Nick Foulkes

The Classicist: Celebrating TAG Heuer's 150th Anniversary

Filed under: Timepieces / Watches, Books, The Classicist

Swiss watchmaker TAG Heuer celebrates its 150th anniversary making horological history this year, marked by the publication of a brilliant new book by Nick Foulkes from Assouline. TAG Heuer begins in the middle years of the 19th century when a Swiss shoemaker's son called Edouard Heuer made the decision to "turn his life over to the conquest and calibration of the passing hours, minutes, seconds and fractions of seconds; marking their passage with the tiny incremental movements of the blued steel hand of a chronograph against the crisp white enamel dial of the pocket watch." From childhood Edouard was "dazzled by the dream of conquering time and imprisoning it in ever more precise and advanced mechanical timepieces," Foulkes writes. In 1882 Heuer introduced his first chronograph, setting a benchmark for extreme accuracy that continues today, and by the early 20th century he had moved the chronograph from the pocket onto the wrist.

TAG Heuer was the first watchmaker to master chronographs with an unsurpassed precision of 1/10th, 1/100th and 1/1,000th of a second. From the Olympic Games in the 1920s to its role as official timekeeper for the legendary Indy 500 and involvement in actor Steve McQueen's racing film Le Mans, to its quarter-century partnership with Formula 1 team Vodafone McLaren Mercedes, it has a long established connection to the world of sports. However, Foulkes notes, the brand's identity has also "always been influenced by the biggest names in architecture, art, and avant garde design of each generation." Organized by year, each page of the book offers a stunning view of a TAG Heuer timepiece and its historic counterpart interspersed with vintage photographs of the founding and making of the famed brand.

Gallery: 150 Years of TAG Heuer

Tags: Assouline, chronograph, Formula 1, LVMH, motor racing, Nick Foulkes, Switzerland, TAG Heuer, watches, watchmaker

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The Classicist: The History of America's Upper Class

by Jared Paul Stern (RSS feed) —

Filed under: Books, The Classicist, Wealth

Interestingly enough it took a foreigner - namely super-stylish British historian, author, and journalist Nick Foulkes - to realize that for most people the appeal of society swells is purely decorative. What sets his recently published book - High Society: The History of America's Upper Class - apart from the usual social history is the amazing array of archival photographs. Beginning with the early 17th century, Foulkes focuses on the famous families - the Vanderbilts, Fricks, Morgans, and Astors among them - who came to embody the American aristocracy. He also plots the social trajectory all the way to the present day, and heiresses such as the famed Miller Sisters, aka Pia Getty, Princess Alexandra von Furstenberg and Princess Marie Chantal of Greece, pictured on the book's cover, above.

Of course, you first have to accept Foulkes' premise that America does in fact have a class system, even if the current recession has painfully demonstrated that no one should take their positions for granted while Barack Obama's ascendancy proved that traditional barriers are no longer as formidable. "I am often told that 'American high society' is an oxymoron, either by those who hold the quaint belief that the United States is a classless society in which opportunity is open to all," Foulkes notes, "or by Europeans who believe themselves to be superior and look down pejoratively upon the social aspirations of a country that is younger than many families, social clubs, educational establishments, and even socks in the Old World."

The fact of the matter, however, Foulkes writes, is that "The United States is no longer a young country; it is a middle-aged nation with its own social codes and structures locked into its collective DNA. It has its prominent families, an untitled aristocracy, who exerted such a profound effect on the nation or have just been around for so long that the doings of their descendants are still a source of interest." The second pillar of American society is the plutocracy, "Men who made so much money that they simply floated to the pinnacle of the social structure on a tide of cash, building huge mansions and amassing art collections that remain among the most impressive the world has ever seen."

Gallery: High Society

National Horse Show at Madison Square Garden, 1960s.

Heiress, socialite and model Lydia Hearst.

Tags: aristocrats, Assouline, Astor, Barack Obama, BarackObama, Nick Foulkes, NickFoulkes, socialite, society, Vanderbilt

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The Classicist: At The Carlyle Hotel

by Jared Paul Stern (RSS feed) —

Filed under: The Classicist

When Mercedes-Benz Fashion Week hits New York City this Friday, the hip downtown hotels will of course be flooded with fashionistas. The ones who value refinement and elegance over mere trendiness however will head to the Upper East Side's Carlyle Hotel, a luxurious landmark since it first opened in 1930 and one of our favorite places to stay in the world.

French Vogue editrix Carine Roitfeld recently declared that the Carlyle is her favorite hotel as well, and with the addition of a luxe new spa next month, with its "sleek palette of slate, charcoal and black complemented by finishes in nickel, chrome and glass and rich molding," others are sure to follow suit. Not that the Carlyle lacks for high-profile guests; since it opened nearly 80 years ago, the hotel has played host to an endless procession of movie stars, millionaires and high society.

The Art Deco masterpiece was the perfect setting for both stylish philanderer John F. Kennedy, who owned an apartment on the 34th floor, and legendary cabaret singer Bobby Short, who hung his top hat at the swank Café Carlyle for decades (Woody Allen has also been known to hoist a clarinet there on occasion).

Gallery: The Carlyle Hotel