An Art World Cataclysm: 1910-1918

Was there ever a time when the art world was more exciting and more dynamic than the years leading up to World War I? The Solomon R. Guggenheim Museum's new show, "The Great Upheaval: Modern Art From the Guggenheim Collection, 1910-1918," illuminates a time when artists were in a state of revolt. Consider Kazimir Malevich's 1912 "Morning in the Village after a Snowstorm." His inspiration is folk art. His figures are stylized and compact, geometric and tubular. Even his palette is limited to red, black, blue, white with touches of brown. What this show demonstrates so clearly is that the old European prescription for painting, especially landscapes, was no longer relevant.


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