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The Classicist

The Classicist: Made in the Shade - Porsche Design Heritage Collection


Unlike some collections whose famous names reflect only lucrative licensing deals, products bearing the Porsche Design label have a pedigree that's strongly linked to the famed sports car marque. The Porsche Design Studio was established in 1972 by Professor Ferdinand Alexander Porsche, designer of the iconic Porsche 911 and grandson of the founder of the world-renowned German automaker. Since then Porsche Design has become synonymous with innovative luxury products boasting immaculate craftsmanship, state of the art technology and the absolute highest quality materials, all adhering to the same clear functionality of form. While the product line ranges from cell phones to superyachts these days, sunglasses, one of the first items produced and one with the strongest ties to driving, remain the most appealing.

During the '70s and '80s the coveted sunglasses were the shades of choice for the rich and famous who prized elegant, sporty style. Now Porsche Design Eyewear has come out with a new "Heritage Collection" of aviators celebrating this colorful history. Often copied by others, they remind us that the originals haven't been bettered. The new collection is not just a re-issue of the most notable sunglass designs however, but also an update for the 21st century. Iconic styles that went out of production years ago are back with major upgrades in materials with super lightweight, anti-corrosive titanium frames and lightweight shatter-proof polycarbonate lenses with a multi-layered premium anti-reflective coating. Priced from $250–$409, there are four classic styles in the collection in various color combinations, all variations on the iconic aviator shape and all now available from haute online eyewear boutique Eyegoodies.

The Classicist: London's Williams Evans & the "Affordable" Bespoke Shotgun


Bespoke shotguns have been part of the wealthy British gentleman's essential sporting kit since the turn of the last century. They're as much a part of the English country house persona as tweeds, wellington boots and Range Rovers. Such guns are often passed down from father to son and are cared for like the precious objects they most certainly are. All these things they have long been, but up until now they have never been what one would call "affordable". Now William Evans (above), a top-drawer London gunmaker since 1883, is aiming to change all that with a new line of lower-priced bespoke shotguns that still deliver the quality one expects from a well-established London gunsmith.

William Evans first learnt his craft by working for famed gunsmiths James Purdey & Son and Holland & Holland. In 1883 he founded his own gunmaking business near Buckingham Palace and by 1888 his reputation had grown enough for him to move to more prestigious premises in Pall Mall, opposite St. James's Palace. By this time the core of William Evans' client list was firmly established, notably with military officers in the Guards Regiments who ordered sporting guns and rifles before being posted to various parts of the Empire. The move to St. James's, the heart of London's gentlemen's club district, further strengthened his client list and the company attracted the patronage of members of several prestigious clubs such as White's, Boodles and Brooks.

The Classicist: 'Take Ivy' - The Original Preppy Handbook


Take Ivy, with photos by Japan's T. Hayashida, is truly the original preppy handbook, first published way back in 1965 – in Japanese. In the early 1960s Kensuke Ishizu, the founder of an Ivy League-inspired clothing line called Van Jacket, commissioned Hayashida and three other Japanese disciples of clean-cut American style to go on a "fact-finding mission" to all of the States' eight Ivy League colleges – Havard, Yale, Princeton, the University of Pennsylvania, Columbia, Dartmouth, Brown and Cornell – chronicling every element of the students' style along the way. Hayashida took tens of thousands of photos at the colleges, then went on to document the stores the students patronized, the cars they drove and even Ivy League grads working on Madison Avenue. When first published in Japan the book sparked a huge trend for Ivy League fashion among Japanese youths who frequented Tokyo's hip Ginza shopping district.

In subsequent decades the book developed a huge cult following among sartorial connoisseurs, with rare original editions selling for thousands of dollars on eBay. The New York Times called it "a treasure of fashion insiders" and cited its influence on a number of men's fashion designers in an article last year, noting photocopied versions were being passed around design studios helping to spark a whole new trend. Now powerHouse Books is re-issuing the book this month, with a long-awaited English translation; J.Crew has also printed 300 limited edition copies in a special case in celebration to be sold in select J.Crew mens shops, the perfect accompaniment to the Ivy-inspired clothing on its shelves; J. Crew men's designer Frank Muytjens says he was "obsessed" by the book and it's timeless appeal.

Gallery: Take Ivy



While The Official Preppy Handbook, which came out 15 years later, is rather tongue-in-cheek, Take Ivy's approach to the subject is downright scholarly. The implications of 'Ivy Style' "go beyond the group of eight prestigious universities that belong to the Ivy League, American football, or the vine itself that covers the buildings of Ivy League schools," the authors note. "It is also not simply about Madison Avenue, Brooks Brothers, modern jazz and folk songs. They do play a part in defining 'Ivy' as a whole, but each of them is only a peripheral component.... In order to understand the spirit of 'Ivy', you must appreciate and master all aspects of American East Coast culture." Thus the back of the book features instructions on building the perfect Ivy League wardrobe including how to wear key items along with a whole compendium of the Ivy League ethos.

The Classicist: The Golden Age of Globe-Trotting


In these days of full-body scans, machine gun-toting security forces and endless departure delays it can be difficult to recall a time when travel was more enjoyable than onerous. Unless you happen to own a private jet or yacht, however alluring your destination the business of actually getting there these days can seem like more trouble than it's worth at times. A beautiful new book from Taschen reminds us that wasn't always the case. A compendium of 100 years of travel advertisements, 20th Century Travel is a lush visual history of the golden age of globe-trotting, a look back at the era of sexy air hostesses, smoking lounges on planes and bars on private club cars. With a decade-by-decade analysis and an illustrated timeline, the book highlights the cultural and technological developments that "transformed travel from a cushioned journey of the elite into a convenient leisure pastime for the general public".

Advertising is of course one of the best ways of looking at the transformation of travel, in particular the ways in which companies attempted to make it alluring to all strata of society. "At the start of the 20th century, only people with extensive disposable income and time to spare could enjoy leisure travel," the authors note. "By the century's end, journeys took hours, not days, and mass travel - especially brief air flights - became the new normal. Along the way, ocean liners broke speed records, aerodynamic trains roared down the tracks, stylish boat-plane clippers evolved into jumbo jets. Whether aboard high-speed locomotives or ships, jets, or Greyhound buses - or when setting their own schedule on the open road - Americans demanded ever greater mobility and wider choice of destinations, thereby setting a new standard for travelers around the world."

The Classicist: Hennessy and Berluti Create the Ultimate Cognac Experience


Famed French cognac maker Hennessy, the world's oldest cognac house, has unveiled a $23,000 limited edition XO Mathusalem bottling in a bespoke leather trunk by famed shoemaker Berluti. The two luxe brands, both part of the LVMH luxury goods empire, teamed up to create the ultimate cognac experience; only 150 pieces will be made most of which will be sold in Asia and Russia. The XO Mathusalem comes in a six liter (1.6 gallon) hand-blown crystal decanter, originally designed for Hennessy by the Marquis de Geoffre in 1947 for Hennessy; each bottle has its edition number engraved upon it. Designed by Olga Berluti (the fourth generation of the Berluti family) every Hennessy Mathusalem by Berluti chest is signed by her. She based her design for the chest on a 400-year-old salt box she had inherited from her parents – a Venetian tradition whereby such boxes are presented to newlyweds who toss the salt over their shoulders for luck.

Etched with engravings and ancient maps, as a symbol of the treasured cognac contained within, the handmade chest features a crocodile-motif clasp and is designed to store a collection of watches or other precious objects and be handed down as an heirloom. "We wanted to create something that will remain beyond the sharing of the cognac," Hennessy chairman and CEO Bernard Peillon said at the chest's recent unveiling in China. "The chest and cognac become something very personal. Once you finish the bottle, you can keep the memory of it. Olga wanted to create something special that tells the story of her growing up in Venice and her family building gondolas. You can say it's a work of art. We like the poetry of it and the romanticism in Berluti's personal story." Each chest takes 70 hours to build and inside each one is a catenella, a wooden element found in Venetian gondolas upon which is carved the gondolier's initials and the boatyard's hallmark. A certificate of ownership accompanies each trunk as well.


The Classicist: The Summer of Style Icon & Jazz Great Miles Davis


Here at Luxist we write a lot about fashion and style, mainly in the form of luxury goods, but it's also interesting to look at the inspiration and influence behind what some people only see as pricey items in a luxe boutique. Some style influencers are well known and at times over-used; Steve McQueen and John F. Kennedy are two examples that spring to mind. Less well known but equally as influential among the tastemakers who decide what we buy as musicians – see Ralph Lauren's homage to Davis' take on Ivy League style here – is the late jazz great Miles Davis, who's finally getting his due with a new museum exhibition and accompanying book this summer.

Now through August 29, the Montreal Museum of Fine Arts is staging the first major North American multimedia retrospective dedicated to Miles. Entitled We Want Miles: Miles Davis vs. Jazz, the exhibition (designed and organized with help from the Cité de la Musique in Paris with the support of Davis' estate) combines image and sound to offer visitors a sensory experience inspired by Davis himself, who once said, "A painting is music you can see, and music is a painting you can hear." If you can't make it to the museum in person – or even if you can – Skira Rizzoli's book version (above) is well worth buying. The most comprehensive and lavishly illustrated volume on the jazz great to date, it chronicles Davis' life and his relationship to jazz and musicians surrounding him, on the heels of the 50th anniversary of his acclaimed album Kind of Blue and 40th anniversary of Bitches Brew.

The Classicist: E. Tautz, A Sartorial Star Reborn on Savile Row


E. Tautz & Sons, the venerable fine men's tailoring firm founded by Edward Tautz in London in 1867, has been resurrected by Savile Row's Norton & Sons to carry on its impeccable sartorial standards in a new century. Tautz began as a sporting tailor and introduced many innovations such as waterproof tweeds and knickerbocker breeches for the hunting set. By 1897 Tautz had been granted a Royal Warrant from the King of Italy, The King and Queen of Spain and The Emperor of Austria. Winston Churchill placed his first order with the firm in 1895 and continued to be a valued customer for the next 20 years; later on Tautz dressed such natty notables as David Niven and Cary Grant, and in 1968 the company was incorporated into the larger Savile Row firm of Norton & Sons and ceased to be a standalone label.

As Norton's owner Patrick Grant explained to Style Salvage, though quality on the level of Tautz's offerings doesn't come cheap, fine tailoring in the bespoke tradition pays for itself in the long run. "Tailoring is an incredibly efficient way of buying clothes cost wise and you really get what you pay for," he notes. "You are getting tremendous value for money if you go to a tailor and it just so happens that [Tautz is] in the middle of a community of the best tailors in the world. 'The only name in your suit should be your own' is the old adage and that is a nice way of thinking about it." Of course, custom made isn't for everyone, but Tautz is the next best thing as it shares many of the same tailoring methods with Norton's Savile Row workshops.

"We champion the notion of dressing properly and of men taking pride in what they wear," reads Tautz's mission statement. "We adhere to the age old belief that how you dress reflects your respect for the event and for your host. Edward VIII said it best. 'Be always well and suitably dressed for every conceivable occasion." FIne fabrics including the world's best wools and cashmere are a cornerstone of the Tautz style. Prices for Tautz's new ready-to-wear collection start at $300 for cotton sport shirts, $600 for knitwear, $1,500 for outerwear and $1,700 for sport coats. To begin with the collection will be sold in the U.S. exclusively through Barneys New York.

The Classicist: A Piece of Architectural History in Watch Hill, Yours for $19.5 Million


Last week The Classicist told you about a historic Hudson River estate being restored to its former glory. That posh property is being thoroughly enjoyed by its new owners, but there's another architectural gem of equally impressive provenance now available with the added bonus of oceanfront acreage – The Timbers in Watch Hill, Rhode Island. Set high above the ocean on a picturesque stretch of beach, the majestic eight-acre compound comprises one of the grandest historic oceanfront estates in New England that's still in private hands. The mansion was built in 1917 and designed by celebrated architect John Russell Pope, who created the Jefferson Memorial and the National Gallery of Art in Washington, D.C. The estate recently underwent a meticulous and historically accurate $10 million restoration, reflecting Pope's original vision. It's now been listed for sale by Christie's Great Estates affiliate Seaboard Properties for $19.5 million.

The opulent 10,500-sq.-ft. main residence was styled after a grand English Tudor manor and features baronial touches such as 15 elegant fireplaces, a magnificent grand staircase and a bell tower. In addition to panoramic ocean views it boasts wide-plank oak floors, wrought-iron chandeliers, archways, and light-filled, generously scaled rooms. The spectacular living room features 35-foot-high cathedral ceilings, exposed English oak beams, and a beautifully crafted wraparound balcony with a carved wooden balustrade. Large French doors on the east side of the living room open to a large covered veranda which features glorious views of the beach and the sounds of the surf as it rolls ashore. At the far end of the veranda, an octagonal dining area features an outdoor woodburning fireplace, wrought-iron chandelier, vaulted ceilings, and archways overlooking the ocean.

The Classicist: Historic Hudson River Astor Estate Restored to Its Former Glory


Marienruh, a historic fieldstone colonial revival country estate built for heiress Alice Astor, the daughter of John Jacob Astor IV and sister of Vincent Astor, and her Russian aristocrat husband Prince Serge Obolensky in 1926 is being restored to its former glory by its new owners. The gracious mansion, situated on 100 scenic acres given to Alice by her brother overlooking the Hudson River in Rhinebeck, New York, was constructed for the glamorous couple by renowned architect Mott B. Schmidt. It had been on the market for $8.5 million up until last summer when unnamed buyers purchased the property, which had been in institutional use for some time, and set about renovating it – a pleasing reversal in an age where many fine old mansions are being put to less dignified uses, often destroying their souls in the process.

After Alice Astor's death the mansion was used over the years as a Christian youth camp, a home for unwed mothers, a drug rehab center and an events space. Over the decades the house was stripped of nearly all its original details, including fireplace mantels, lighting fixtures, hardware and even the copper gutters. The restoration work is being done extremely carefully, overseen by New York architect-designer Robert Couturier. A few upgrades are of course necessary, and new greenhouses are being installed. One of the wings will now house an elegant two-story tall library. As architectural historian Mark Alan Hewitt notes in The Architecture of Mott B. Schmidt (Rizzoli, 1991), Marienruh's block-with-dependencies design was inspired by two influential 18th century American mansions: Montpelier (1751) in Laurel, Maryland, and the the Hammond-Harwood House (1773-4) in Annapolis, MD.

Marienruh is next to photographer Annie Leibovitz's 220-acre spread which had been listed for sale at $11 million as part of her debt restructuring imbroglio. David Bowie and his wife Iman have reportedly considered buying it; other celebrities with property in the area include Liam Neeson, Gwyneth Paltrow, financier George Soros, hotelier Andre Balazs, and Rolling Stone magazine founder Jann Wenner. Leibovitz's property including some stone barns was once part of Alice's father John Jacob Astor IV's 3,500-acre estate Ferncliff; another remnant of that once glorious demesne is the beautiful Astor Courts, designed by Stanford White as a playhouse for Ferncliff with an indoor pool and tennis court, which was was an Estate of the Day last fall with an asking price of $12 million.

Gallery: Marienruh

The Classicist: Royal Ascot, Henley, Cowes & the English Summer Season

Royal ascot
The English summer season is in full swing with the year's most important and stylish sporting events on the horizon, maintaining the British traditions of horse racing, tennis, rowing, polo and sailing with elegance and ardor. Lord's Test Cricket has passed, but the Royal Ascot races, the Wimbledon tennis championships, Cartier International Polo, the Henley Royal Regatta and the yacht races at Cowes round out a full season's worth of sporting occasions that are as much fun to watch as to participate in. Herewith The Classicist's guide to the best in class (with a tip of the Panama to the London Telegraph); all you need is a pitcher of Pimm's:

Royal Ascot – June 15-19, Ascot Racecourse, Berkshire

Since it was founded by Queen Anne in 1711, the annual Royal Ascot races have become the highlight of the English social season. Ostensibly a five-day sporting event, it's also evolved into something of an immense fashion show, marked by the arrival of the Royal Family in ceremonial horse-drawn carriages every day. It has become the style for ladies to sport increasingly outrageous hats, and lately the traditional rules about "formal day dress" in the coveted Royal Enclosure have been rather loosely interpreted.


The Classicist: Bespoke British Luxury from Norton MacCullough & Locke

Norton MacCullough & Locke
In previous columns we've been known to wax nostalgic about the golden age of luxury travel, and the vintage luggage that embodies the glamour and decadence of a bygone era when journeying to a foreign land involved adventure, romance and style. Such exquisitely crafted pieces, like the mysterious bespoke Hermès crocodile suitcases made for Out of Africa author Karen Blixen which we wrote about last week, evoke a time when the journey was as important as the destination and every conceivable creature comfort was taken along for the ride. Not everyone is ready to consign such a stylish mode of sojourning to the past, however. Hence we take pleasure in introducing Norton MacCullough & Locke, a new London firm committed to producing the finest custom-made trunks, jewelry boxes and homeware in the essence of 1920s bespoke British luxury, founded by veterans of Hermès, Claridge's and Patek Philippe.

Norton MacCullough & Locke creates individual, hand-crafted pieces in their workshops in England, with the aim of preserving traditional leatherworking techniques and bespoke craftsmanship. Their beautiful pieces feature details such as gold plated locks and hardware, Alcantara linings, precisely fitted removable trays, and engraved mirrors on the inside lids of dressing cases. Designed and made with the finest materials available, the firm's specialist leather, metal and woodworking artisans employ traditional techniques and hand-finishings, ensuring that each piece is unrivalled in its exclusivity, aesthetics and attention to detail. In other words, the sort of luggage suitable to traveling by private jet.

By designing and creating products that are specific to the individual client's aesthetic sensibilities and lifestyle requirements, each Norton MacCullough & Locke piece is truly unique to its owner. Each bespoke order is developed through a series of personal consultations with the client; from concept and design through to personalization and material selection. The firm is continuously developing its extensive range of precious metals, exotic woods and leathers. While bespoke commissions are limited only by the imagination, some of the items they create include jewelry boxes, trunks, hat boxes, suitcases, humidors, watch cases, travel desks, attaché cases, games sets and drinks cases.

The Classicist: The Mystery of Out of Africa Author Karen Blixen's Hermès Luggage

blixen hermes suitcase
Hermès has uncovered a couple of remarkable pieces of bespoke luggage in its archives, made for famed Danish Out of Africa author Karen Blixen, aka Isak Dineson, in the 1930s. The Art Deco tobacco-colored crocodile skin cases, one ordered in 1930 and the other in 1935, contain every conceivable article an aristocratic author could need on an arduous journey to Africa. The famed Parisian luxury goods house notes that the more complex of the two took its craftsmen 368 hours to make; both feature fine inlays and engraving, with most pieces adorned with a baroness' crown and the author's DBF monogram for Dineson Blixen-Finecke, a combination of her maiden and married names (her full title was Baroness Karen von Blixen-Finecke).

The cases feature myriad compartments and leather boxes for spirits, smoking accessories, writing instruments, notepaper, perfume bottles, cosmetics, playing cards, jewelry, small tools, sewing items, brushes and more, with some items finished in sterling silver and tortoiseshell. However, Hermès notes the the items appear to be unused and probably never made it to Kenya, where Blixen established a coffee plantation at the foot of the N'gong Hills; and therein lies something of a mystery. Noting that by December of 1930, when the first case was ordered, Blixen was somewhat down on her luck and preparing to leave Africa, Hermès thinks it unlikely she ordered it for herself and the archives are unclear. Could it perhaps have been intended as a gift from her lover, dashing big game hunter and pilot Denys Finch Hatton?

The Classicist: Rash of New World Records Says "The Rich Are Back"


Following an incredible number of record-breaking sales of some of the world's most expensive items, from cars to art to watches, diamonds and estates, that have taken place just in the past two weeks, we are hereby making an official declaration: The Rich Are Back. While the economic recovery has been slow to materialize in some quarters, those with the money to make multimillion-dollar purchases are suddenly not shy about dropping the coin. The megabucks deals mean an optimistic outlook has finally taken a firm hold, and the wealthy no longer feel the need to pinch their pennies in the fear that more hard times could be lurking right around the corner. We say it's about time too.

In one hectic twelve-day period, from May 3 to May 14, we saw the record-breaking sales of a $106 million Picasso painting; a $50 million mansion in Bel-Air; a $46 million ranch in Colorado; a $40 million Bugatti; a $32 million Warhol self-portrait; a $26 million Jasper Johns painting; an $18 million Ferrari; an $8 million blue diamond; and a $5 million Patek Philippe chronograph – about $330 million worth of the world's most expensive possessions. The astonishing sales have given an immediate boost to the art, classic cars, real estate and collector's timepieces markets, many of which faltered in the wake of the economic downturn, losing billions of dollars in value. Here's a rundown of the nine history-making deals as they unfolded over the twelve-day whirlwind of wealth disbursement; see the gallery for images:

The Classicist: Dunhill Custom Tailoring for Spring & Summer

dunhill bespoke
Back in March we reported that London luxury goods firm Dunhill was opening a new custom tailoring floor of its Madison Avenue flagship store in New York, the first of its kind in the U.S. Now we have more details of their custom tailoring program, featuring a selection of over 250 of the finest British and Italian cloths. Clients can create suits, jackets, trousers and shirts solely designed for their individual lifestyle or demands. Overseen by Bruno Cosentino, Dunhill's resident master tailor who personally hand makes every bespoke item, the space is entirely dedicated to the brand's exceptional tailoring service. A Dunhill custom suit undergoes 165 separate, meticulous operations performed by skilled artisans, with some 200 individual pieces going into making a jacket alone. Each jacket is expertly constructed using a floating canvas front allowing it to mold to the body over time. The Custom program offers a choice of two cuts – the House's signature St James' block, inspired by the archetypal Savile Row suit with several distinctive Dunhill touches, or the slimmer Belgravia fit defined by a suppressed waist, built up chest and sharper shoulders.

A suit can further be personalized by straight or slanted pockets, center or side vents and notch or peak lapels. Distinctive Dunhill silhouettes are enhanced by the introduction of a lightly 'roped' shoulder providing a typically English outline. This additional mark of luxury raises the crown of the sleeve slightly, ensuring the purest of lines from shoulder to sleeve. High performance fabrics are available including a 3-ply high twist super 130's wool and silk fabric in a range of blues and greys. The classic Dunhill custom blazer can be created in the finest of Camdeboo mohair (above) which is lightweight, boasts great performance properties and travels beautifully, keeping the wearer warm in the cold but cool in the heat. Each Dunhill custom item will be completed and presented within two months. Once the design of the pattern is complete, it then becomes part of the Alfred Dunhill archives, kept in reserve for returning clients seeking additional bespoke services. Dunhill's custom tailoring tradition includes a tuxedo made for Truman Capote to wear at his infamous Black & White Ball in the 1960s as well as bespoke suits made for Frank Sinatra.

The Classicist: America's Finest Equestrian Architecture

stables book
Kathryn Masson, author of the book on Hunt Country Style which we wrote about back in 2008, has returned with another brilliant exposition on equestrian style for our enjoyment. Stables: Beautiful Paddocks, Horse Barns, and Tack Rooms takes us on an alluring journey through America's horse country. Collaborating once again with Hunt Country photographer Paul Rocheleau, Masson visits some of the most notable stables and equestrian centers from coast to coast. Ranging from private to historic to state-of-the-art, from homes for retired racehorses to lodgings for polo ponies, thoroughbreds and world champions, 25 distinctive examples of equestrian architecture and interiors are profiled, showcasing their design, construction, and landscaping.

Each of the featured buildings evokes its distinctive regional heritage, from an enormous 1830s English-style barn near the Saratoga Springs Racetrack, to the Mediterranean aesthetic of one of the world's leading Arabian breeding farms, Om El Arab International in California's Santa Ynez Valley. Also highlighted are the world-famous racing stable Newstead Farm in Upperville, Virginia, home of Kentucky Derby winner Genuine Risk, and the quintessential Western working ranch Centennial Ranch in Ridgeway, Colorado. Three historic Vanderbilt family stables are featured: The Breakers in Newport, Sandy Point Stables in Portsmouth, Rhode Island, and the newly restored project of Under Armour CEO Kevin Plank, Sagamore Farm in Glyndon, Maryland.

Avid equestrienne and professor Dr. Perky Beisel explores the history of the American stable and the long tradition of horsemanship in this United States in an informative preface. "For some Americans, horse ownership and participation in horse sports became a lifestyle and, for others, a way to join the upper class," She notes. "Families who reaped the benefits of 19th-century expansion in industries such as railroads and manufacturing had seemingly unlimited wealth with which to satisfy their desires. While some became notable art collectors, yachtsmen, or horticulturalists, others became active participants in horse sports. In so doing, not only did they create a new upper class, but they also transformed the physical landscape of equestrian recreation and leisure."

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