It is not always the case that iPhone cases must only be used to protect your iPhone. They can also help make a statement about you. This concept has been clear to many, which is why the business of selling iPhone cases is probably as big as that of selling the phones. Unless you are serial butter fingers and need a heavy duty two inch thick rubber case to keep your iPhone out of the "dead gadget bin" you'll want something thin enough to not detract from your enjoyment of the phone, as well as something that makes a more individualized statement about you than "I am among the millions of people who have this Apple product." To help solve this problem Griffin Technology and the UGC (user generated content) trendy shirt maker Threadless have teamed up to offer two special iPhone cases based on popular shirts - and you can get the matching shirts too. Plus, you can download a matching wallpaper for your iPhone. They have really thought this all out. Now your iPhone will actually match your attire.

The first design is called the "Birds of a Feather" and uses Griffin's ultra-thin soft blue rubberized exterior iPhone case with a design by Ross Zietz. Then you have "Clouds Within The Thunder" by Joe Van Wetering that is a stylized thunder bolt on a yellow version of the case. Each artistic iPhone case is $34.99. You can visit Threadless from links above to check the out more, where there are also links to get the matching shirts for $18 a piece. The cases are also available at select Apple store locations. These items are nifty, and it is smart to change your iPhone case once in a while to keep things fresh. Certainly a minor luxury to have art on anything functional - and that is why I like these particular iPhone accessories.

With last week's publication of Sarah Palin's new book, Going Rogue, Alaska is once again in the headlines, so it's easy to forget that there's far more to our 49th state than its red-suited former governor. I've been working on a book project in the Bering Strait of Alaska sporadically for the past few years -- above is a photo from Shishmaref, Alaska. These are places where you really can see Russia. And while these locales aren't much for luxury in the traditional sense, they are the places where simply astonishing Alaska Native art is produced -- where artists utilize the landscape to create everything from delicately carved bracelets to bold mobiles, traditional masks to photographs, amber-jewel like kayaks to paintings.

Alaska's natural resources aren't just used for art, of course -- many Native Alaskans still live at least partially off the land and sea. In part, this is to preserve a traditional way of life, but it's also because the price of basic necessities is so high: a dozen eggs can cost as much as $22. In addition to the challenges of preserving tradition that are faced by native communities everywhere, the raw materials of life are in jeopardy because of global warming. This is the part of the United States that is the most dramatically affected by climate change: The state's wintertime climate has warmed by 40 degrees since 1950, sea ice has thinned by 60 percent since the 1960s.

Nine Native Alaskan artists have produced works in response to this fraught landscape, which opens at the Alaska House New York gallery in Soho on December 10th. Working in a variety of media, ranging from mask-making, to skin sewing, to photography, Brian Adams, Susie Bevins, Perry Eaton, Nicholas Galanin, Anna Hoover, Sonya Kelliher-Combs, Erica Lord, Da-ka-xeen Mehner, and Larry McNeil create works that capture this particularly delicate moment for Alaska -- and works that are certainly highly collectible. Check out the preview below to get just a sample of this extraordinary art.

If Dry Ice inspires you to travel to the places where these works are created, Alaska House New York (which is as much of an "embassy" for Alaska as it is an art gallery) has many resources to guide you through the parts of the state that you're unlikely to see on your own. And if you're more of an armchair traveler, check out this thoughtfully curated selection of books about Alaska -- a good place to start is 50 Miles from Tomorrow, by William L. Iggiagruk Hensley. You'll also find a list of online resources, including the very entertaining online newspaper, Alaska Dispatch.

The hint of a recovery we got in the first half of 2009 has fallen off a bit,according to Art Price's Art Market Confidence Index. The latest report suggests that art prices have dropped 37 percent since January 1, 2008, when the art market first showed signs of weakness. But, there are some indications that it's headed in the right direction over all. Art Price does state that the third quarter is almost always weak. Only 12 percent of auction lots sold during all third quarters over the past decade, and low sales volumes tend to mean low prices.

The art market appears to have hit its worst point in the first quarter of this year, when art prices were down 38 percent over the previous 15 months. Values plunged to 2004 levels, and spectators figured that conditions would only get worse. Prices edged up 1.2 percent after the first quarter, but a slow summer didn't yield any real progress.

Art Price sees the November results as promising, with seasonally adjusted growth for the Post-War period up 2.1 percent since March and the Old Masters picking up 4.5 percent. And, for the past two quarters, only 38 percent of lots failed to sell, and it looks like October and November will stay consistent with that result.

More than anything else, the numbers suggest that confidence is increasing -- which is the first step in a recovery.

Ten artists found a way to make vacant commercial space incredibly exciting. I wandered by 25 Central Park West on a walk in my neighborhood a few days ago and saw artists inside. They were hard at work cleaning, preparing and hanging their pieces. Tapping on the window was one of my smartest moves this week. By doing so, I learned of a new exhibition, which opened Wednesday night. The show, 10 from 25: Emerging Artists using Photography, is set to run through December 13, 2009. It includes flat art and video, bringing to life an empty space in a part of Manhattan generally forgotten by the art community.

The artists, including Bess Greenberg, who gave me a tour of the space as she and the other artists prepared for opening night, have created an integrated show that doesn't sacrifice the message of each of the participants. So, in addition to a group exhibition, visitors are treated to 10 individual efforts, in which one can appreciate a specific style without having to cope with the intrusion of other pieces on his experience.

Much of the time it's easy to predict the top lot in an auction, one of the highest estimated pieces usually claims the honor. But that's not always the case. How's this for an exuberant art market moment, Emil Filla's "Still life with a Lemon, Bottle of Olive Oil, Bell Peppers and a Bowl of Vegetables", 1925, sold for $266,000 against a pre-auction estimate of just $15,000-20,000 on November 17 at an auction at Bonhams & Butterfields in Los Angeles. The auction set a new world record for the artist at auction. The auction was simulcast to the firm's San Francisco auction rooms.

This auction also included the unused Beatles album art created in 1968 by Jim Dine we discussed earlier this week. The collection of five graphite and watercolor works on vellum sold for $51,850 against an estimate of $25,000-35,000.

Art Work Partners revives the centuries-old technique of pietre dure (inlaying stones in beautifully intricate partners) for modern times. This artistic medium descended from Byzantine mosaics but found its greatest expression during the Italian Renaissance. The pieces combine a jeweler's precision with an artists sensibility and a stonecutters expertise. Art Work Partners has two main lines, one of stone art made to hang on a wall like a painting, and another of furniture pieces with stone tops. The picture above highlights both showing a stone version of Marilyn Monroe by Marcos Marin made of black granite and marble as well as a table set with a stone version of Lots of Love by Romero Britto. Pieces generally cost between $5,000 to $12,000. Check out the gallery below for more pieces.

The Christie's crowd on Tuesday may not have been ready to shell out big bucks for Andy Warhol's "Tunafish Disaster," but the crowd at Sotheby's was more than happy to by a boatload of currency. The top pop artist's "200 One Dollar Bills" found a buyer for a monstrous $43.8 million at the Sotheby's art auction in New York on Wednesday.

Pauline Karpidas, an art collector in London, offered the piece, Bloomberg News reports but wasn't able to verify with the collector herself. It looks like she scored with this one. "200 One Dollar Bills" carried a presale estimate of $8 million to $12 million, which didn't last long.

The piece consists of what its title states: 200 real-sized one dollar bills reproduced in black on grey ... and with a blue replica of the Treasury Department seal. If they were real cash, the sale price was greater by a factor of 219,000.

This wasn't the only success of the evening, and overall, the outcome was fantastic. Only two of the 54 lots failed to find new homes, and the final number, $134.4 million, thrashed the presale estimate of $97.7 million.

Christie's tried in New York with a 1983 piece by Jean-Michel Basquiat and didn't succeed. The auction house may have been too aggressive in estimating the 16-foot piece at $9 million. That's what's tough about the art market right now. There are signs of recovery, and it can be tempting to push for higher prices. Unfortunately, it's easy to get a bit excited. The painting had the highest estimate at the auction. The piece with the second highest presale estimate, a piece by Andy Warhol, met a similar fate.

The Basquiat piece, "Brother Sausage," was offered anonymously by a buyer later revealed by Bloomberg News to be Peter Brant, an art collector based in Connecticut. The piece may be a casualty of his divorce from model Stephanie Seymour. Well, it won't be financing post-marital discord and could remain a contested asset for a while.

Warhol's "Tunafish Disaster" was projected to move for up to $8 million and, like the Basquiat painting, didn't receive any bids. Art dealer Robert Mnuchin of L&M Arts was stuck taking it home.

Yet, some works beat the odds in an auction that raked in $74.2 million, within the presale range of $61.5 million to $88 million. Nonetheless, this was the lowest result we've seen from a Christie's New York contemporary art effort since May 2003 and down 81 percent from the top of the market two and a half years ago.

The painting shown above, a 1968 watercolor by American artist Jim Dine, has an interesting story. The work was originally commissioned by Capitol Records for a Beatles album which was never made because the Beatles left Capitol and formed the Apple Records label. The graphite and watercolor on vellum lot of five works depict individual toothbrushes labeled for each member of the band The pieces, which are expected to bring $25,000-35,000, have been in the private collection of former president of Capital Records, Sal Iannucci, and his wife Aileen.

These unique pieces are part of the Bonhams & Butterfields fall auction of Modern, Contemporary and Latin American Art on November 17, 2009 in Los Angeles. The over 200-lot sale will include pieces by Alexander Calder, Paul Cézanne, Pedro Coronel, Emil Filla, George Grosz, Armand Guillaumin, Henri Lebasque, Fernand Léger, Maximilien Luce, Diego Rivera, Frank Stella, Maurice Utrillo, Andy Warhol and Francisco Zúñiga, as well as a selection of contemporary Asian art. The auction catalogue's cover lot, Study for a Blue Nude, 2000 by Tom Wesselmann is expected to bring $50,000-70,000.

It looked like to sculptures by Damien Hirst were headed for court. The two pieces, worth an estimated $47.6 million, were part of a broader lawsuit involving Udo Fritz-Hermann Brandhorst, an art collector and heir to the Henkel AG & Co. fortune. Brandhorst's former mistress, Venetia Kapernekas, sued Brandhorst in federal court for the artwork.

Kapernekas, a 49-year-old art dealer, agreed to drop the lawsuit over the weekend in exchange for custody of the daughter she had with Brandhorst, a one-time $100,000 payment, a $500,000 trust for their daughter's education, a loft in Soho (worth around $5 million) to be held in the daughter's name and $640,000 to cover her legal expenses. She'll also get $5,000 a month in child support.

As part of the deal, Kapernekas will be able to sell an Andy Warhol painting she received from Brandhorst. It's a heart-shaped blue and red piece called "Candy Box Open" from 1983. She has chosen Sotheby's in London to handle the sale, and it could go for $40,000. She won't be able to sell another Warhol, "Heart," because it belongs to her daughter.

Celebrate if you own an Ed Ruscha print. At a Bohnams and Butterfield's auction last week, excited bidders pushed Standard Station (E.5) past its high estimate of $40,000 ... all the way to $170,000 and a new record for Ed Ruscha's work. The previous top spot for Ruscha was $133,000 for Hollywood, which was attained during the art boom in 2007.

The record-setting piece features a red gas station, an image now associated with Ruscha, and is #33 in an edition of 50 (a pretty large run). The strong auction performance follows an enormous retrospective held for the artist at London's Hayward Gallery and recognition by Americans for the Arts with its Artistic Excellence Award.

But, there's no prize so grand as an outstanding performance at auction.

A big auction with major pieces actually beat the top-end estimate – when's the last time you heard that? Wednesday night at Sotheby's, the Impressionist sale brought in $181.8 million, thrashing the high estimate of $163 million and almost tripling the Christie's auction from November 3, 2009. It's also around three times the last equivalent sale by Sotheby's, which was back in May.

The Sotheby's auction was packed with notoriety. Conde Nast's top dog, S. I. Newhouse Jr., sent some work under the gavel, as did Louis Reijtenbagh. Artwork by Giacometti, Picasso and Renoir was sold. Sixty-six lots were offered, with only 10 failing to sell.

New York art dealer Helly Nahmad told Bloomberg News, "The art market is back," but that may be premature. Bidders were chasing the high-quality pieces, and it is tempting to believe that what auctioneer Tobias Meyer calls "a year of abstinence" is over. The fact that the Sotheby's auction was so much greater than that at Christie's, though, makes me want to see a few more sales before calling it a trend.

Sotheby's and Christie's are heading east to seek their respective fortunes. The two auction houses are offering more than $26 million of Asian art this week in London. The lots themselves are attracting record numbers of buyers from mainland China, a section of the market that has shown signs of life this year. Chinese buyers were quite active in Hong Kong last month.

Nicholas Chow of Sotheby's told Bloomberg News, ""We've seen a really aggressive push from mainland Chinese collectors during the last season of sales" and that "they're buying things at the very highest level." An Imperial jade seal, for example, moved for GBP3.6 million on Tuesday, six times the high-end presale estimate.

On November 3, Christie's sold an aggregate GBP5.7 million, beating the presale estimate of GBP5.2 million. Of the 319 lots, a third didn't move. The top seller was an eighteenth century enamel model of a Buddhist shrine, which beat its presale range of GBP60,000 to GBP80,000 with a hammer sale of GBP229,250. Nine of the top 10 most expensive items went to buyers from Asia.

Collectors from mainland China are quite eager to repatriate art and other objects from their heritage, particularly the Qing and Ming dynasties ... a fact of which the auction houses are fully aware. Christie's sent 210 invitations to mainland Chinese for its 12th annual Asian Art in London event, which ends November 7, 2009. Sotheby's pursued a similar number of collectors. Bonhams has invited 30 new buyers from mainland China.

In October, the Sotheby's Hong Kong art auction was good for $170 million, with plenty of bidding and buying by mainland Chinese buyers.

"Flesh was the reason oil painting was invented," proclaimed Dutch-born painter Willem de Kooning in 1950. It's no secret the influence women had in his work or in his success. In the early 1950s de Kooning began experimenting with the female form and landscapes, until the two subjects became inseparable. His painting Woman I launched him into overnight stardom when it was exhibited in New York in 1953.

Bonhams New York is presenting a rare work from 1965 that stems out of this period, Woman in a Landscape, in their upcoming Contemporary and Modern Art Sale. The painting builds on his previous work, but also reveals later influences such as contemporary Hollywood stars and Mesopotamian fertility goddesses. While de Kooning's own inner demons are clearly present in this work, it remains one of his gentler, more romantic portraits of the female sex. The fully-executed painting is rare for this period of de Kooning's work, and is thought to be a study for his 1966-67 painting, The Visit, which is housed in the Tate collection.

Woman in a Landscape is estimated at $400,000-$600,000.

The public is invited for a pre-sale viewing and reception of all works in the sale:
Monday Nov 9th 6-8 PM
Bonhams
580 Madison Avenue
New York, NY 10022

Sale takes place November 10th at 12 PM.

For more information visit Bonhams.com/contemporary.

Ukraine is about to get a new contemporary art center. Victor Pinchuk is shooting to make Kiev a major art destination, so the wealthy art collector is creating a new center that will be larger than the existing PinchukArtCentre, which was the first private contemporary art center in the former Soviet Union and has had more than 830,000 visitors since its doors swung open in 2006.

Pinchuk, a steel billionaire, is an avid collector, with pieces by Jeff Koons, Damien Hirst and Andreas Gursky. His new endeavor, he tells Bloomberg News, "will make Kiev and Ukraine a fantastic place for contemporary art." Pinchuk made the proclamation at a show for 20 Ukrainian artists who were nominated for the first Pinchuk Art Center Prize, which comes with a cash component of $12,200 and a one-month internship with an artist from the international scene. Hirst himself will announce the winner on December 4, 2009.

Pinchuk has a strong relationship with the artist celebrity and owns "probably half" of the skull paintings (by the collector's own estimation) in the current Hirst show at the Wallace Collection in London. He also participated in Hirst's solo auction in September 2008 but wouldn't tell what he bought.