Five years ago, contemporary art collector Frieder Burda opened a museum right in the heart of Baden Baden, Germany. As one of the world's original resort towns, tradition tends to trumps trendiness in Baden Baden, and this museum, in a building designed by Richard Meier, and the modern and contemporary art exhibits on offer, definitely set tongues a-wagging in town. When I visited this past Spring, the Burda museum was in the midst of an atypical show of 18th century art, including seven giant tapestries. I'd assumed that regular museum goers might be upset about the turn away from contemporary art, but was assured by a local that response was more like relief.

Short-lived, I suppose, since the Burda museum returned to its modern and contemporary art mission. Still horizons have been stretched, five years have passed, and more than a million visitors have passed through the museum's door, Now until November 8th, the museum is exhibiting "Blue Rider" movement paintings, which were first exhibited in early 20th century Munich. (These paintings are usually at the Lenbachhaus in Munich, which is now under renovation. See a few of the works on display in the gallery below.) Next up, starting on November 21st, is an exhibit of the work of German artist Georg Baselitz. The artist himself is involved in the curation of the exhibit, which will be shared with Baden Baden's museum Staatliche Kunsthalle. The Burda will exhibit Baselitz paintings, the Staatliche Kunsthalle will exhibit Baseltiz's sculpture.

The sinking of the Titanic has captured the imagination of the world for decades. Because of that interest anything associated with the ship takes on additional weight. An ongoing legal battle over ownership of the remnants of the ocean liner is currently heating up.

Thousands of artifacts have been recovered from the ship which went down in the north Atlantic in 1912 killing 1,522 people. The artifacts could be worth over $100 million. There have been several voyages down to the ship to recover various items. The company RMS Titanic (RMST) has emerged as the owner of the salvage rights. RMST is considering a seventh dive next year, its first since 2004 although other dives, including one financed by "Titanic" director James Cameron, have taken place. RMST has already recovered 5,900 artifacts from the ship during the first six dives. Legally the company does not own the ship nor the recovered items and it has gone to court in pursuit of limited ownership as a way to make up for the huge salvage costs. RMST shareholders would like the company to be more profitable. An agreement between Britain and the U.S. protects the Titanic as an international memorial and protects the site from unauthorized treasure hunters.

RMST would like to be declared the legal owner of the existing Titanic collection in order to recover some of the costs of salvage which have not been covered by revenues from the touring exhibition which has been shown at various museums. If RMST were declared the owner it could also sell the collection to a museum. If it cannot get the rights, RMST has asked a salvage reward of $225 million.

The US state department and the National Oceanic and Atmospheric Administration in Washington would like to limit ownership rights and keep the collection as a single entity. Robert Ballard, the oceanographer who first discovered the site in 1985 has come out against repeated tourist dives and salvage operations because he is concerned that these actions are hastening the complete destruction of the wreck. The National Oceanic and Atmospheric Administration has said that the remaining structure may collapse within the next 50 years.

This watch almost slipped under my nose, but thanks so a helpful reader I was alerted to the timepiece. It just goes to show that watch makers still think wealthy people read museum catalogs. What? Like the rich have nothing better to do that wander around monolithic art depots all day? Well, maybe some do.

Specially made for the Guggenheim art museum is this Harry Winston Premier Collection Guggenheim Chronograph timepiece, for women. It is all about the bling. Nothing special about the Swiss quartz chronograph movement. You won't even use it anyway. The dial design is meant to replicate the view when standing in the Guggenheim and looking up at the atrium glass window - that here looks remarkably like an umbrella. The look is done with alternating diamonds and mother-of-pearl. A total of 2.65 carats of diamonds awaits your wrist. The rest of the watch is in white gold, and I am guess that it is not incredibly large in diameter. For the Frank Lloyd Wright and Harry Winston enthusiast who wants to pony up for the timepiece, maybe it is just what you need to lighten that dark winter coming up. You can also be assured that the iconic style of the watch tells people it is Harry Winston. Price is $46,000, but you lucky museum members out there get almost five grand off! Look closely at the Guggenheim online catalog and you can get some matching Harry Winston accessories.

See it here.

Ariel Adams publishes the luxury watch review site aBlogtoRead.com.

In celebration of the 400th anniversary of Henry Hudson's first voyage up the Hudson River, the New York Historical Society has an exhibition of Hudson River School paintings running through March. In case you can't make it to the museum in person, they've also just published a book, The Hudson River School: Nature and the American Vision, featuring works from their incredible collection. In the first half of the 19th century, a group of painters working in New York City developed a distinctly American vision of the landscape. Their powerful interpretations of American scenery, which came to be known as the Hudson River School, "tell the story of how landscape imagery can shape both national and cultural identity." The book showcases more than a hundred of these images, many in full-page reproductions that convey the original paintings' monumental scale, and features work by all the greatest artists of the group including Albert Bierstadt, Frederic Church, Thomas Cole, Jasper Cropsey and Asher B. Durand.

The Obama family is definitely leaning modern, with Rothko, Degas and Diebenkorn among the artists represented. They've also included a word painting by Ed Ruscha. Not wanting to deprive the public of the opportunity to view works on display, the Obamas limited their choices to artwork in museum storage.

There's now a lot of money hanging from those White House walls. "Red Band" by Rothko, "Berkeley No. 52" by Diebenkorn and "White Line" by Sam Francis together are estimated to be worth between $20 million and $30 million. Throw a piece by Jasper Johns into the mix – specifically "Numerals, 0 through 9" – and you get a sense of the collection the Obamas have assembled.

Even with access to a collection of that caliber, though, I'd still never take Obama's job. And, there aren't enough Rothkos out there to change my mind.

Steven Spielberg and George Lucas have more than great movies in common, they are also both collectors of Norman Rockwell art. The latest collaboration from the talented pair won't be a movie but the pooling of their collections of Rockwell art as part of an exhibit at the Smithsonian American Art Museum in Washington D.C. next year. "Telling Stories: Norman Rockwell From the Collections of George Lucas and Steven Spielberg" will be on exhibit from July 2, 2010 through Jan. 2, 2011 and will include more than 50 paintings and drawings from the movie moguls' collections.

The Washington Post reports that the exhibit will explore the connections linking the art and movies. It makes a certain sense that Steven Spielberg and George Lucas are collectors of Norman Rockwell art. After all, both directors share a certain love of Americana, of heroism and storytelling things that are key features in Rockwell's work. The pair have taped interviews on their thoughts on Rockwell which will be shown as part of the exhibit.

These days museums are struggling harder than ever to make ends meet and one way to host weddings and other events. The Independence Seaport Museum in Philadelphia takes this to a new level. The museum had a $100,000 makeover and has a designated website, Events at ISM, that includes information on the variety of spaces available including not just the galleries but a theater that seats 63, a 530-seat auditorium and outdoor space that includes a 3,000-square-foot amphitheater patio. The museum has partnerships with a variety of vendors for offering related services.

In profiling the changes, the Philadelphia Inquirer quotes museum president Lori Dillard Rech who said she wants the museum to "become the top-rated and top-used, unique rental space in the city." The Seaport Museum courted meeting planners, wedding consultants and other party professionals at a gala to show off the renovated spaces.

The museum's move to brand itself as an events venue may also be a way to distance itself from past scandal. A couple of years ago former the former museum president, John S. Carter, pleaded guilty to charges of fraud and tax evasion, accused of appropriating more than $1 million in funds from the museum and is currently serving a 15-year prison term.

Have moon rocks gone missing? Recently the Rijksmuseum in Amsterdam announced that a rock it thought was a moon rock turned out to be petrified wood raising questions of how moon rocks are accounted for. During the Apollo 11 and 17 flights to the moon rocks were collected by the astronauts. The AP reports that around 270 rocks were given to foreign countries by the Nixon administration and that the fate of some of those rocks may be unknown. The article quotes Joseph Gutheinz, a University of Arizona instructor who says that he believes that some of the gifted rocks have been lost or stolen and are now secreted in private collections. Moon rocks aren't of particular value in mineral terms but their rarity and the obvious difficulty in attaining them has made them precious. A website called CollectSpace.com is working on compiling a list of where the stones are.

The AP report seems to indicate that many stones given to embassies made it into national museums but others may have gone missing long ago. Of an estimated 134 rocks brought back in the Apollo 11 mission in 1969 only around a dozen can be immediately located.NASA turned over the samples to the State Department to distribute and there is, according to the State Department historian, no record of what became of the rocks. At the time when the rocks were distributed no one imagined that it would be the last trip to the moon for decades.

Most of the material gathered by the Apollo missions remains under NASA lock and key. They give away small samples to researchers and lend rocks out for exhibitions.The gift rocks which were given out were very small and encased in plastic globes. Collectors are often interested in moon rocks but should know that buying the moon rocks from the Apollo missions is illegal. Anyone trying to sell you moon rocks is either lying about the provenance or has obtained the rocks illegally.

Art thefts at museums are regrettably fairly common but this may the first I've heard of a bird theft. England's Natural History Museum at Tring says that someone has been walking off with their rare bird specimens. The thieves have stolen around 300 bird skins from an archive of rare tropical birds. The thefts were discovered in June after a break-in but museum officials aren't sure when they were actually stolen. The examples chosen included a number of brightly-colored tropical birds and the thieves could have stolen them for a collector or for other uses. The colorful plumage could end up in fishing lures, dresses or even costume jewelry. Professor Richard Lane, Director of Science at the Museum, said that the "birds that were stolen formed part of the nation's natural history collection, painstakingly assembled over the last 350 years."

[via AP]

Back in May we reported that a 1957 Ferrari 250 Testa Rossa had sold at auction for $12 million, setting a new world record and becoming the de facto most expensive car in the world. Now that record is quite possibly about to be shattered by a bespoke, one-of-a-kind 1934 Rolls-Royce Phantom II 40/50 HP Continental "All-Weather Convertible" custom made for an Indian Maharaja. The incredible car (above), known as the "Star of India", is being sold off by famed Rolls-Royce collector Hans-Günther Zach, who's liquidating his private museum dedicated to the marque in Germany. It's expected to fetch as much as €10 million or $14 million, beating the Ferrari by a wide margin. The Star is just one of classic and collectible 24 Rolls-Royces Zach is accepting bids for until Sept. 15th.

[via JamesList]

Check out a video of the Star of India after the jump.

When I first mentioned that Breguet was going to have an exhibit at the Louvre I speculated that they might include as part of the collection the special Ref. 1160 pocket watch that was a painstakingly made (over three years of work) replica of the original Breguet Marie Antoinette pocket watch that was itself completed in the 1840s after almost 40 years of efforts. The exhibit does in fact display the Ref. 1160 pocket watch nicely and fans of the Breguet brand or horological history should check out the exhibit if they are in Paris up until the 6th of September. In addition to the Ref. 1160, there are a number of very interesting Breguet pocket watches, chronometers, clocks, and other items that you'll probably never get a change to see, all in beautiful restored condition.

For more information check out the mini site for the Breguet Louvre exhibit.

Ariel Adams publishes the luxury watch review site aBlogtoRead.com.

One California city has stepped in to save its museum. City officials in Fresno will pay off a $15 million debt owed by the Fresno Metropolitan Museum. In return the town will receive the deeds to the museum building and its other real estate around the museum which the city can develop or sell. The city will then lease the building back to the museum. The museum is expected to pay over $2 million back to the city over the course of the next decade in staggered payments that take the current economic picture into account. The museum officials have also agreed to watch their budget more closely, fund raise more and have more family-friendly exhibits. The museum's board of trustees has approved the agreement which is now pending approval by the Fresno City Council.

Looks like Gap founder Donald Fisher will be taking his art elsewhere. The San Francisco Chronicle reports that Fisher and his family have scrapped plans to build a contemporary art museum at the Main Post of San Francisco's Presidio. Earlier Fisher had scaled back the plans for his museum in San Francisco's Presidio to appease those who found the museum's first planned design a bit overwhelming. Fisher originally unveiled his plans for a contemporary art museum at the end of 2007. The Fishers had hoped to convince critics, San Franciscans, and regulatory bodies such as the National Park Service that the museum would be beneficial for the park.

Donald Fisher released a statement that said he and his wife would be taking some time to consider the future of their collection and other possible locations for the museum including some inside the Presidio, just not on the site of the former bowling alley that they had originally planned on. The statement also said that the decision was made "with disappointment and sadness." The Chronicle reports that an outside survey of possible impacts of various Main Post Presidio projects found that the scale of the museum, even with the newer more modest revision, was "inconsistent with the overall historical character of its setting."

In addition to the museum the Fishers had promised a $10 million gift to go toward turning the Main Post's parking lot into landscaped grounds but it's not known if that offer is separate from the museum gift. The comments on the Chronicle article are spirited, some are expressing relief that Fisher's plans won't come to fruition while others are disappointed that a museum which would have displayed a large contemporary art collection to the public may end up elsewhere. Given the hard times facing museums everywhere lately, it seems like it might be a better idea to endow a wing of an existing museum rather than create a new one out of whole cloth.

On June 23, a new exhibit opened at the Met: Afghanistan: Hidden Treasures from the National Museum, Kabul. My friend and I were able to go a few days before the opening, thanks to a members-only preview, courtesy of my mother.

History and fascinating story of the treasures' discovery aside (read here if you'd like even more background), I was wowed by the gold. Much of what's on display was discovered either in archeological digs or in a vault in the presidential palace, where citizens with foresight hid the treasures to protect them from war: jewelry, a belt, an amazing crown (shown here; it breaks down into six pieces for easy transport), a dagger sheath, clasps, anklets, rings, pendants, bowls ... the list goes on.

My favorite item, just for the sheer excess of it all -- and proving that showing your status via footwear is not a new thing -- was the pair of gold shoe soles designed to be placed with a body when buried. I guess mere sandals wouldn't do in the afterlife.

My friend and I really enjoyed the exhibit, which features many more items, gold and non-gold, such as glass, ivory and gemstones. But the gold alone is worth seeing if you are in NYC or planning a visit this summer. The exhibit will be at the Met until September 20 and is included in the price of admission to the museum.

(BTW, I also saw the Francis Bacon exhibit while there. He scared me a little, but viewing his work, you can see it's from the mind of a tortured genius.)

This is something you should certainly see if you are in, or going to be in Paris at the right time. Breguet watches will be having a special exhibition at the splendid Louvre museum in Paris, France from June 25 until September 7, 2009. The special exhibit is will be known as the "Apogee of Watch Making" a pretty lofty title, for what is essentially a history of Breguet, but what a history it is! Abraham-Louis Breguet is often known as the father of modern watch making. A lot of what he developed in his lifespan in the latter half of the 18th century (up to 1823) is still used in many of today's luxury wrist watches, even though he never made a wrist watch during his life (just clocks and pocket watches). The exhibit will showcase historical pocket watches and clocks, watch making tools, art, and historical documents and watch-related patents. Breguet watches were, and are today extremely inventive and also beautiful. They are probably the "favorite-child brand" of Nicolas Hayek, leader of the Swatch Group that has Breguet under its brand umbrella. The exhibit of course was helped by a generous contribution from Breguet to the Louvre.

The exhibit will require a separate entrance fee and will be open regular hours, and until 10pm on Wednesdays and Fridays. For more information please visit www.louvre.fr or call 01 40 20 53 17 (France number).

Ariel Adams publishes the luxury watch review site aBlogtoRead.com.