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Maastricht

Fab Fair for Art Royalty

Filed under: Art

Louvre, hyperphoto by Jean-Francois Rauzier, Waterhouse & Dodd
Louvre, hyperphoto by Jean-Francois Rauzier, Waterhouse & Dodd

Is it all about money or art? The answer is probably both but if you're in the Art 101 category, you can catapult up to PhD level at The European Fine Art Fair in Maastricht, the Netherlands.

TEFAF is the most sophisticated, highly vetted, and elegant art fair anywhere. All true, but it is also a place where the minute the doors swing open to VIP guests, there's a stampede to the jewelry booths where for the most part glitz not glamour dominates.

Collectors, museum curators often accompanied by their trustees, and general connoisseurs attend to browse, to see and be seen, and to bring home treasures. This year, some 73,000 visitors attended. Most are Dutch, followed by Germans and Belgians, English, French, Italians, Americans and an impressively growing numbers of Russians and Chinese. Among a handful of Arab sheiks, most prominent this year was Sheikh Saud al-Thani, the art-hungry collector who is a cousin of the ruling Emir of Qatar. He surely arrived on one of the 154 private jets that landed on the tarmac of the tiny Maastricht-Aachen airport.

Van Gelder Antique Indian Jewelry
Van Gelder Antique Indian Jewelry

At the blue chip opening one of the first pieces to be snapped up was by a Russian collector: a billowing tapestry made of beaten red and gold bottle tops by the Ganaian artist El Anatsui. The price was $965,532. You can see his aesthetically beautiful "Earth and Heaven" sculpture installed in the African art galleries at the Met. In another gallery in the modern section, a well-heeled collector bought Spanish artist Joan Miro's sculpture, "Oiseau Lunaire," or moon bird, a wooden surreal, bird-like figure for $5 million. A bronze version of a moon bird by Miro is in the Nasher Sculptural Center in Dallas. That same day, March 18, Russian TV didn't waste a minute filming at the booth of Van Gelder Indian Jewelry which showcased some fabulous South Sea pearls and antique jewelry.

Tickets to the private first day are distributed to dealers who then invite their most important clients. The next day, all are welcome at a tab of €50 or about $75.

Now if you don't fit into the curator or collector category, what would draw you to TEFAF? Without a doubt, it is a remarkable learning experience for anyone who loves art. As Michelin says, it's worth the voyage, merely to see some 5,000 years of impeccable art, exquisitely presented. It could be that some TEFAF director handed down guidelines to the presenting dealers insisting that they treat every inquiry with respect. You won't find any condescending brush offs here.

  Portrait of a Man with Arms Akimbo, Rembrandt
Portrait of a Man with Arms Akimbo, Rembrandt

One item that drew large crowds was a fragment of an Egyptian water clock depicting Alexander the Great from about 332 BC at Belgium's Harmakhis Galerie. Old Dutch masters, especially a portrait by Rembrandt, "Portrait of a Man with Arms Akimbo" from 1658 and Renoir's "Woman Picking Flowers," depicting Camille Monet in a field of flowers also gained a lot of attention. A major attraction was a Helmut Newton solo exhibition of 40 photos from London's Hamiltons Gallery. Other standouts were Joana Vasconselos sensual feminine crocheted canvases at Haunch of Venison, Secessionist furniture at Kolomon Moser, beautiful Chinese textiles from Jacqueline Simcox in London. Only a BMW art car designed by Jeff Koons looked as if it had driven in by mistake.

TEFAF, first organized in 1975, invites 260 dealers from 16 countries all of whom undergo tremendous scrutiny to assure the quality, condition, and authenticity of their objects. About 100 dealers apparently are on a waiting list hoping to make it another year. Think of it as an art melting pot presented in an aura of gentility. It's the most promising, sophisticated, and enjoyable fair for specialists and the general public.

The Big Deals TEFAF Didn't Mention

Filed under: Art

tefafYou know how it is in the art scene: big checks, big names and big egos like to stay under the radar. Anonymity is the norm, of course, and the buyers of Rothkos and Basquiats don't like to see their names in press releases. Yet, a look under the covers of the TEFAF Maasricht art fair shows that some pretty important pieces moved for some rather hefty amounts. The billionaires came out to play, and dealer and galleries were more than ready to accommodate.

Over 10-days, $2.7 billion of inventory was offered t dealers and museums from around the world. Prices edged higher thanks to a recovering art market, and impressive pieces found new homes. Jean-Michel's Basquiat's "Busted Atlas 2" was picked up for $2.4 million by a German collector, sold by Van de Weghe Fine Art, a gallery in New York.

Nonetheless, it's not like the art bubble. David Leiber, of New York's Sperone Westwater gallery, tells Bloomberg News, "Collectors are adjusting to the new values. We have to charge these prices because we can't replace these works." He adds, "There may be some people who went a little overboard at the auctions," a sentiment echoed by Paolo Vedovi of Galerie Odermatt-Vedovi. Vedovi observes, "Auctions are almost a separate market," continuing, "We don't see many of those people. Art fairs aren't as spontaneous. Buyers are cautious and they need to think."

TEFAF Boasts of Art Market Recovery

Filed under: Art

tefafPlenty of art moved at TEFAF Maastricht 2010, and collectors were willing to deal with the prices ... and enjoy their stays in style. According to a statement by TEFAF, many international collectors took private jets to Maastricht/Aachen Airport, where 171 private aircraft landed during the fair. Eighty-two of them touched down in time for the Private View on March 11, 2010. U.S. collectors were back in the game, and the Europeans amped up the intensity, too.

TEFAF attracted 263 dealers and representatives from more than 150 museums from more than 17 countries, which contributed to the robust marketplace (along with the change in global economic circumstances , of course). TEFAF on Paper, a new section at the fair, featured a wide range of prints, drawings and photographs, among others. Parisian dealer Tanakaya moved two early prints, very rare, by Hashiguchi Goyô, entitled Kami sukero Onna, 1921 and Keshô no Onna, 1918. They sold for €32,000 and €30,000 respectively.

Over in the antiquities section, dealer Rupert Wace of London moved an Egyptian Wood Mummy Mask at an asking price of €150,000 (final price not announced) to a private collector. He also sold a Roman bronze statuette of Aphrodite wearing a silver diadem. The piece was from the first century and is headed for a private museum in France.

Chinese Export Porcelain On Display at Tefaf

Filed under: Decor, Art


My colleague Tom Johansmeyer recently mentioned the Tefaf show going on at Maastricht in the Netherlands from March 12-21. Among the many booths and displays at one of the world's top arts and antiques fairs you'll find the Cohen & Cohen Chinese Export Porcelain Gallery (Tefaf Maastricht Booth 246).

The Cohens are showing some very important examples of 17th to 19th century Chinese porcelain largely created for export on commission from Western clients. For close to thirty years the Cohens have provided major museums and collectors with access to the finest pieces entering the market, and have played a role assembling several world class collections. They often showcase things not seen on the market and recently exhibited at The Winter Antiques Show in New York.

Tefaf Dealers Pricing Art Aggressively

Filed under: Art

The action in Maastricht is expected to be hot. Two hundred sixty-three dealers will descend upon the Dutch city, bringing art inventory worth $2.7 billion to the world's largest art and antiques fair, Tefaf. Fingers are crossed that billion-dollar collectors will come out to play. The market has turned the corner, but the community mains reluctant to get its collective hopes up.

For the art market, this is the first chance to see how high demand for art is outside the auction houses. Private deals don't offer the transparency of the gavel scene, but the transactions can be far more interesting. By the end of Tefaf, we'll know just how deep the art market recovery is running. VIP guests will be allowed to visit tomorrow, ahead of the great unwashed.

The largest group of dealers at Tefaf this year will be those representing pre-20th century pictures, with more than 70 exhibitors. Sandro Botticelli's "Madonna and Child with the Infant Sant John," reaching back to the late fifteenth century, will be available for $15 million by Dickinson of London. Dickinson is also showing Paul Gauguin's "Deux Femmes," with a price tag of $24.4 million. Both are being sold by private collectors.

Readers' Choice Nominees for Decor

Filed under: Decor, Art


Best in Lighting
Each of the finalists for best lighting is a master in their field. One is credited with founding modern interior lighting designs, while another creates sculptural masterpieces. A third produces lighting that radiates beauty from every angle while the crystal chandeliers of another have been sought out by royalty. Last, but not least, there's one which melds exquisitely cut crystal with its masterful designs

Baccarat
Bodner Chandeliers
Jean Perzel
Niermann Weeks
Schonbek


Best in Furniture
The best in furniture nominees offer a range of original artistry from simple and pure to the exotic; from traditional to the ultra-modern. The styles may vary but each has a timeless quality that extends far beyond trendiness. Many of their creations are collected by connoisseurs and even museums.

Vladimir Kagan
Kreiss
Roche-Bobois
Stickley Furniture
William Switzer & Associates


Best in Glassware
The Best in Glassware nominees for a Luxist Award include award-winning brands from France, Sweden and the United States. Each represents the finest of quality and artistry while offering the most exquisite of designs. The styles may vary but all the nominees have their own proud tradition of glass craftsmanship.

Baccarat
Lalique
Orrefors
Steuben
Tiffany


Best in Dishware
Nominees for Best in Dishware include companies that have been producing china for decades; some for centuries. Two have roots in the Limoges region of France, the cradle of the French porcelain industry. One nominee is quintessentially English while two produce American classics.

Bernardaud
Haviland Limoges
Pickard China
Tiffany
Wedgwood


Best in Antiques Resources
Nominees for Best Antiques Resource include the most prestigious art and antiques fairs in the world. These fairs, which are international in scope, are annual destinations for serious connoisseurs, collectors and museum curators who are in search of the best. Each of these fairs have rigorous vetting processes in which the quality, condition and authenticity of each piece is carefully investigated.

American International Fine Art Fair, Palm Beach
International Fine Art and Antique Dealer's Show, New York
Maastricht Art Fair, Netherlands
The San Francisco Art Antiques Fair
Winter Fine Art & Antiques Fair, Olympia, London

The Maastricht Fair: Art and Antiques from Around the World

Filed under: Decor, Art

The Maastricht Fair, also called the TEFAF (which stands for The European Fine Art Fair), has been nominated for a Luxist Award for the best antiques resource category.

Commonly called "Maastricht", the fair, which is held in Maastricht, The Netherlands, this is where some of the most distinguished dealers, academics, art critics and collectors in the world gather once a year.

Maastricht was once two separate international fairs until they were merged to form the The European Fine Art Fair. Here, visitors will have the opportunity to view and buy genuine masterpieces from Bruegel to Bacon in addition to some of the world's finest antiques and antiquities.

Perhaps no where else will you find such rigorous investigation of their quality, condition and authenticity. Indeed, there are no fewer than 25 different vetting committees, consisting of 150 international experts, specialized in the fields that are presented at the fair. Each object is examined for its quality, authenticity and condition. Works of art that don't meet the high standards of the The European Fine Art Fair are removed from the stands and locked away until after the fair. In addition, the Art Loss Register, the world's largest database of stolen art, checks the objects against their lists of reported art theft, thus enabling collectors to acquire works of art at the Fair with the highest level of confidence.

The rough estimate for the total value of the objects presented at Maastricht exceeds $1 billion, which doesn't even include the magnificent contemporary jewelry section. All works of art shown by exhibitors at the fair are for sale (apart from stand furniture). The fair is 30,500 square meters, which is roughly the size of six football (or soccer) fields. Typically, there are 240 art and antiques dealers from 15 countries who exhibit at the fair; approximately 82% of the participants are non-Dutch.

Fragonard Sketch at TEFAF

Filed under: Decor, Events

As promised, here is an item that is going to be up for grabs at TEFAF Maastricht in a couple of weeks. This pen and ink drawing by French artist Jean-Honore Fragonard is entitled "Ruggiero Blinds The Orc." This drawing is being brought to TEFAF by the distinguished Agnew's Gallery of Old Bond Street. Agnew's will also be displaying works by Lord Leighton Frederic and Francois Boucher.

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