Natural colored diamonds and other colored stones did very well at the Sotheby's "Magnificent Jewels" sale in Geneva this week. The Roxburghe Rubies, a parure of a ruby and diamond necklace and earrings brought $5.77 million, five times the set's estimated price. A rare 2.52 carat vivid green diamond sold for $3.08 million. It was the largest vivid-green diamond ever to appear at auction and the sale set a new world-record price per carat for a green diamond at auction. Swiss jeweler Chatila paid $2.52 million for a 3.17-carat fancy intense blue diamond which set a new world-record price per carat for an intense blue diamond sold at auction. Chatila also paid $3.13 million for a 74.8-carat fancy vivid-yellow diamond ring. The sale brought in $36.68 million putting it safely above the pre-sale low estimate of $29.5 million. A total of 79 percent of the lots up for sale sold.

The Phillips de Pury auction on Thursday night raked in what once would have come from a single painting. Despite parading out pieces by Andy Warhol, Jeff Koons and Richard Prince, the sale was good for a mere $7 million, with individual lots moving for prices in the hundreds of thousands of dollars. Thirty-nine went under the gavel, and eight didn't sell.

The Chelsea auction house lacks the savvy, knowledge and reach of Sotheby's and Christie's, so it had to lean on British art collector Charles Saatchi, who has agreed to complete most of his transactions through Phillips de Pury. In trade, subsidies from the auction house help keep access to Saatchi's gallery free.

Roughly a dozen of the lots came from Saatchi, while the others are said to have been rejected by Sotheby's and Christie's. In general, the pieces were "pretty skimpy," according to Manhattan art dealer Edward Tyler Nahem, who observes that the auction house "did pretty well with what they had."

Japanese artist Yayoi Kusama was the top seller, with her painting "Infinity Nets (T.W.A.)" busting past its high-end presale estimate of $400,000 and settling at $842,500 (including fees). Kusama's performance follows a well-hyped exhibition at the Gagosian Gallery this year.

The Christie's crowd on Tuesday may not have been ready to shell out big bucks for Andy Warhol's "Tunafish Disaster," but the crowd at Sotheby's was more than happy to by a boatload of currency. The top pop artist's "200 One Dollar Bills" found a buyer for a monstrous $43.8 million at the Sotheby's art auction in New York on Wednesday.

Pauline Karpidas, an art collector in London, offered the piece, Bloomberg News reports but wasn't able to verify with the collector herself. It looks like she scored with this one. "200 One Dollar Bills" carried a presale estimate of $8 million to $12 million, which didn't last long.

The piece consists of what its title states: 200 real-sized one dollar bills reproduced in black on grey ... and with a blue replica of the Treasury Department seal. If they were real cash, the sale price was greater by a factor of 219,000.

This wasn't the only success of the evening, and overall, the outcome was fantastic. Only two of the 54 lots failed to find new homes, and the final number, $134.4 million, thrashed the presale estimate of $97.7 million.

On November 17 in London Sotheby's and Louis Vuitton will co-host a gala charity auction of six limited-edition Special Orders Vuitton pieces to benefit the Red Cross and commemorate the organization's 150th anniversary. Since its creation in 1854, Vuitton's Special Orders department has made bespoke creations (see Karl Lagerfeld's here) to suit the whims of customers willing to pay for the perfect carrying case to suit their whims. For the Red Cross benefit sale, Vuitton created custom pieces for Damien Hirst (a butterfly armoire), chef Ferran Adrià (trolley case with knife tray), photographer Annie Leibovitz (camera bags), musician and composer Gustavo Santaolalla (instrument case), Vuitton creative director Marc Jacobs (dog carrier) and Patrick Louis Vuitton (alligator tool kit), the head of Vuitton's Special Orders department and a member of the fifth generation of the Vuitton family. Each piece was designed by Patrick-Louis Vuitton in collaboration with the celebrity, along with a special Red Cross medical kit trunk (above) with boxes for emergency supplies.

A big auction with major pieces actually beat the top-end estimate – when's the last time you heard that? Wednesday night at Sotheby's, the Impressionist sale brought in $181.8 million, thrashing the high estimate of $163 million and almost tripling the Christie's auction from November 3, 2009. It's also around three times the last equivalent sale by Sotheby's, which was back in May.

The Sotheby's auction was packed with notoriety. Conde Nast's top dog, S. I. Newhouse Jr., sent some work under the gavel, as did Louis Reijtenbagh. Artwork by Giacometti, Picasso and Renoir was sold. Sixty-six lots were offered, with only 10 failing to sell.

New York art dealer Helly Nahmad told Bloomberg News, "The art market is back," but that may be premature. Bidders were chasing the high-quality pieces, and it is tempting to believe that what auctioneer Tobias Meyer calls "a year of abstinence" is over. The fact that the Sotheby's auction was so much greater than that at Christie's, though, makes me want to see a few more sales before calling it a trend.

Sotheby's and Christie's are heading east to seek their respective fortunes. The two auction houses are offering more than $26 million of Asian art this week in London. The lots themselves are attracting record numbers of buyers from mainland China, a section of the market that has shown signs of life this year. Chinese buyers were quite active in Hong Kong last month.

Nicholas Chow of Sotheby's told Bloomberg News, ""We've seen a really aggressive push from mainland Chinese collectors during the last season of sales" and that "they're buying things at the very highest level." An Imperial jade seal, for example, moved for GBP3.6 million on Tuesday, six times the high-end presale estimate.

On November 3, Christie's sold an aggregate GBP5.7 million, beating the presale estimate of GBP5.2 million. Of the 319 lots, a third didn't move. The top seller was an eighteenth century enamel model of a Buddhist shrine, which beat its presale range of GBP60,000 to GBP80,000 with a hammer sale of GBP229,250. Nine of the top 10 most expensive items went to buyers from Asia.

Collectors from mainland China are quite eager to repatriate art and other objects from their heritage, particularly the Qing and Ming dynasties ... a fact of which the auction houses are fully aware. Christie's sent 210 invitations to mainland Chinese for its 12th annual Asian Art in London event, which ends November 7, 2009. Sotheby's pursued a similar number of collectors. Bonhams has invited 30 new buyers from mainland China.

In October, the Sotheby's Hong Kong art auction was good for $170 million, with plenty of bidding and buying by mainland Chinese buyers.

On Nov. 18 the Samuel Waxman Cancer Research Foundation (SWCRF) will stage its 12th annual Collaborating for a Cure benefit dinner and auction at the Park Avenue Armory in New York. Building on the success of last year's event (above), which featured a concert by Steely Dan, this year's festivities include a Steve Winwood performance and a charity auction led by Sotheby's' C. Hugh Hildesley. Sure to attract high bids will be 5 pairs of tickets to the Victoria's Secret Fashion Show on Nov. 19, an eye-popping display of supermodels in lingerie. The SWCRF, founded by Dr. Samuel Waxman in 1975, is a 501 (c)(3) tax-exempt organization that focuses on the most promising strategies for developing cures and treatments for many types of cancers, as well as preventative measures. SWCRF is at the cutting edge of research into alternatives to the traditional treatments of chemotherapy and radiation.

The largest vivid-green diamond ever to appear at auction is one of the rare natural-colored diamonds and historical jewels being sold at the Sotheby's November 17 sale at the Hotel Beau Rivage in Geneva. A total of around 400 lots are set to be auctioned off and could bring close to $30 million. The green diamond, shown above at right, is a cushion-shaped stone with a modified brilliant cut. It weighs 2.52 carats but because of the rarity of natural diamonds of this color it is estimated to sell for $3.1 million to $5.1 million. Shown above at left is another expensive rare stone, a pear-shaped fancy vivid-blue diamond with a modified brilliant cut. it weighs 5.96 carats and is expected to fetch between $5.5 million to $7.5 million. Other gorgeous colorful diamonds up for sale include a cushion-shaped fancy pink diamond weighing 6.63 carats and a a cut-cornered rectangular-shaped fancy vivid-yellow diamond with a modified brilliant cut, weighing 74.8 carats and mounted on a yellow gold ring.

The sale also includes pieces from the collections of Mary, Duchess of Roxburghe, Grand Duchess Maria Pavlovna of Russia and society figure Daisy Fellowes. Many pieces signed by Boucheron, Bulgari, Cartier, Harry Winston, Tiffany and Co., and Van Cleef and Arpels, and other jewelry houses past and present will be up for sale. A sapphire and diamond demi-parure, circa 1900, was inherited from Grand Duchess Maria Pavlovna by her daughter Princess Elena of Greece and Denmark, Grand Duchess of Russia, and has been consigned by its present owner, a member of a European imperial family. The set is estimated to sell for $137,000 and $176,000. The group of jewels--which left Russia just before Pavlovna's flight from St. Petersburg during the 1915 Revolution--includes a brooch set with an oval Burmese sapphire within a border of cushion-shaped diamonds, and a pair of matching ear clips.

Speaking of the sale, David Bennett, Sotheby's Chairman of Jewelry, Europe and Middle East, said: "We are thrilled that we are able to follow on from our achievement of the world record price per carat for any gemstone at auction with the "Star of Josephine" this past May in Geneva by offering a magnificent Fancy Vivid Blue Diamond of 5.96 carats, as well as an extremely rare vivid green diamond – the largest to ever appear at auction."

[via National Jeweler]

November 2008 was pure living hell for the art auction houses. The bottom had just fallen out of the market ... and they were still saddled with pieces for which they'd offer guaranteed minimums. This is exactly what happened with Roy Lichtenstein's "Half Face with Collar."

The 48 square inch painting went under the gavel at Sotheby's almost a year ago, with the seller, Italian art dealer and collector Gian Enzo Sperone, protected by a $15 million minimum by the house. Now, it's on display at FIAC, right next to Andy Warhol's "Green Disaster," in the Projet Moderne section.

For many, the question of who owns the Lichtenstein painting has been raised. Is the fact that it's hanging as an entry from the Gagosian Gallery meaningful? A source at FIAC tells Bloomberg News that it is: "Larry owns it and it's definitely for sale."

It would be poetic, of course, for the piece to fetch the $15 million it failed to reach last November, but for now, all we can do is wait for the result (if any).

The three major auction houses were upbeat at the Frieze Art Fair and seem to think an art market recovery is in the works. ArtInfo reports that Sotheby's, Christie's and Phillips de Pury came out of the event feeling positive about the market's direction – even if it is tempered with a dose of reality. The number of pieces sold and the prices at which they moved were still pretty far from what they were in the pre-Lehman days. For now, though, collectors need to think about the early stages of recovery, not hope for a return to the glory days of 2007.

The auction houses did fairly well, though estimates tend to be far lower than a year ago. Damien Hirst's Wallace Collection moved well, with "Two Skulls" selling for $705,244, far more than its presale estimate. Emerging artists had moments in the sun, as well, particularly Hurvin Anderson's "Untitled (Beach Scene)," which sold for $158,304 – more than three times its presale estimate. Farhad Moshiri's "Cowboy and Indian" more than doubled its presale estimate, with a price of $548,976. In general, the auctions posted sufficient results, the first step in a market turn. Sotheby's and Christie's pierced the $20 million mark in recent contemporary auctions, and Phillips de Pury moved 31 of 43 lots to reach $6.7 million in a recent contemporary auction.

Now that the art market is moving from Frieze to FIAC and into the busy fall auction season, we'll get a sense of what 2010 will look like ... and if the market is finally picking up the momentum we all want it to show. The last art market slump, from 1990 to 1992, didn't bring an immediate resolution, with prices not returning to normal until 1995. So, brace yourselves for a slow recovery (or treat it as bargain season!).

Don't call it a comeback ... well, because the bar's been lowered. At the post-war and contemporary art sales last Friday, both Christie's and Sotheby's nearly hit the high end of presale estimates. This marks a distinct turn from earlier this year, when the auction houses couldn't even reach the lowest ends of reduced expectations. Any comparison to last year is made difficult by the fact that both houses combined their auctions with Italian art sales. So, they open with "close to the top end of the range" and can't really be evaluated on anything else.

Values for the pieces are off -- that's pretty well known (especially to anyone trying to sell right now). Sotheby's brought in $32.8 million at the sale -- which also had Arab and Iranian art on top of the contemporary and Italian lots. Christie's picked up $27.7 million, with more U.S. buyers than expected.

We're again seeing an engineered reality that's driven by performance relative to presale estimates -- this is all the hint we nee to know that the art market is still pretty far from recovery. But, as we know, it could have been much worse. Hell, we saw how bad it could be for most of this year.

Last year, the Russians were buying art just as fast as they could. Now, they're doing the same thing in reverse. Sotheby's and Christie's are bringing $31 million in Russian art to market, thanks to a global recession that has left the country's many billionaires financially crippled and in desperate need of liquidity.

Christie's is hoping to rake in $21.6 million from today's Russian art auction, which includes a porcelain dinner set owned by once-heir to the throne Grand Duke Paul. Sotheby's has approximately $9 million in Russian art, which it plans to send under the gavel on November 2.

If art and economic never intersected, we could just enjoy the aesthetic and be done with it. But, reality forces its way in – especially with the Russian economy 10 percent smaller than it was a year ago. And, the number of Russian billionaires has plummeted from 110 in 2008 to 35 now. Wealthy Russians and Ukrainians, according to William MacDougall, co-director of MacDougall's in London, are responsible for more than 90 percent of the market for Russian art.

So, expect the selling prices to suck, frankly. Even with some strong lots – Alexis de Tiesenhausen, director of Russian art for Christie's calls this auction unique in terms of "quality and historical significance" – the target market is selling rather than buying. The Christie's auction consists of 550 lots. The Sotheby's auction will have 122 – including paintins by Natalia Goncharova and Konstantin Korovin.

Estimates are much lower than they were in 2008, because of supply at auction, the drop in the art market and the absence of buyers in the target market.

While many of the art auction houses are dreading the fall season, Sotheby's has a few lots to celebrate. Art advisors can't keep their mouths shut, it seems, and following a luncheon for them, word got out that the house has picked up pieces by Alberto Giacometti and Andy Warhol next month.

Most collectors have been hanging onto their art, unwilling to sell their pieces in an unfavorable economic climate. Instead, they're hoping for a recovery and will likely unload the good stuff when they can get top dollar – or at least something better than fire-sale prices. So, it's pretty astounding that Sotheby's was able to nab such high-powered pieces when the rest of the world is scraping for decent. If it was looking for a differentiator this season, it got one.

The sculpture by Giacometti, "L'homme qui chavire," will go under the gavel on November 4, 2009 and is estimated at $8 million to $12 million. A similar piece by the same artist sold at Christie's New York in May 2007 for $18.5 million, after having been estimated at $6.5 million to $8.5 million. But, that was 2007 ... a different time, for sure.

The seller is publishing business stud S.I. Newhouse, Jr., who is thought to have acquired the piece in a private transaction. Maybe the Conde Nast superstar should have unloaded it sooner and sunk the cash into the magazines he had to close.

Damien Hirst is again playing the role of philanthropist (so I have to be nice), along with Raqib Shaw and Marc Quinn. The artists have donated paintings to an auction that London jeweler Laurence Graff is holding for FACET (For Africa's Children Every Time). Graff wants to raise $1.26 million for the organization, which seeks to support the education, health and quality of life of children in Africa ... where Graff Diamonds picks up most of its raw material.

Graff's event follows several other charity auctions this year, all of which were pretty impressive in their results. Sotheby's raised ₤453,950 for two organizations that help orphans in Africa, and Christie's raised an astounding €342.5 million at its Yves Saint Laurent collection auction back in February – the money will be used to fund HIV research and fight the spread of AIDS.

The first lot donated was by Graff himself: diamond earrings estimated to be worth around ₤80,000. The other paintings (e.g., by Hirst) are pegged at around ₤100,000 each.

Wine collections are growing, and so are their value, in many cases. Indeed, based on the results of a recent Sotheby's wine auction, held in Hong Kong in early October, the prices of collectible wines are breaking records.

One imperial (six litres) of Château Pétrus 1982 realized a world auction record price of $93,077, while a case (12 bottles) of Château Pétrus 2000 sold for $55,846. Three bottles of a 1992 Screaming Eagle Cabernet Sauvignon, a winery in Oakville, California, sold for $27,923.

If you have a wine collection, or if you are thinking of building one, here's how to care for your collection, according to the experts at Fireman's Fund Insurance Company's Wine Collector Management Services.

Keep an eye on your climate control
A temperature of 55 degrees Fahrenheit and a relative humidity of 60% to 65% are ideal for long term wine storage. The cool temperature slows the aging process, while the humidity prevents moisture inside the wine bottle from moving into the cork and eventually evaporating into the air. Keep in mind that ideal temperatures do vary somewhat depending on the type of wine you are storing. Attics and garages are not ideal places to store wine, as temperatures can fluctuate greatly in these locations.

Limit your collection's exposure to light sources
A dark room is best for wine storage. Fluorescent light is not believed to be harmful.

Wines should be kept in a stable environment
Vibration is harmful to wine, as it disturbs the sediment. Keep the bottles in a horizontal position.

Back up your power supply
Your wine collection could be at risk during a sustained power outage. A permanent back-up generator will help protect your investment.

Consider renting a storage space
If you lack adequate space to store your collection, professional wine storage facilities are available in most major cities.