiece in Manhattan to a solidly traditional structure set in the Hamptons. More than just the most expensive living spaces, however, the featured abodes all express opulence married to great taste, even on a small scale; one of the apartments included in the volume measures a mere 300-sq.-ft., while others are multimillion-dollar palaces. Dazzling photographs by Reto Guntli adorn every page.

Rock Hall, a four-room B&B in Colebrook, CT, is now open for its first summer season, and it's a great New England getaway for fans of Florida, architecture, or just an unusual story.

Rock Hall was built in 1912 by Addison Mizner, the architect whose Mediterranean Revival style was behind the development of Boca Raton as a resort community. Mizner built this 10,000 square foot home some six years before he went to Florida -- where he'd eventually go bankrupt and die.

But before all that, in Connecticut's Litchfield Hills, Mizner received this commission for Jerome Alexandre, a bond trader. Alexandre was heir to the Alexandre Steam Ship Lines fortune, a company which once sailed between New York and Mexico -- perhaps explaining Alexandre's taste for Spanish-style architecture?

Anyway, fast forward to present times, Rock Hall was bought as a country home by another bond trader, Michael Somers, managing director of Dillon Read and Company (most recently a part of UBS) and his wife Stella, a designer. Let's just say that investment banking isn't what it once was, and so late last winter, Michael became an innkeeper. The Somers transformed their country manor into a B&B and have repaired to an apartment on the top floor of the home. (Their former master suite, now Chamber #2, would be the room to reserve.) Stella is a delightful hostess, and Michael has channeled his energies into his long-time hobby, cooking -- he makes a mean house-cured gravlax.

How much responsibility does a new owner have when taking over an architectural treasure? Bright and Spacious points to a Bloomberg story on the owners of La Ronda, an Addison Mizner designed home in Bryn Mawr, Pennsylvania. The Mediterranean Revival-style villa may be razed by its current owners who want to build a new home on the property. The owners of the 80-year-old mansion bought the home for $6 million in March. The township's board will decide today whether La Ronda will be immediately razed or if the destruction will be delayed by 90 days allowing time for other actions.

The home does not have federal designation as a historic site. Many Mizner-designed buildings in south Florida, where Mizner designed many homes and buildings, have this designation. The home is the only surviving Mizner-designed home north of the Mason-Dixon line. The township and historic preservation groups want to set up a foundation to buy back La Ronda but that could cost as much as $7 million. Check out the a gallery of Addison Mizner designs and vote in the Save It or Raze It poll on Bright and Spacious.

UPDATE: La Ronda has been given a 90-day reprieve.