Luxist

There was once a time when the resort/cruise collections were made for the rarefied woman who could afford to escape the winter by heading to the tropics (she needed swimwear and a caftan, did she not?). Not anymore. While still a David to the Goliath fall and spring collections, resort is catching the attention of more and more people.

Like air travel and cell phones, is resort bound for the masses?

Collections are just now beginning to hit stores and, for a season that's ostensibly all about lounging around on the beach or the deck of a boat, there's a lot of fashion news to digest: optical motifs, exotic locales like Marrakesh, sheer, leathers for day, aquatic, scuba, old-world charm, draping and, of course, nautical.

The media is doing their part. Fashion magazines are pointing out 'It items' like the floral ribbon-laced sandal from Prada, a bright green croc tote from Roberto Cavalli and pretty much everything in Chanel's stunning parade of black and white caftans and graphics (above).

Fashion insiders have long contended resort/cruise is either an evolution of fall or a preview of spring. That's not necessarily the case today, says style and beauty expert Mary Alice Stephenson. Stephenson explained to me this week that fashion has become like fast food and designers are compelled to feed the hungry. In other words, a resort collection must stand on its own.

"People want whatever's new," she says. "And designers like to keep customers surprised with their unique point of view. Shoppers are putting more thought into their splurges. So designers have to seduce the buyer with making the pieces usable in every aspect of their lives."

Others tell me resort/cruise is the one time designers get to cut loose and get creative. Saleability is less of an issue for a season that lasts, at most, two months. Of course, some designers go overboard. Calvin Klein designer Francisco Costa caught hell from my former employer Women's Wear Daily for his lineup of transparent dresses: "A long-standing argument against such [formal runway] presentations for resort is that inevitably some designers will crossover to the too-editorial side." Too-editorial means that those dress will have nothing whatsoever with how you and I dress in reality.

Still, as buyers we are demanding uniqueness, a slice of our favorite label. We want pieces to seamlessly integrate into our wardrobes. We want reality. And we want season-less items to wear far into next year.

We want it all, don't we?

I was at the Topkapi Palace in Istanbul, Turkey, last week soaking it all in. This was the site where the sultans displayed decapitated heads on stakes to discourage bad behavior among their subjects. Probably the most famous of these heads was Dracula's (Vlad, the Impaler) which had been preserved in honey. Not a bad piece of ghoulish history to come across to get in the spirit of Halloween.

Probably the closest thing you can get to horror in the fashion world is goth. At its worst, goth is all about death, rot and decay. At its best, goth is erotic even a romantic period style of dress. Typically, goth is all about dark colors-blacked out eyes, whitened skin, black hair and a plethora of body piercings.

Most people think goth fashion came out the post punk scene that rose up out of the United Kingdom in the '80s. In fact, goth origins are ancient and appears to be the result of a combination of influences from random events that occurred over the centuries.

One of the best books I've ever come across on the subject is Gothic: Dark Glamour by Valerie Steele. The stunning coffee table book, first published a year ago, traces goth from its Eastern Germanic tribal roots to modern-day black-clad teenagers and sexually-charged vampire fiction.

Steele, chief curator at The Museum at the Fashion Institute of Technology, takes the magnifying glass to haute goth as seen through the eyes of designers John Galliano, Rick Owens and Alexander McQueen. It's a fascinating, visual journey through the aesthetics of the macabre.

Some of you might recall, the original Goths were warmongers who tried to take down the Roman Empire in Istanbul, thousands of years before Dracula lost his head to the sultans. I find it particularly interesting that today's goths have nominated Dracula as their token villain. At least at Topkapi Palace, there's a connection. A column commemorates the Roman victory over the Goths.

In fashion, goth is still one of the most effective ways to communicate rebellion and subculture. It's shocking. Unsettling. The fashion equivalent of a good scare on Halloween. Just the kind of buttons, designers like to push. Take London designer Gareth Pugh's spring 2010 collection, pictured above.

Green. Sustainable. Recyclable. Not exactly the first words you use to describe luxury fashion, right? At the same time, numerous clothing companies have been founded on the principal of being eco-friendly.

I'll admit, the skeptic in me began to worry when giant brands like Guess, Inc. started producing lines purporting to be green. Green's big business and it made for great advertising and public relations. But how can you tell whether a line that claims to be green is really green?

I posed the question to Emma Grady, a contributing fashion writer at TreeHugger.com (a division of the Discovery Channel) who helps sort this out for consumers. "We do this by asking lots of questions to understand a garment's life cycle," she says. "Where are the fabrics sourced? How are they produced? How far does the product travel (shipping is a major source of pollution)? Is the cotton grown in Africa, weaved in India, then shipped to a store in California? What dyes are used in the process?"

Grady and her team at TreeHugger.com a number of designers' sustainable practices are the real deal. It's worth listing a few of them here. Not surprising, Stella McCartney is one. McCartney is well-known vegan and has long produced pleather shoes, belts and handbags to avoid the environmentally taxing tanning process.

Linda Loudermilk, a designer from Los Angeles, is another to watch. I interviewed Loudermilk a few years ago and she told me she spends countless hours researching and developing textiles that are not only made from certified eco-conscious materials, but suited for high design. I found this particularly impressive because the fashion design process is already grueling. And, no doubt, these steps added a lot of expense to production costs.

EDUN, founded in 2005 by Ali Hewson and Bono, promotes sustainable employment in developing countries, particularly in sub-Saharan Africa, reads its mission statement. The line's primary focus is trade but it's also working to use more organic materials in the collection.

Even small things like recycling zippers and buttons can make a big difference, says Grady. Props to Yves Saint Laurent for earlier this year unveiling an eco-friendly capsule collection called "New Vintage." The idea was to create classic YSL styles using fabrics from past collections.

If designers can't be innovative, who can?

Far be it from me to criticize designers when they get creative, try something new or push the envelope. That's fashion.

But, is it me, or are designers presenting collections in Paris this week getting downright costume-y? More than a few of them have gone from subtle references in their collections to frighteningly literal representations of sea creatures, Roman gladiators or whatever else inspires them.

Take Louis Vuitton's show yesterday. Marc Jacobs used giant Afro wigs-the kind you'd pick up on the Halloween aisle-in his presentation. Disappointingly, the Afros were the only things unifying the collection comprised of everything but the kitchen sink (Davy Crockett fur, American Indian accessories, military looks, hippie, club kid, etc.).

Alexander McQueen called his show Plato's Atlantis. With hair sculpted into reptilian fins, models walked by in oversize platformed shoes that looked like heads-scary in more ways than one (you could probably break an ankle in those things). Reptilian patterns, scales and otherworldly silhouettes brought home the idea that we all came from ancient creatures of the deep.

It was a chainsaw massacre at Viktor & Rolf. Paying homage to the economy, the duo took a chainsaw to tulle gowns, cocktail gowns and jackets. To be fair, you expect this sort of thing from these fashion pranksters. These guys have been poking fun at the industry for years (and laughing all the way to the bank).

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Designers are in the midst of a heated argument at Milan fashion week-whether one should dress for sex or dress for abstinence in a global recession. Seems a fitting debate in a country where the famously womanizing Italian Prime Minister Silvio Berlusconi and Pope Benedict XVI are its two most powerful leaders

On the celibate team sits Miuccia Prada, who practices restraint on a regular basis (well, by Italian standards). She further reigned in her collection (well, by Prada standards) to include charcoal knee-length walking shorts, Fifties-style swimwear and demure day dresses. The ever quirky Marni showed knee-length shorts and paired them with thick-strapped shoes with thick soles worn with beige ankle socks (I can hear my boyfriend's protests now). Roberto Cavalli went AWOL from his I'm-too-sexy position in the marketplace, putting out modest peasant dresses with hems stopping mid-calf.

Then again, sex sells. Versace stayed true to form. Sex, sex and more sex with Donatella's brand of cigarettes afterward, thank you. Slits cut up to there. Necklines cut down to there. Cut-outs revealing erogenous zones. Towering stilettos. Short, short, short. (Definitely more my boyfriend's speed, I'm guessing.)

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What are OTKs, you ask? Over-the-knee boots. And if you follow fashion even a little, you know that OTKs, or thigh high boots, are having a moment.

This is no small trend. Shop for OTKs online and not just designer shoe companies pop up (Christian Louboutin, Jimmy Choo, Sigerson Morrison, Stuart Weitzman and Sergio Rossi have some of the best versions). More than 300 brands have gotten in on the action, including denim labels like 7 For All Mankind and Lucky Brand Jeans.

Clearly, designers are ready to cash on what they're betting will be a big, big trend this fall. But this week, I talked wto noted trend expert Tom Julian who's currently flying around the country promoting his book Nordstrom Guide to Men's Style. He's been speaking to random shoppers-both men and women-and all say they will buy items that have a longer lifespan than just one season. Whether or not OTKs fit the bill remains to be seen.

OTKs present another problem, too. Because of their close association with the world's oldest profession, pulling the look off can be downright, ahem, tricky.

Here's how the designers think you should do it: Miuccia Prada paired high-high leather waders with tweed short shorts and heavy sweaters. Hussein Chalayan added garters (pictured above) to his high-heeled versions, then presented them with short dresses and tailored boyfriend jackets. Louis Vuitton balanced his tough-girl versions with nothing but flounce-ruffles, balloon dresses and draped skirts.

At New York fashion week, several trendsetters took their shiny new OTKs out for a spin. Most, like Halle Berry on Jay Leno a few nights ago, chose to pair the boots with a super short dress. It was sexy, but was it chic? What do you think?

Here's my take: As long as you meet head-on the sexiness of an OTK with something NOT sexy, you'll wipe out even the tiniest whiff of stripper. For example, the sexier the dress, the flatter the boot should be. Got a killer pair of OTKs with a stilleto heel? Rock the look with a boxy boyfriend blazer or slouchy sweater. Julian says that when it comes to knitwear, the cardigan is the new layering sweater and works best in luxe fabrics like merino wool and fine gauge cashmere. Works for me.

How many countless man hours of work goes into New York fashion week? It's particularly impressive that publicists can check in hundreds of people in less than 30 minutes and all the while weed out gate crashers, deal with seat stealers and accommodate divas.

There are certainly more difficult tasks then sitting in the audience. Still, being shuttled through show after show-and trying to retain what you've seen-is exhausting. Today, it all comes to an end.

So what's the best thing about fashion week?

"For me? When it's over!" quipped Fern Mallis, Senior VP IMG Fashion, who organizes Mercedes-Benz Fashion Week. "It's such an exciting week. It's like school reunion twice a year."

"Renewal," answered Linda Fargo, Bergdorf Goodman's Senior VP of Fashion.

"People watching for me," said Genlux magazine's creative director Stephen Kamifuji.

And my favorite answer came from André Leon Talley, Editor at Large, at Vogue. "My bed!"

I know. Call me insane, but I've been waiting for this day to come. Overalls have returned.

Ralph Lauren, in his infinite wisdom, has declared this über comfortable piece of clothing fashionable again as evidenced by his Spring show held earlier today.

"I am inspired by the character of the worker, the farmer, the cowboy, the pioneer women of the prairies living authentically through challenging times," he said in his program notes. "I have always admired the honesty of their work wear-the weathered jean, the sturdy overall, the jean jacket, the faded blue work shirt, the naive print of a floral dress."

With the sounds of trains, banjos and Bob Dylan blaring in the background, Lauren sent models out in ripped, stitched and patched RRL denim overalls. One he paired with a metallic pale blue lame blouse and a crystal-encrusted shoe more appropriate for the evening. Another, he topped with an indigo striped jacket. Finally, he created a carpenter pant out of faded blue ombre charmeuse.

The overall certainly fits the baggy, low-crotch pant silhouette of the moment. Genius. Do you agree?

Move aside, paint splats, watercolor prints and all manner of brights. Spring collections like Catherine Malandrino's (pictured above) are also putting it into neutral. Neutrals have traditionally been the stalwart of spring, but these neutrals have, for lack of a better word, umph. There's something urban about them.

Rich khakis are everywhere (Alexander Wang, Vena Cava). Gray matters, particularly darker shades ranging from slate gray to dark charcoal (Narciso Rodriguez, Milly by Michelle Smith). Pale, oh-so-pale-it's-barely-there ice blue looks just perfect right now (Michael Kors, Marc Jacobs). And flesh tones like beige, milky ivory and taupe are so delicate I did a double take because I wasn't sure those models were clothed (Max Azria, Donna Karan).

Of course, there's a method to the madness. Designers are hyper aware that the shopper is going to go for basic pieces that complement what's already in their closet. Neutrals do the trick. And you can always change it up with a colorful bag, scarf or shoe.

Switzerland has nothing on Spring 2010.