Auction house

Big Warhol Sales Start Contemporary Auction Week In New York

It's looking like the week of Warhol. This week's contemporary art auctions in New York City started off with a bang on Monday night as Phillips de Pury & Company inaugurated its Park Avenue salesroom in grand style. The NY Times reports that the auction house was trying out a new program called "Carte Blanche" in which someone outside the auction house curates a sale. The first auction was done by Philippe Ségalot, a private dealer who once ran Christie's postwar and contemporary art department in New York. The 33 lots orchestrated by Ségalot brought in a total of $117 million, above its high estimate of $104.8 million. Over half of that went to Andy Warhol's "Men in Her Life," shown above, a 1962 painting featuring Elizabeth Taylor. The $63.3 million price easily topped the $50 million high end estimate and was the second highest ever paid for a Warhol (the first was the $71.7 million paid at Christie's in 2007 for "Green Car Crash (Green Burning Car I)." But Andy Warhol's work wasn't through dazzling New York yet.

Tags: andy warhol, art market, auction house, phillips de pury, sothebys

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Art Basel Attracts Abramovich, Kilmer, Millions

by Tom Johansmeyer (RSS feed) —

Filed under: Art

The exclusive opening of Art Basel – for the most serious buyers – had the desired effect. The most famous art show in the world attracted the likes of art collector Roman Abramovich (however much it may be at the behest of his squeeze) and fetched some major sales, including $15 million for a sculpture by Pablo Picasso.

So, who joined Abramovich in scratching the art itch ... one that's been hard to scratch since the art market collapsed in 2008? Well, Val Kilmer, Peter Brant and Laurence Graff were among the elite.

Prices haven't returned to 2007 levels, noted art dealer Nicholas Maclean to Bloomberg News, but he added that the top stuff is selling well. This doesn't exactly defy common sense, of course. There are 303 galleries at Art Basel this year, and they're all hoping to ride this wave.

A Christie's International auction in Paris the day before Art Basel started set the tone for the affair. A sculpture by Amedeo Modigliani moved for $53 million, setting a record for the French auction market.

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Tags: amadeo modigliani, art auction, art auctions, art basel, art market, auction house, auction houses, christies, ChristiesAuctionHouse, laurence graff, modligiani, peter brant, roman abramovich, val kilmer

Art Market: Russian Billionaires Are Back

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The numbers may not have big, but it felt like 2007 all over again during "Russian Week" in London. Russian billionaires descended on the art auction houses and fought fiercely for prized lots. Compared to last year, auction sales nearly doubled, with the Russians spending $86 million to repatriate icons, paintings, porcelain and Faberge items. This follows $18.5 million in Russian art sales by Sotheby's and Christie's in New York back in April.

The most popular pieces were early 20th century modernist works, with the top lot Alexander Yakovlev's "Titi and Naranghe, Daughters of Chief Eki Bondo." It was good for £2.5 million, almost tripling its high-end presale estimate of £900,000.

Sotheby's was the top auction house of London's Russian Week, generating £22.3 million by selling approximately 70 percent of its 615 lots. The result falls within the presale range of £19.3 million to £28 million.

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Tags: art auction, art auctions, art market, auction house, auction houses, billionaire, billionaires, Christies, ChristiesAuction, ChristiesAuctionHouse, faberge, Faberge Eggs, london, russian art, RussianBillionaires, sotheby, sothebys

New Auction House Starts Up with $3.7 Million in Classic Cars

by Noah Joseph (RSS feed) —

Filed under: Luxury Cars & Autos, Auctions

Whether you're buying or selling, there's no lack of auction houses specializing in classic automobiles. And now there's one more. Called (suitably enough) Historics, the upstart has set up shop at Brooklands, the historic home of motor racing in the UK. And they're preparing to kick off their first auction on June 2 with a $3.7 million docket of classics.

Among those collectible motor cars on consignment for the upcoming event are a 1930 Bentley 4.5 liter Vanden Plas Tourer (estimated at £775,000/$1.1m), a rare Aston Martin DB2/4 Drophead Coupe and a flawless '68 Mini Cooper S. All told, 65 vehicles will be part of the docket early next month, and we look forward to reporting on many more in the future.

Gallery: Historics auction at Brooklands - June 2, 2010

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Tags: auction, auction house, brooklands, car auction, classic cars, historics

Clars Spring Auction Promises To Be The House's Biggest Ever

by Deidre Woollard (RSS feed) —

Filed under: Decor, Auctions, Art

We cover a lot of the big auction houses here on Luxist but smaller auction houses offer quite a few treasures too. Clars, an estate auctioneer based in Oakland, California is having what is anticipated to be the largest and most important sale in their more than 60-year history on May 15 and 16. The sale comprises lots that span 400 years and come from four major estates and other important consigners. The sale includes 17th and 18th century furnishings and art from both contemporary artists and Old Masters. Clars is representing the Lane & Jenkins Trust of San Francisco, the Frank Hinman Estate of San Francisco, the Dr. Sydney Widrow Estate of Hawaii and Carmel; and the Dr. Lawrence Loftus Estate, also of Carmel.

Two of the key lots in the furniture category are a circa-1650 Charles II small Oyster-style walnut inlaid chest from the Widrow Estate (estimate: $10,000 to $15,000) and a circa-1730 George II walnut veneered chest on chest. (estimate: $8,000 to $12,000). A monumental Dirk Van Erp Studios vase will be offered, as well as a 1799 George III celestial floor standing globe estimated at $5,000 to $7,000. The painting shown at right "Moonrise over the Mojave" by Maynard Dixon (Californian, 1875-1946) is estimated at $150,000 to $250,000. The contemporary category will include original prints by Roberto Matta, Joan Miro and Pablo Picasso. Coming from the Widrow Estate will be a framed silver gelatin photograph by Ansel Easton Adams (Californian, 1902-1984) titled "Clearing Winter Storm, Yosemite," estimated at $40,000 to $60,000.

Clars sales end with fine jewelry. The top lot in the jewelry category is a diamond ring mounted in platinum, center set with one round brilliant cut diamond weighing 9 carats (GIA stated M color and SI1 clarity) surrounded by 52 round diamonds weighing 1.10 carats. (estimate $90,000 to $120,000)

Approximately 2,000 lots in total will be offered over the course of this two-day event and internet live bidding will be provided by LiveAuctioneers.com.

Tags: auction house, auction houses, clars, fine art, maynard dixon, oakland

May Art Auctions Likely to Bring Back Excitement

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The May art sales are coming, and I, for one, can't wait to see what happens. The art market took an exciting turn at the end of 2009. Prices appeared to be on the mend, though nobody was willing to believe it fully – not after the tumult experienced for the year and a half before it. Tentative steps gave way to optimism at the beginning of this year, leading many to accept that the art market is coming back. Collectors opened their wallets. Auction houses put better works on the block. Everything looked good.

Unfortunately, there hasn't been much action in the major categories since February. This is strictly a function of the auction seasons. Sure, we've had the Armory Show in New York and Phillips de Pury's anemic sex-themed auction, but this doesn't scratch the big-money art market itch. At the beginning of March, Sotheby's moved Andy Warhol's "Self Defense" for $420,000, well ahead of the presale estimate of $250,000 to $300,000. Christie's pushed "Two Jackies" for $446,500, more than 10 times more than the low-end presale estimate of $40,000. Yet, without piercing the million dollar mark, it's hard to capture anyone's imagination.

So, we've had to wait – and will have to continue to do so until May. In the meantime, anticipation has been mounting. What's coming up next?

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Tags: andy warhol, art, art auction, art auctions, art market, artist, Artists, arts-culture, auction house, auction houses, Christies, Pablo Picasso, Sotheby, sothebys

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China Takes Third in Global Art Market

by Tom Johansmeyer (RSS feed) —

Filed under: Art

Despite an early sign of success with the February 2009 Yves Saint Laurent auction, France wasn't able to knock China from the #3 spot among the world's art markets. According to Artprice, China finished the year behind the usual leaders (New York and London), making considerable progress in a severe year for the art market. Fine art sales in China hit $830 million, taking a 17.33 percent share of the global market. In 2008, China had only a 7.83% share. Nearly half the 2009 fine art result in China came from three auction houses: Poly International, China Guardian and Beijing Council. The Hong Kong branches of Christie's and Sotheby's were good for another $200 million.

Because of the strength the Chinese art market showed last year, 15 Chinese hammer prices, including a contemporary sale, forced their way into the top 100 results worldwide ... and ever.

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Tags: art market, auction house, auction houses, china, chinese art, Christies, france, Sotheby, sothebys

Basquiat and Others Beat Minimum at Phillips de Pury Art Auction

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The action was small at only $9.6 million, but big names were featured at the Phillips de Pury art auction on Friday night. Donald Judd and Jean-Michel Baquiat went under the gavel and home with collectors for the third auction in a row. This follows solid results at Christie's and Sotheby's, marking a distinct turn in the fortunes of the art market.

Phillips de Pury didn't match Sotheby's and Christie's in terms of above-estimate totals and older works, but that really is the norm. So, I wouldn't view the fact that it only hit the middle of its presale estimate pessimistically. Given what was sold earlier in the week at the larger houses, the Phillips sale does nothing but confirm the direction of the art market.

Established artists did continue to rise aove the fray, with Judd's 1987 sculpture, "Untitled (87-29 Studer)," selling for £735,650. Basquiat's "Cash Crop" landscape and collage "Untitled" were the second best sellers behind Judd's work at £713,520 each. All beat their low-end estimates of £600,000.

There was a concern that Phillips would struggle to attract buyers, particularly because the auction was focused on living artists. While the challenge may not have been evident from the fact that 86 percent of the lots sold, it was confirmed by the tendency of them to move at the low end of the presale range.

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Tags: art auction, art auctions, art market, ArtAuction, ArtAuctions, ArtMarket, auction house, auction houses, AuctionHouse, AuctionHouses, basquiat, Christies, ChristiesAuction, ChristiesAuctionHouse, donald judd, DonaldJudd, jean-michel basquiat, Jean-michelBasquiat, phillips de pury, PhillipsDePury, Sotheby, sothebys

Freud Flops at Sotheby's Surges in Contemporary Art Auction

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

It looks like art market watchers (including me) were right for the wrong reasons. At the Sotheby's contemporary art auction last night, $84.5 million in sales were completed, but the highly coveted Lucian Freud didn't hit its low estimate. Lucio Fontana, Yves Klein, Willem de Kooning, Peter Doig and Frank Auerbach, however, led to pitched bidding battles.

The evening's highest price was paid for de Kooning's "Untitled XIV," which fetched 4 million pounds over the phone, beating its high-end estimate by a third. The seller was a collector from Europe who picked up the painting from the artist's estate. Doig's "Saint Anton (Flat Light)," an Alpine scene, was good for 2.8 million, also via phone.

But, Lucian Freud still stole the spotlight, if not the top bid. His self-portrait with a black eye carried a low-end presale estimate of 2.8 million – after having been offered at a lower price in private sale before the auction. The seller, Victor Chandler, is a bookmaker based in Gibraltar with a penchant for secrecy: his press officer refused to be named (according to Bloomberg News).

The Lenz collection, also high-profile, performed very well at Sotheby's. Only one of the 47 lots wasn't able to move, and the entire collection sold for 23.2 million pounds, soundly beating a presale estimate of 11.2 million pounds to 15.2 million pounds. The most expensive piece was Klein's "Fire" painting "F 88," which brought in 3.3 million pounds, just shy of its high estimate of 3.5 million.

The evening's surprise came from Auerbach, who's 1956 drawing was purchased by London art dealer Offer Waterman for 1 million pounds, far above the presale estimate of 50,000 pounds to 80,000 pounds. Interestingly, Sotheby's senior international specialist Oliver Barker noted to Bloomberg News, "The gap between Auerbach and Freud and Bacon is closing." Are we seeing a new evolution in the Francis Bacon supply chain?

Overall, the contemporary art auction beat its high-end presale estimate of 45 million pounds and thrashed the 2009 result for the same auction, a mere 17.9 million pounds for 27 lots.

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Christie's Sees Art Market Recovery in 2009, Guarantees to Come Back

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

It looks like Christie's agrees with me (or, I agree with Christie's): the art market is going to recover this year. The auction house, which is bringing some powerful inventory under the gavel at its contemporary art sale next month, expects the market to recover this year. With the improvement in conditions, price guarantees may return, as well.

In 2009, Christie's states, sales fell to 2.1 billion pounds, a decline of 24%. For the contemporary category, which was hit worst by the art market slump, sales dropped 59% to 244.3 million pounds -- in 2007, it only took a handful of pieces to get up to this amount.

According to Edward Dolman, chief executive of Christie's, "These figures were much better than we expected." He observed to Bloomberg News, "The art market is vulnerable and we thought we'd be down 50 percent, as we were in the last recession in 1991." Christie's, along with the other major house, Sotheby's, were able to compensate for weakness in contemporary art with sales of Old Masters, wine and jewelry. Also, performance in Asia contributed to the salvaging of 2009, where average selling rates by lot gained 5% to 80% in 2009.

The Old Masters group gained 1% last year, one of only four categories to show an up-tick in 2009. The best performer, however, was the 20th Century Decorative Arts category, which posted a 149% increase, helped along by the 21.9 million euros paid for an Eileen Gray chair at the record-setting Yves Saint Laurent sale.

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What Happened to Damien Hirst?

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

In 2008, an astounding 65 pieces by Damien Hirst fetched seven-figures each at auction. The total came to $230 million. The numbers are nothing short of staggering, especially when you compare it to what he did six years earlier, when the annual total for his work hit a mere $2 million. Clearly, some excitement was generated, and art collectors rode the wave. The last major sale was conducted at Sotheby's on September 15 and 16. "Beautiful Inside My Head Forever," as it was called, made a killing for the hottest living artist ... right before the financial world went to straight to hell. This bold move, however, led to a period of silence for the artist and stagnation for his collectors.

Shortly after the mortgage market mayhem became a global financial affair, unsold rates for Hirst's work shot from 11 percent to 55 percent by the end of the year. A mere 12 months after his he emptied the insides of his head -- not to mention plenty of inventory -- prices for Hirst's work returned to 2004 levels. A year after buying "Butterfly" painting "I Miss You" in late October 2008, Christie's unloaded it for a mere $450,000, only half what it had paid. In 2004, the piece's initial auction price was $415,000. I suspect this is at least part of the reason why the auction houses backed away from guaranteed minimum pricing ...

With the books closed on 2009, only two pieces by Hirst pierced the million dollar mark, both from the "Butterfly" series. "Tranquility" brought in $1.5 million back in May at an auction in Hong Kong. Almost half a year later, "The Importance of Elsewhere-The Kingdom of Heave" brought in close to $2 million, again at a Hong Kong auction. Both sales came from Seoul, not the usual New York and London communities.

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High Hopes for London Art Auctions

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The London art auctions are upon us, and a year has made a hell of a difference. The auctions at Christie's, Sotheby's and Phillips de Pury are expected to fetch at least $104 million, which would be an increase of 68 percent over the same season in 2009. If the houses can pull this off, the art market will probably breathe a collective sigh of relief after more than a year of downright awful results.

At this point last year, the art market was in miserable shape. It was already in trouble, as the recession had begun to crystallize over the summer of 2008, a process which was hardened by the financial market meltdown in September. By the end of the year, prices had plummeted, and the practice of guaranteed minimum pricing had generally been abandoned.

By the end of 2009, signs of a recovery began to emerge, though few were willing to commit to it. A few pieces, such as Andy Warhol's "200 One Dollar Bills" turned in strong performances, but nothing was solid enough to call a trend. Nonetheless, hopes are high for the next round of sales, which will include museum-caliber paintings by Peter Doig and Yves Klein. Shown at right is Andy Warhol's Dollar Sign estimated at $1,950,000 - $2,925,000 at Christie's London Post War and Contemporary Art Evening Auction on February 11.

Tags: andy warhol, AndyWarhol, art auction, art auctions, art collecting, art collection, art collector, art market, ArtAuction, ArtAuctions, ArtCollecting, ArtCollection, ArtCollector, Artists, ArtMarket, artwork, auction house, auction houses, AuctionHouse, AuctionHouses, basquiat, Christies, damien hirst, DamienHirst, england, jean-michel basquiat, Jean-michelBasquiat, Jeff Koons, JeffKoons, london, lucian freud, LucianFreud, peter doig, PeterDoig, phillips de pury, PhillipsDePury, sothebys, yves klein, YvesKlein

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Is Contemporary African Art Ready to Jump?

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The first decade of the new millennium was the domain of Latin America, Asia, Turkey and Russia. A robust art market emerged in the Middle East, which brought with it plenty of interest in the region's artist. But, what about Africa? The continent has been underrepresented in galleries and at auction, but it looks like collectors eager to try something new may be developing an appetite for African art.

The region's offering is both large and incredibly diversified, according to a report by Artprice, and over the past 20 years, several African artists have been able to garner some attention at international art fairs and major exhibitions. Pieces have been featured sporadically, with a show at the Centre Pompidou in Paris in 1989 and anther two years later at the New Museum of Contemporary Art in New York. The Africa Remix exhibition toured from 2004 to 2007 ... and that's about it.

There's been a bit more action in the auction market, with Sotheby's becoming the first major house to sell contemporary African art in June 1999, when it sent the Jean Pigozzi collection under the gavel in London. It generated less than $16,000 but still set a record. Since then, Sotheby's hasn't dedicated any London or New York sales to African art (aside from its work with South African auctioneer, Stephan Welz & Co). Bonhams has taken more of an interest in the category, holding an African art sale back in April and moving 64 percent of the lots offered.

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Phillips de Pury Auction Worth the Price of a Painting

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

The Phillips de Pury auction on Thursday night raked in what once would have come from a single painting. Despite parading out pieces by Andy Warhol, Jeff Koons and Richard Prince, the sale was good for a mere $7 million, with individual lots moving for prices in the hundreds of thousands of dollars. Thirty-nine went under the gavel, and eight didn't sell.

The Chelsea auction house lacks the savvy, knowledge and reach of Sotheby's and Christie's, so it had to lean on British art collector Charles Saatchi, who has agreed to complete most of his transactions through Phillips de Pury. In trade, subsidies from the auction house help keep access to Saatchi's gallery free.

Roughly a dozen of the lots came from Saatchi, while the others are said to have been rejected by Sotheby's and Christie's. In general, the pieces were "pretty skimpy," according to Manhattan art dealer Edward Tyler Nahem, who observes that the auction house "did pretty well with what they had."

Japanese artist Yayoi Kusama was the top seller, with her painting "Infinity Nets (T.W.A.)" busting past its high-end presale estimate of $400,000 and settling at $842,500 (including fees). Kusama's performance follows a well-hyped exhibition at the Gagosian Gallery this year.

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Tags: andy warhol, AndyWarhol, art auction, art auctions, art collecting, art collection, art collector, art dealer, art market, ArtAuction, ArtAuctions, ArtCollecting, ArtCollection, ArtCollector, ArtDealer, ArtMarket, auction house, auction houses, AuctionHouse, AuctionHouses, Charles Saatchi, CharlesSaatchi, Chelsea, Christies, gagosian, Gagosian Gallery, GagosianGallery, Jeff Koons, JeffKoons, manhattan, new york, new york city, NewYork, NewYorkCity, phillips de pury, PhillipsDePury, richard prince, RichardPrince, saatchi, sothebys, yayoi kusama, YayoiKusama

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Lichtentein Piece "Definitely for Sale"

by Tom Johansmeyer (RSS feed) —

Filed under: Auctions, Art

November 2008 was pure living hell for the art auction houses. The bottom had just fallen out of the market ... and they were still saddled with pieces for which they'd offer guaranteed minimums. This is exactly what happened with Roy Lichtenstein's "Half Face with Collar."

The 48 square inch painting went under the gavel at Sotheby's almost a year ago, with the seller, Italian art dealer and collector Gian Enzo Sperone, protected by a $15 million minimum by the house. Now, it's on display at FIAC, right next to Andy Warhol's "Green Disaster," in the Projet Moderne section.

For many, the question of who owns the Lichtenstein painting has been raised. Is the fact that it's hanging as an entry from the Gagosian Gallery meaningful? A source at FIAC tells Bloomberg News that it is: "Larry owns it and it's definitely for sale."

It would be poetic, of course, for the piece to fetch the $15 million it failed to reach last November, but for now, all we can do is wait for the result (if any).

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Tags: andy warhol, AndyWarhol, art, art auction, art auctions, art fair, art market, ArtAuction, ArtAuctions, ArtFair, artist, artists, ArtMarket, artwork, auction, auction house, auction houses, AuctionHouse, AuctionHouses, auctions, fiac, gagosian, gagosian gallery, GagosianGallery, larry gagosian, LarryGagosian, roy lichtenstein, RoyLichtenstein, sothebys

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